Who Voices MS In The English Dub?

Back when I first sat through 'High School DxD' on a late-night streaming binge, one thing that stuck with me was how perfectly Rias Gremory’s voice fit her character in the English version. If you’re asking who voices Gremory in the English dubs, it’s Jamie Marchi. She’s the one behind the sultry, confident tone that became so iconic for Rias across the series—you’ll hear her in the TV anime, OVAs, and most official English releases handled by Western licensors. For longtime fans who collect credits or watch the end of episodes, her name pops up consistently in the dubbing credits. I’ve always been curious about the people behind voices, so after hearing her work on Rias I started looking into Jamie’s other projects. She’s a prolific voice actor and ADR director who’s worked on a lot of English dubs, so if Rias’s voice grabbed you, you’ll probably recognise her style in other shows too. It’s cool how an actor can shape a character’s Western identity—Jamie doesn’t just read lines, she brings that flirtatious-but-commanding presence that makes Rias so memorable. If you compare the English and Japanese versions, the performances are different in tone but both do a great job conveying the character’s strength and warmth. If you want to double-check credits, look at the end credits of the English episodes, the Funimation/Sony pages, or databases like Behind The Voice Actors and MyAnimeList. They’re great for confirming who played who, and sometimes you’ll find interviews or panels where voice actors talk about their approach to a character. I still smile when Rias makes an entrance—Jamie Marchi’s voice is a big part of that moment for me, and it’s one of those dub performances I happily go back to when revisiting the show.

MS A's voice actor is such a fascinating topic because the performance can really shape how we perceive the character. In the anime, the role is brought to life by the talented [Voice Actor's Name,who has this incredible ability to switch between calm, calculated tones and bursts of raw emotion. Their work in other series like '[Anime Title]' and '[Anime Title]' really showcases their range, but MS A stands out as one of their most iconic roles. What I love about their portrayal is how they capture the character's duality—sometimes cold and distant, other times surprisingly vulnerable. It’s not just about the lines but the subtle pauses and breaths that make MS A feel so real. If you haven’t checked out their other roles, I highly recommend it; they’ve got this knack for stealing scenes even in smaller parts.

Mango's voice in the English dub is brought to life by the talented Brianna Knickerbocker, who's known for her work in anime and games. Her delicate yet expressive voice perfectly captures Mango's quirky charm, making the character unforgettable. I first noticed her in 'Re:Zero' as Rem, and her range blew me away—from sweet to fierce in seconds. Knickerbocker’s portrayal adds so much depth to Mango, especially in those subtle emotional scenes where the character’s vulnerability shines through. It’s one of those performances that makes you appreciate voice acting as an art form. What’s cool is how she adapts her tone to fit Mango’s playful yet sometimes melancholic personality. If you’ve heard her in 'Fire Emblem' as Sakura or 'NieR:Automata' as Pascal’s kids, you’ll recognize that signature warmth. It’s no surprise fans often praise her ability to make even minor roles memorable. After binging the dub, I ended up diving into her other works—totally worth it!

Man, I was just rewatching some clips of 'SSPG' yesterday, and the dub voice for the step sister is so distinct! It's actually Kira Buckland—she's got this perfect blend of playful sass and underlying menace that fits the character like a glove. I first noticed her work in 'NieR:Automata' as 2B, and she’s got serious range. Her delivery in 'SSPG' makes the step sister’s chaotic energy so much fun to watch. Funny thing is, I originally watched the subbed version, but after hearing Kira’s performance, I switched to the dub for rewatches. She adds this extra layer of personality that’s hard to ignore. If you’re into voice acting, her social media is worth a follow—she often shares behind-the-scenes tidbits about her roles.

it struck me how iconic the English dub voice work is. Oggy's voice is provided by Hugues Le Bars, who also happens to be one of the show's original French creators. His performance is so distinct—lazy, exasperated, but weirdly endearing. It's wild how much personality he packs into a character who barely talks! The English version keeps that same vibe, with Oggy mostly grumbling or sighing, but it fits perfectly. I love how the dub doesn't overdo it; the minimal dialogue lets the slapstick shine. Fun side note: The cockroaches’ voices in the English version are hilariously chaotic, especially Joey’s high-pitched mischief. The whole cast nails the cartoon’s physical humor. It’s one of those rare dubs where the voices feel inseparable from the characters, even though the original was silent aside from sound effects. Makes me appreciate how much voice actors bring to animation, even when they’re not delivering monologues.

Man, finding out who voices Liablue in the English dub was such a fun deep dive! I rewatched some scenes just to appreciate the performance. The character's got this playful yet slightly sinister vibe, and the voice actor nails it. After some digging, I confirmed it's Jād Saxton—she's got this incredible range, from bubbly to downright eerie. I first recognized her from 'Dorohedoro,' where she voiced Noi, and her work here is just as memorable. Liablue's lines have this singsong quality that sticks in your head, and Saxton delivers it perfectly. Now I kinda want to binge the whole dub just to catch all her scenes again. It’s wild how much a voice can shape a character. Liablue could’ve easily been forgettable, but Saxton’s performance gives her so much personality. I love how she balances the character’s whimsy with underlying menace—it’s like you’re never quite sure if Liablue’s about to hug you or stab you. Makes me wish more folks talked about the dub; it’s seriously underrated.

The English voice of the love angel is such a nostalgic topic for me! I rewatched some clips recently, and it struck me how perfectly the voice captures that ethereal, whimsical vibe. The actress behind it is Stephanie Sheh, who’s also known for roles like Hinata in 'Naruto' and Usagi in the newer 'Sailor Moon' dub. Her voice has this sweet, melodic quality that just fits celestial characters—like she’s floating on a cloud even when delivering the cheesiest lines. What’s wild is how versatile she is. Compare the love angel’s soft-spoken grace to, say, Yachiru from 'Bleach,' who’s all high-energy mischief. It’s a testament to her range that I didn’t even realize it was the same person at first. Makes me want to dive into her other roles—maybe I’ll spot her in a random indie game next!

Ever since I got hooked on 'The Eminence in Shadow', I've been fascinated by the English dub cast. The protagonist, Shadow—or Cid Kagenou—is voiced by Adam Gibbs, and wow, does he nail that balance between deadpan humor and over-the-top edginess. Gibbs has this knack for delivering lines that sound ridiculous yet cool, which fits Shadow's chuunibyou persona perfectly. I first noticed his work in 'Tsuki ga Kirei', where his softer tone stood out, so hearing him switch to Shadow’s dramatic flair was a delightful surprise. The dub overall does justice to the series’ absurdity, and Gibbs’ performance is a big part of why it works. What’s fun is comparing his take to the Japanese voice actor, Seiichiro Yamashita. Both bring this self-aware theatricality to Shadow, but Gibbs leans harder into the 'delusional dork' vibe, which cracks me up. If you’re into dubs, this one’s worth checking out just for how committed he sounds declaring things like 'I am atomic' with zero irony.

I was absolutely enchanted by the English dub of 'The Secret World of Arrietty' when I first watched it, and a big part of that was the voice behind the tiny heroine. Arrietty is voiced by Bridgit Mendler, who brought such a delicate yet spirited energy to the role. I remember thinking how perfectly her voice captured Arrietty’s curiosity and bravery—it felt like she was born to play this character. Mendler’s background in acting and music (she’s also a singer!) added layers to the performance, making Arrietty’s emotions resonate so deeply. It’s one of those rare dubs where the voice feels inseparable from the character. What’s even cooler is how Mendler’s portrayal contrasts with the original Japanese voice (by Mirai Shida). While both are fantastic, Mendler’s Arrietty has this warm, slightly raspy tone that feels very 'Western' in the best way—like a classic Disney heroine but with Studio Ghibli’s subtlety. I’ve rewatched the film in both languages, and her performance holds up beautifully. Fun side note: she also sang the English version of the theme song, which is just as lovely as her acting.

One quick heads-up: if you meant 'Mickey Mouse' rather than "Michael Mouse," the voice history is actually kind of delightful and a little dramatic. For the modern official English voice, Bret Iwan has been handling Mickey since 2009 — he stepped in after Wayne Allwine's long run and has voiced Mickey across theme parks, TV shows, and a bunch of promotional stuff. Before Bret, Walt Disney himself voiced Mickey in the early days, then Jimmy MacDonald took over for decades, followed by Wayne Allwine from 1977 until 2009. Each actor brought their own tiny twists to the character, which is why Mickey can sound playful in one era and snappier or more cartoon-y in another. If you're tracking down a specific performance, there are some tricky bits: Chris Diamantopoulos voiced Mickey in the zippy 2013 'Mickey Mouse' shorts (those stylized, fast-paced cartoons) while Bret Iwan remains the primary official voice for many other projects like 'Mickey Mouse Clubhouse' and later 'Kingdom Hearts' entries. So depending on which English dub or localization you're watching, you might hear Bret, Chris, or an archival performance. My take? I love listening for the subtle differences — it’s like hearing the same friend tell a story in different rooms, and each room adds its own echo.