Did William Shakespeare Really Write All His Plays?

"You were never her, Aria. You were just... there." Jason's words echo in my head as I stand in the back of the church, watching him mourn another woman on her sister's wedding day. Isabelle. The perfect dead girlfriend. The ghost I've been competing with for three years. I thought I could be enough. I thought love could grow where grief once lived. But when I find the evidence, when I see the hotel receipts, the text messages, the photos of Jason with Isabelle's sister Violet, I realize the truth. I was never the love story. I was the intermission. What I don't know yet is that nothing about my marriage was real. Not Jason's cruelty. Not Violet's affair. Not the stranger's rescue. They've all been playing a game, and I'm the prize they're willing to destroy each other for. When the truth comes out, when I discover why Isabelle really died and who's been pulling the strings, I'll have to decide: Do I let them destroy me, or do I burn their whole world down?

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Alexander III, the greatest king of the world died mysteriously at Babylon on 11th June 323 BC. But prior to his death, there was a prophecy that predicted the end of the greatest civilization. The story begins when Cassandra, the seer daughter of the priest of Parthenon gurgles out a prophecy that predicted the end of the greatest civilization. She along with her brother, Argus, the male hero, and beloved Fabian are set to travel to Delphi, the place where prophecies are unveiled. On the long perilous journey, they meet many adventures. In one of Cassandra would be kidnapped and Argus would wage a war. After many more hurdles, they reach Delphi only to get a shocking revelation. What was that prophecy? What would happen next?

Iori is a famous mystery writer with a dark past that still haunts her. One day, she's forced to co-write a book with the most famous romance writer Jun by their publisher, who also forces them to live together and pretend to be in a relationship for the sake of advertisement. Unable to refuse because of the huge favor their publisher owes them, those two who barely stand each other's presence are now trying to coexist and finish the book while dealing with their twisted pasts who were always ready to resurface...

I was the side character, the one destined to be neglected, forgotten, and never chosen. In the novel’s story, I was merely a background existence—the woman fated to marry the male lead, yet never once receive his love. The wife who shared his name but never his attention. Salvatore Mancini. The perfect male lead. Cold, powerful, and admired by everyone. Except me. Because in this story, his heart already belonged to someone else. When I first realized I had transmigrated into this novel, I thought I could change my fate. I tried to avoid the original scenes, tried to step away from the plot. But every time I tried to change something…I returned to the same place. The same moment, the same outcome. As if the unseen author of this story was reminding me again and again: You are only a puppet, and puppets don’t decide their roles. So I stopped resisting. If the story wanted me to be the neglected wife, then I would simply live quietly and let the plot run its course. That was my plan. Until one night, when I finally looked at the man and said casually— “Tell me something, Mr. Mancini. Aren’t you supposed to be my husband?” His cold eyes narrowed slightly, but I simply leaned back and smiled. “Then fulfill your role properly. Let’s see… what kind of man the great Salvatore Mancini is.” For the first time since our marriage he actually looked at me, not through me. At me. I didn’t know what changed after that, but from that night onward. Even when he looked at me with clear irritation. Salvatore Mancini began appearing around me more and more. Which left me with a very unsettling thought. The plot…It didn’t change, right?

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.