In What Ways Do The Ghosts Portray Duality In 'The Turn Of The Screw'?

Ben has just bought his first house. It's a bit of a fixer-upper. When strange things start happening, he assumes it's the quirkiness of an old house. Because ghosts don't exist, right?

Everly’s family is unique. Her father is a demigod of Death and her mother is a lycan, making Everly and her siblings unique hybrids with intense abilities. Eighteen doesn’t mean much for an immortal, but it does mean freedom. Everly finally gets to leave her coven’s realm and explore the human realm on her own. Determined to prove herself worthy of her family’s name, Everly sets off on a simple mission. Go to the music academy and reap the soul of the phantom that haunts it. It should be simple, but things are far from simple when Everly gets paired with the dark, mysterious, and good looking Sebastian for a performance. Things heat up between them as they rehearse for their roles to perform two songs from a beloved musical that hits closer to home for Sebastian than Ever realizes. What happens when Ever discovers Sebastian is the phantom and a hybrid that should not exist? As their slow burn of desire ignites into burning flames neither can ignore, new challenges come their way. They must work together to save the other spirits being trapped by Sebastian’s wicked half-brother, who is hell bent on revenge.

"We can't be together if I am still alive..." "No... Please, don't do that..." ------------------------------- Ria, a freshmen in college, need to find a new place for her to stay and she just found a perfect one. A big house in the center of the town, just as she need it. Moreover the price is cheaper than she thought it would be! Later she found out that she was not the only one who lived in that house. Someone was already there for years. Alone... Waiting for anyone that can help him to find out... How did he really dead that day.... Aside from helping the ghost, apparently he also helping her to fill her lonely heart, Protect her fragile self... He, who is no longer alive understand her feelings better than one who is still breathing... How can a ghost and a human be together? Shall the other one have to leave this world too?

Reva Aldridge did not choose this life. It was chosen for her. She woke up in a luxury hotel room in Milan with no memory of the night before and a face she recognized looking back at her. The face of Nico Castellano. The most powerful mafia boss on the East Coast of Italy. The man her sister Petra was supposed to marry. Petra had wanted out of the engagement so she drugged her younger sister and sent her in her place. Now the scandal has spread. The Castellano name has been attached to Reva's, and there is only one way to fix it. She becomes his contract wife but the terms are brutal. She is expected to give him an heir. She has no choice because her family has already decided for her. Reva moves into Casa Castellano in Sicily and tries to survive. But something is wrong; her husband is not the same man from one day to the next. Some nights he is cold and controlled, and other nights he is different, softer in ways she cannot explain. A different scent and hands that feel like they belong to someone else. She tells herself she is imagining it. She is not. There are two of them. Twins. And they have both been with her without her knowing. Now that she knows the truth, they are both refusing to let her go. The devil does not wear one face. He wears two. And Reva belongs to both of them.

I rented a house with a bloody history because it was cheap. On the first night after moving in, the faucet turned on by itself. I yelled into thin air, “Are you paying the water bill?!” The water instantly stopped flowing. I thought that was just the beginning of the ghost not bothering me. Unexpectedly, the next day, I saw a main course with two side dishes prepared on the dining table.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.