Which Voice Actors Portray Erza Scarlett In English And Japanese?

Fans of 'Naruto' usually want the short, clear version first: the Japanese voice of Naruto Uzumaki is Junko Takeuchi, and the English voice is Maile Flanagan. Both have carried the role through the original series, 'Naruto Shippuden', the movies like 'The Last: Naruto the Movie', and into 'Boruto'. Junko Takeuchi has that high-energy, raspy-yet-childlike tone that sells Naruto’s reckless enthusiasm and heart. Maile Flanagan brings an Americanized charm and gritty shout that made lines like the dub’s “Believe it!” become iconic for English-speaking fans. Both are women voicing a male protagonist, which is super common in anime and helps keep that youthful timbre consistent. I love hearing them back-to-back — Junko’s cadence and Maile’s phrasing highlight different emotional beats in the same script, and it reminds me why dubbing and original performances both matter so much to how we experience a character.

I get a little giddy whenever someone asks about the cast of 'Fairy Tail' — those voices are half the soul of the show for me. If you want the core lineup that most fans think of first, here are the big ones I always hum along to: Natsu Dragneel — Tetsuya Kakihara (Japanese); Todd Haberkorn (English) Lucy Heartfilia — Aya Hirano (Japanese); Cherami Leigh (English) Gray Fullbuster — Yuichi Nakamura (Japanese); Newton Pittman (English) Erza Scarlet — Sayaka Ohara (Japanese); Colleen Clinkenbeard (English) Happy — Rie Kugimiya (Japanese); Tia Ballard (English) Those five are the heart of the series for me: Natsu’s explosive energy, Lucy’s warm but spunky delivery, Gray’s deadpan with hidden fire, Erza’s iron-clad tone, and Happy’s ridiculous little chirps. I like to go back and watch a few episodes every year to appreciate small performance choices — a glance, a breath, a tiny laugh — and it makes the rewatch feel fresh every time.

If you've watched either of the anime versions, Winry's voice is one of those parts of 'Fullmetal Alchemist' that never leaves you. In the Japanese track she's voiced by Megumi Toyoguchi, and in the English dub she's voiced by Caitlin Glass. Both actresses handle Winry across the TV series and most related media, so when Winry's fixing automail or yelling at Edward, it's usually Toyoguchi in the original and Glass in the English dub. What fascinates me is how each performer colors the character differently while keeping her core—practical, stubborn, deeply caring. Megumi Toyoguchi brings a warm, slightly breathy tone that carries both toughness and vulnerability; her delivery in emotional scenes leans very naturally into Japanese performance rhythms, which I love for the subtlety. Caitlin Glass gives Winry a punchier, more direct energy in English, with crisp emotional beats that land particularly well in scenes where Winry scolds or consoles. If you switch between sub and dub, you'll notice different emphases in lines and small shifts in timing, but both portrayals feel true to the character. Beyond the shows, both actresses have voiced Winry in movie adaptations and promotional material, so the voice you associate with Winry tends to stick across formats. Personally I bounce between the two depending on my mood—Japanese for nuance, English for that immediate emotional clarity—and each time I hear Winry's voice I get something fresh out of the performance.

I’ve got a soft spot for the small, earnest characters in 'Bungo Stray Dogs', so when you asked about Kenji it made me smile. In the Japanese version, Kenji Miyazawa is voiced by Kensho Ono, whose warm, youthful tone brings out Kenji’s optimism and determination. Ono has this knack for making quiet sincerity sound alive — think of the way he can switch from playful to serious without missing a beat. I always notice those subtle inflections in scenes where Kenji is trying to prove himself; Ono’s performance gives those moments real weight. In the English dub, Kenji is voiced by Jerry Jewell, whose delivery captures the same upbeat, slightly nervous energy. Jerry finds that balance between being enthusiastic and a little awkward, which fits Kenji like a glove. If you compare the two, Ono leans a touch more gentle while Jewell adds a slightly brighter edge, but both carry the character’s heart. If you’re into comparing performances, check out a couple of episodes back-to-back — hearing how different languages color the same character is one of my favorite little pastimes. Nice little reminder of why I keep rewatching certain scenes.

Brandish's voice in 'Fairy Tail' is brought to life by the talented Ayana Taketatsu, and I couldn't imagine anyone else capturing her mix of playful menace and hidden vulnerability so perfectly. Taketatsu has this incredible range—she can flip from sounding like a carefree kid to a woman carrying centuries of emotional baggage in a single scene. I first noticed her work as Kirino in 'Oreimo,' where she nailed that tsundere vibe, but Brandish feels like a whole different level. The way she delivers lines like 'Do you want me to shrink your organs?' with this terrifyingly sweet tone is just chef's kiss. What's wild is how Taketatsu makes Brandish's power interactions sound so casual yet threatening. There's this scene where she nonchalantly threatens to reduce Natsu to pocket size while sounding like she's discussing the weather—it gives me chills every time. If you dig deeper into her roles, you'll find she voices characters across the emotional spectrum, from the bubbly Yui in 'Sword Art Online' to the tragic Kotori in 'Date A Live.' But Brandish might be her most fascinating performance—it's like she bottled up moonlight and poured it into every syllable.

Bleach has an incredible roster of voice talent in its English dub that brings the characters to life, and I’ve got to say, each actor really embodies their role so well! For instance, Johnny Yong Bosch, known for his work as Ichigo Kurosaki, does a fantastic job of capturing the character's emotional nuances. Just think about it—Ichigo starts off as a straightforward, tough teenager, but as the story progresses, he faces challenges that push him to the limit. Bosch’s performance skillfully reflects Ichigo's transformation throughout the series, giving the character depth and making those intense moments resonate with viewers. There are also moments of humor and light-heartedness, which Bosch nails too. It doesn't matter if it’s a heart-wrenching scene or one where Ichigo is cracking jokes, Bosch’s versatility shines through. Then you have Michelle Ruff, who voices Rukia Kuchiki. I find her portrayal absolutely captivating! Rukia is such a complex character. She's got this seemingly cold exterior but it's paired with a deeply caring side, especially when it comes to Ichigo and her friends. Ruff’s voice brings a certain grace and strength to Rukia, making her pushes and struggles feel genuine and relatable. Not to mention, her chemistry with Bosch’s Ichigo is electric and drives a lot of the emotional weight in the series. And let's not forget about the iconic grim reaper himself, Grimjow Jaegerjaquez, voiced by the fantastic Jerry Jewell! Every time Grimjow appears on screen, his presence is formidable, and Jewell's voice perfectly reflects that wild, rebellious spirit of the character. It's these layered performances that really elevate 'Bleach'; they capture the essence of what makes the series so engaging. Watching it in English has become just as enjoyable for me as indulging in the original Japanese version. I encourage anyone who's a fan of strong character-driven narratives to give the dub a watch. Each actor truly adds their unique flair and makes the series shine!

I still get a little chill thinking about Rize’s first scene in 'Tokyo Ghoul'—her voice is a huge part of that. The Japanese voice actor is Mamiko Noto (能登麻美子). Her delivery is soft and almost lullaby-like at times, which makes Rize’s moments of menace feel that much darker by contrast. Noto’s tone sells Rize as alluring and mysterious, and then flips it into something menacing when the situation calls for it. I’m the kind of fan who notices tiny performance choices, and Noto does a lot with very subtle inflections. Rize doesn’t have a ton of screen time, but those early episodes hinge on the emotional impact of her presence—and Noto really anchors that. If you’ve watched 'Tokyo Ghoul' and felt unsettled during Rize’s scenes, that’s partly her craft at work. She’s been a voice actor for a long time and brings a calm, polished quality to the role that I appreciate every time I rewatch the series.

Natsu's voice in 'Fairy Tail' is like a burst of energy, and Tetsuya Kakihara absolutely nails it! I first heard him in the subbed version, and his raspy, fiery delivery perfectly matches Natsu's reckless personality. Kakihara doesn't just voice Natsu—he becomes him, especially during those iconic battle screams. It's wild how he shifts from goofy comedy moments to raw intensity in a heartbeat. Fun side note: Kakihara also voices other fiery characters, like Simon in 'Gurren Lagann,' but Natsu remains his standout role for me. The dub voice, Todd Haberkorn, brings a different flavor—more shouty enthusiasm—but Kakihara's performance is the one that stuck with me. That guy lives the role, right down to the laugh.

Wild coincidence — Excalibur is one of those characters you either love to mock or secretly admire, and his voice choices reflect that nutty energy. In the Japanese version of 'Soul Eater', Excalibur is performed by Kōji Yusa, who brings that impossibly hyper, theatrical delivery that makes the sword feel both ridiculous and strangely unforgettable. Yusa layers a cartoony bravado over the character, swinging between obnoxious boasts and sudden, bizarre poetic flourishes; it’s a performance that sells Excalibur as an ancient, legendary nuisance rather than a straightforward weapon. I still chuckle thinking about how over-the-top the lines are in key scenes — they nail the surreal, comedic tone the series leans into. On the English side, Patrick Seitz handles Excalibur in the Funimation dub. His take is more gravelly and emphatic, leaning into the pompous, larger-than-life presence while keeping the comedic sting intact. Seitz gives the sword a theatrical arrogance that contrasts nicely with the often-flat reactions from the other characters, and that contrast is a big part of why Excalibur works so well in the dub. Between Yusa’s manic energy and Seitz’s bombastic swagger, the character becomes one of those oddball highlights of 'Soul Eater' that you either fast-forward to or leave on because you can’t help but laugh. I personally love both versions for different reasons — they each add a unique flavor to the absurdity of Excalibur.