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Jack
Story Finder
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Writing a bisexual character starts with recognizing that their sexuality is just one facet of who they are, not the entirety of their identity. I’ve read so many books where bisexuality is either treated as a plot twist or reduced to stereotypes—like the 'confused' trope or the 'promiscuous' archetype. Instead, think about how their attraction to multiple genders shapes their worldview subtly. Maybe they notice beauty in a wider range of people, or they’ve had to navigate assumptions from both straight and queer circles. A great example is Rosa in 'Brooklyn Nine-Nine'—her bisexuality is casual, unforced, and woven into her humor and relationships.
One pitfall to avoid is making their bisexuality contingent on plot relevance. They shouldn’t 'turn bi' for drama or to serve a love triangle. Let them exist in their fullness, with past relationships, preferences, and quirks that aren’t tied to their sexuality. If you’re unsure, talk to bi folks or read memoirs like 'Bi' by Julia Shaw. Authenticity comes from understanding that bisexuality isn’t a phase or a middle ground—it’s its own rich, valid experience.
2026-05-06 17:41:26
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Miles
Active Reader
Electrician
I adore stories where bisexual characters just are, without fanfare or justification. Take 'The Seven Husbands of Evelyn Hugo'—Evelyn’s bisexuality is messy, passionate, and integral to her without being a 'lesson.' When writing, consider how their identity interacts with setting. A bi character in a historical drama might face different pressures than one in a futuristic sci-fi. Do they openly date multiple genders? Do they face erasure ('You’re just gay/straight now')? Small details matter: the way they might roll their eyes at 'pick a side' jokes or how they light up discussing crushes regardless of gender.
Romance subplots can shine if you avoid the 'golden couple' trap—where they settle into a straight or gay relationship and their bisexuality fades from the narrative. Let them flirt, pine, and love in ways that feel true to the spectrum of their attraction. And please, no 'proving they’re bi' scenes—it’s exhausting to see characters constantly defending their validity.
2026-05-06 22:29:58
13
Quinn
Plot Explainer
Chef
Bisexual characters deserve the same depth as anyone else—their sexuality shouldn’t be a shorthand for 'rebellious' or 'indecisive.' I’ve always loved characters like Lucifer in 'Lucifer' or Oberyn Martell in 'Game of Thrones,' where their bisexuality is part of their charm but never overshadows their agency. Write them with past loves, heartbreaks, and desires that aren’t monoliths. Maybe they’ve faced biphobia from unexpected places, or they have a favorite pride flag pin they wear subtly.
Avoid making their story about 'coming out' unless it’s central to the plot. Bisexuality isn’t always a narrative turning point—sometimes it’s just there, like a character’s hair color. And if you include relationships, let them be varied. A bi person might date one gender for years and still be bi. It’s about possibility, not proof.
2026-05-09 15:22:17
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Then there’s Shinji Ikari from 'Neon Genesis Evangelion.' While his sexuality isn’t explicitly labeled, the series drops heavy hints—like his intense, ambiguous dynamic with Kaworu, which fans have interpreted as romantic. It’s messy and complicated, which honestly fits Shinji’s character perfectly. More recently, characters like Ymir from 'Attack on Titan' resonate too. Her feelings for Historia are central to her arc, but her backstory suggests her attraction isn’t limited by gender. It’s cool to see these layers in characters, even if anime still has room to grow in explicit representation.
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