Who Won The Final Battle In 'Contest'?

Violetta was supposed to be the other woman in her own life. After discovering her husband, Mark, in an unforgivable betrayal with the one person she trusted most, her world fell apart. But what started as the end of a relationship became the beginning of something she never saw coming. In a world where she was once discarded, Violetta discovers that the sweetest revenge isn't just about moving on but it’s about moving up. When she crosses paths with a man who sees her worth, she finds herself playing a game that Mark never intended. Now, she’s not just moving on; she’s rewriting the rules of the family that once tried to break her.

Fifteen years ago, a werewolf maid abducted the youngest daughter of Jacob Ylva and Sereina Ylva causing anxiety and trauma to the couple. Celeste was still fifteen years old at that time while her younger sister was still five years old. Later on, Celeste Louve Ylva took over Ylva's firms so her parents felt at ease whereas her sister was taken from them by a maid. She familiarized herself quickly with the business environment because they had numerous business partners, workers, and even clients. She doesn't want her parents to be stressed out any further. Celeste's parents gave her her mansion and several of their butlers, maids, and security guards. One day, while she was on her way to her café, she received an email from her private investigator requesting him to gather some evidence to determine the suspect and her sister, but to her surprise, a vampire disguised herself as a maid with her frightening smile, crimson-red eyes, and fangs terrified her. The maid is a vampire, not a werewolf. What is the real motive for the vampire to abduct and ignite the fire between the vampire and the werewolf? Celeste was befuddled, and she wanted to clear her thoughts since she had a lot of appointments the next day. She met her mate by chance while taking a break at the beach. Will her mate support her in settling everything?

The royal house of Medora sets up an international contest. The winner gets to marry the crown prince and one day rule as his queen. But with the entire world watching, and several other women trying to sabotage you, falling in love isn't easy. Jane didn't take the contest seriously at first. She never even thought she would get in. She is introduced into a new world filled with ballgowns, secret romances and of course: Prince Sebastian. Can she fall in love with someone so different than her? Or will the dark side of this new golden world get to her first?

When I was seven years old, a handsome man Mom brought home gave me a box of mangoes. That day, Dad watched me happily eating the mangoes as he signed his name on the divorce agreement. Then, he jumped to his death. From that day on, mangoes became a lifelong nightmare for me. So, on our wedding day, I told my wife, Irene Johnson, "If you ever want a divorce, just give me a mango." She held me without saying a word. From that moment on, mangoes became forbidden for her as well. … On the fifth Christmas Eve after we got married, Irene's childhood sweetheart, Steven Carter, placed a mango on her desk. That same day, she announced that she was cutting ties with him and fired him from the company. That day, I felt that she was the woman destined for me. ... Six months later, I return from overseas after closing a billion-dollar deal. At the celebration dinner, Irene hands me a drink. After I drink half of it, Steven, the man who was kicked out of the company, stands behind me and grins. "Is the mango juice good?" he asks. I look at Irene in disbelief, but she is holding back a laugh. "Don't be mad. Steve insisted I play a joke on you. I didn't give you a mango, just a bottle of its juice. "But I think Steve is right. There's something wrong with you for not eating mangoes. Look at how much you enjoyed it just now!" she says. I keep a cold expression, raise my hand, and splash the remaining mango juice onto her face. Then, I turn and walk away. Some things are never a joke. Mangoes aren't, and neither is my decision to divorce.

I had been dating Andy Lawson for five years. He had gone bankrupt, and during the worst of it, we had to sleep in parks and scavenge leftovers for food. After a hundred days of that life, I was just going to the blackmarket to sell some blood for money when someone sent me a video. [Surprise.] It was a livestream site, set up for rich kids to prank the common folk—and a video of me was pinned to the top. My finger trembling, I tapped on it and saw myself hidden in a corner of a park, munching on leftovers to nourish my frail body. On the split video, Andy was reclining against the armchair of a five-star hotel and savoring his gourmet menu. "Oh, this is amazing! All Andy has to do is say that he's sick, and she's selling her blood for him!" "On the sixteenth prank, she fell into the ocean… And on the fifteenth, she was sent flying in a car crash! Why is she so hard to kill?" "Well, Andy already made it clear that if she survives until the end, he will marry her and swear off women!" "One month to go! Will she die from the pranks, or marry into the Lawson family with pomp and circumstance?" "I'm betting fifty mil that she dies tragically! Hahaha!"

In an East London lock up, two film makers, Jimmy and Sam, are duct taped to chairs and forced to watch a snuff film by Ashkan, a loan shark to whom they owe a lot of money. If they don’t pay up, they’ll be starring in the next one. Before the film reaches its end, Ashkan and all his men are slaughtered by unknown assailants. Only Jimmy and Sam survive the massacre, leaving them with the sole copy of the snuff film. The film makers decide to build their next movie around the brutal film. While auditioning actors, they stumble upon Melissa, an enigmatic actress who seems perfect for the leading role, not least because she’s the spitting image of the snuff film’s main victim. Neither the film, nor Melissa, are entirely what they seem however. Jimmy and Sam find themselves pulled into a paranormal mystery that leads them through the shadowy streets of the city beneath the city and sees them re-enacting an ancient Mesopotamian myth cycle. As they play out the roles of long forgotten gods and goddesses, they’re drawn into the subtle web of a deadly heresy that stretches from the beginnings of civilization to the end of the world as we know it. ©️ Crystal Lake Publishing