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Despite Thorne Henderson's chilly demeanor after seven years of marriage, Charlene Ross always smiled at him, demonstrating her great love and belief that she would one day win his heart. Rather, she discovered him completely enamored and very protective of another woman, but she persisted in tenaciously preserving their marriage. Charlene was left alone in an empty room on her birthday after he took their child to be with the other lady after she had flown abroad to find him and their daughter. At last, she quit up at that point. As she watched her raised daughter refer to another woman as "mom," Charlene's sorrow subsided.

After a whirlwind secret marriage to ruthless billionaire Kian Donovan, struggling writer Eliora Monroe disappears without a trace, leaving only divorce papers behind. Two years later, she's back as a bestselling author with secrets, fame, and a ring on her finger that doesn't belong to him. But when Kian discovers the real reason she left—and the child she kept hidden—he'll stop at nothing to reclaim what's his.

Ava Reynolds is broke, desperate, and watching her little sister die slowly in a hospital bed. She’s out of options, until a cold, powerful billionaire offers her a lifeline: marry him for one year, and he’ll pay for everything. No love. No intimacy. Just a contract. Damian Kingsley needs a wife to save his empire. Ava is a nobody, and that’s exactly what he wants. What he doesn’t expect is the fire behind her quiet eyes or the way she makes his cold world start to crack. But Ava isn’t walking into this marriage blind. She knows she’s just a tool to him. And she swears she’ll never fall for a man who treats love like a business deal. Until one mistake rips her life apart. Betrayed. Humiliated. Thrown out like trash. She leaves, broken, but not defeated. And when Damian finally realizes the truth, it’s too late. The girl he once used is gone. In her place stands a woman he can’t control. A woman he can’t live without. Now he wants her back. But Ava doesn’t want an apology. She wants him to burn

On the eve of her engagement, Jade Moretti thought the worst thing she would face was cold feet. She was wrong. When she walks into her fiancé’s penthouse, she finds him in bed with her step-sister. Humiliated and desperate, Jade runs to the only man who should protect her—her father. But he chooses business over blood. With her name dragged through scandal and her future destroyed overnight, Jade is forced into a world where power is the only currency that matters. That is where she meets Killian Montclair. Cold. Strategic. Untouchable. Killian doesn’t believe in love. He believes in control. And he offers Jade a deal that could save her… and ruin her. A contract marriage. No feelings. No attachment. No mistakes. But when Jade becomes a part of Killian’s life, she discovers he isn’t only fighting business rivals—he’s fighting ghosts, a ruthless ex, and a custody battle that could destroy everything he built. And the more Jade plays the role of wife… the more real it starts to feel. In a marriage built on lies and contracts, Jade must decide: Will she remain bound by an agreement… or risk her heart for a man who was never meant to love?

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.