Who Voices One Piece Duval In The Anime?

Dellinger's voice in 'One Piece' is brought to life by the talented Rie Kugimiya, who's honestly one of my favorite seiyuu in the industry. She's got this incredible range—from cute and playful to downright terrifying, which fits Dellinger's chaotic energy perfectly. I first noticed her work as Alphonse in 'Fullmetal Alchemist,' but her portrayal of Dellinger’s flamboyant yet vicious personality is next-level. What fascinates me is how she flips between Dellinger’s high-pitched, almost childlike tone during his taunts and the chilling coldness in his fight scenes. It’s like hearing two different characters, yet it feels completely natural for someone with his twisted backstory. Kugimiya’s ability to embody such extremes is why I’ll watch anything she’s in—even if it’s just to hear her chew the scenery.

Mister 3’s voice in the 'One Piece' anime is brought to life by the talented Kazuki Yao, and honestly, his performance is downright iconic. Yao has this knack for balancing comedy and menace, which fits Mister 3’s flamboyant yet cunning personality perfectly. If you’ve heard his work as Bon Clay or even Jean Pierre Polnareff in 'JoJo’s Bizarre Adventure', you’ll recognize that signature blend of theatricality and charm. It’s wild how he makes a character like Mister 3, who could easily be one-note, feel so layered—whether he’s scheming or panicking, Yao nails every moment. What’s even cooler is how Yao’s voice acting evolves alongside the character. Early on, Mister 3 is all smug arrogance, but later scenes reveal glimpses of vulnerability, and Yao adjusts his tone subtly. It’s those little shifts that make anime voice acting such an art. Plus, hearing him play off other Baroque Works agents, like Mister 2, is pure entertainment. Yao’s versatility is why Mister 3 remains one of my favorite minor antagonists in the series.

Galoon's voice in the 'One Piece' anime is brought to life by the talented Chō. I first noticed his work in other roles, like Dr. Hiluluk, and was struck by how he can switch between gruff, emotional tones and lighthearted ones effortlessly. His portrayal of Galoon has this rough charm that fits the character’s seafaring vibe perfectly—like a weathered old sailor telling tales by a fireside. It’s wild how voice actors can inject so much personality into minor roles; Galoon’s scenes always feel livelier because of that gravelly warmth. I’ve been rewatching the Water 7 arc lately, and Galoon’s interactions with the Straw Hats crack me up. Chō’s delivery makes even throwaway lines memorable. It’s a reminder that 'One Piece' thrives on its supporting cast. Fun side note: I looked up his other roles afterward and realized he’s also the voice of Jerry in 'Tom and Jerry' Japanese dubs—talk about range!

I get a little giddy talking about the big, gruff sea legend—Monkey D. Garp. In the original Japanese anime 'One Piece', Garp is voiced by Banjō Ginga, whose deep, gravelly baritone fits Garp’s boisterous, larger-than-life persona perfectly. Banjō Ginga brings this grandpa-who-fights-like-a-legend energy, anchoring Garp’s mix of comic timing and bone-deep resolve. Every time Garp shows up, that voice tells you you’re in for a scene where he can belt out a hearty laugh one moment and deliver a crushing moral beat the next. To me, Ginga’s performance is why Garp feels both intimidating and oddly lovable — a proud Marine with a soft spot he’ll never openly admit. On the English side, the version most fans are familiar with in current releases is the Funimation dub, where Garp is voiced by R. Bruce Elliott. Elliott gives Garp a rough, weathered tone that captures the same gruff warmth as the original while translating the character’s humor and blunt seriousness into English. Since Garp appears at pivotal points — flashy showdowns, family reckonings, and those one-liners that land perfectly — the English voice needs to balance menace, affection, and classic old-timer swagger, and Elliott leans into all of those. There have been different English adaptations and smaller dub variations over the years, but if you’re watching modern dubbed releases of 'One Piece', it’s Banjō Ginga in Japanese and R. Bruce Elliott in the main English dub you’ll hear. I actually love comparing key scenes in both languages; Garp punching a mountain or scolding Luffy hits different emotional notes depending on the voice, and it’s a little treat each time I flip between subs and dub. Both actors bring a distinct flavor that makes Garp feel like the kind of guy who could command a room simply by clearing his throat — and I keep coming back for that intensity every rewatch.

Luffy's English dub voice is brought to life by Colleen Clinkenbeard, and honestly, she nails that blend of boundless energy and stubborn optimism that defines the character. I first heard her performance when a friend insisted I give the dub a shot, and I was surprised how perfectly she captures Luffy's goofy yet determined spirit. It's not easy to match the iconic Japanese voice, but Clinkenbeard makes it her own—especially in those emotional moments like the 'I want to live!' scene in Enies Lobby. Her background in directing and voice acting for other anime (like Erza in 'Fairy Tail') definitely shows in her range. What’s cool is how she adapts as Luffy grows. Early episodes have this raw, scrappy tone, but by later arcs, there’s more depth when he faces bigger stakes. It’s a testament to her skill that even hardcore sub fans often admit the dub holds up. Plus, she voices young Gohan in 'Dragon Ball Z,' which just proves her versatility. If you’ve only watched subbed, I’d say give Clinkenbeard’s take a chance—it might change your mind about dubs.

Man, I’ve been rewatching the Water 7 arc lately, and Paulie’s voice just cracks me up every time! The guy behind that gruff, no-nonsense tone is none other than Kazuki Yao, a veteran seiyuu who’s absolutely nailed the character’s blend of tough-guy exterior and secret softness. Yao’s also famous for voicing Franky later in the series, which blew my mind when I first found out—imagine going from Paulie’s prickly dockworker vibes to Franky’s SUUUPER flamboyance! What’s wild is how Yao manages to make both roles feel distinct. Paulie’s voice has this raspy, impatient edge, especially when he’s yelling about rope or getting annoyed with Luffy, but you can still catch glimpses of his loyalty peeking through. It’s a testament to Yao’s range that he can switch between these polar opposites in the same show. If you listen closely, you’ll even spot little vocal tics, like how Paulie’s sighs sound way more exhausted than Franky’s dramatic wails. Makes you appreciate the craft behind anime voice acting!

Man, Mayumi Tanaka's performance as Luffy is legendary! She's been voicing our rubbery pirate captain since 'One Piece' first aired in 1999, and her energy is just unmatched. Tanaka brings this perfect blend of goofiness and determination to Luffy—like when he yells 'Gomu Gomu no!' with that scratchy, infectious excitement. What's wild is that she also voiced Krillin in 'Dragon Ball' and Yajirobe, which shows her range. But Luffy feels like her magnum opus—she captures his childlike wonder and stubborn loyalty so well. Even after 25+ years, her voice still cracks perfectly during emotional moments, like when Luffy screams after losing Ace. Iconic doesn't even cover it.

I got pulled back into this question the moment you asked — Alvida is one of those early 'One Piece' faces that sticks with you. In the English dubs she’s been voiced by different actors depending on which dub you’re watching. In the original 4Kids English dub her lines were done by one set of actors, while the later, more widely-known Funimation English dub features a different actress who re-recorded many of the early roles. From my DVDs and streaming credits, the name most associated with Alvida in the current Funimation English dub is Colleen Clinkenbeard, and the 4Kids-era credits list a different performer from that earlier production team. Either way, the two performances give Alvida distinct flavors: the 4Kids version feels more exaggerated and cartoony, while the Funimation take smooths out the delivery and matches the tone of the rest of the modern dub. I always lean toward the Funimation version for consistency, but that first goofy 4Kids Alvida is nostalgic in its own way.

The voice behind Mr. 2 Bon Clay in 'One Piece' is one of those performances that sticks with you—Kazuki Yao brings so much flair to the character! Yao’s range is insane; he switches from Bon Clay’s flamboyant, over-the-top energy to moments of genuine loyalty and warmth effortlessly. It’s no wonder fans adore Mr. 2—he’s a scene-stealer, and Yao’s voice work is a huge part of that. What’s cool is how Yao also voices other iconic roles like Franky later in the series, but Bon Clay’s voice has this unique, theatrical pitch that’s unforgettable. I rewatched the Impel Down arc recently, and his delivery of 'Okama way!' still gives me chills. Yao’s performance elevates the character from quirky to deeply memorable.

If you've ever been stopped by that slow, almost drawling delivery in 'One Piece', that's Borsalino — also known as Admiral Kizaru — and in the Japanese version he's voiced by Unshō Ishizuka. Ishizuka-san had this wonderfully laid-back, resonant baritone that made Kizaru feel effortless and strangely threatening at the same time. He brought a casual menace to big moments like Sabaody and Marineford, and his work across the series really stuck with me. He passed away in 2018, which hit a lot of fans hard, because his voice was so tied to the character. If you're curious, go back to early Marineford scenes and you'll hear exactly what I mean — the voice shapes that slow, almost amused pacing of the admiral.