How To Write Fantasy Fiction Books Like A Pro?

2026-04-23 10:26:05 244
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3 Answers

Thomas
Thomas
2026-04-27 16:32:41
Start small—a single vivid scene, not the whole trilogy. I drafted my first book’s climax first, just to see if the emotions landed. Worldbuilding’s fun, but if the scene where the thief confesses to burning the library doesn’t sting, who cares about the library’s history? Beta readers are gold, especially non-fantasy fans. If they’re confused about your 'shadow-binding ritual,' it’s not them, it’s you. And tropes aren’t bad; they’re tools. 'Farmboy becomes king' can feel fresh if the farmboy’s terrible at ruling and misses his goats. My favorite writing snack: olives and dark chocolate. No reason, just sets the mood.
Elijah
Elijah
2026-04-28 17:38:23
Writing fantasy fiction feels like building a world from scratch, where every brick is a decision—magic systems, races, politics, or even the way sunlight filters through your fictional trees. I spend weeks just sketching maps and scribbling lore before I even touch the plot. The key? Make rules for your world and stick to them. If magic drains life force, show the consequences—don’t just handwave it. And characters? They shouldn’t feel like chess pieces moved by the plot. My protagonist in a shelved project started as a cliché 'chosen one,' but after giving her a phobia of heights (in a world of floating islands), she suddenly felt real.

Read outside fantasy, too. A cookbook might inspire a culture’s cuisine; a documentary about ants could spawn a hive-mind villain. And for pacing, I steal tricks from thrillers—short chapters, cliffhangers—even if the story’s epic. The worst advice I got early on was 'just write what you know.' Nah, write what you love, then research until it feels like you know it. My current draft has a scene where characters debate fake philosophy, and I spent three days down a rabbit hole about medieval metaphysics just to make it sound plausible.
Rhett
Rhett
2026-04-28 22:08:09
Fantasy’s my escape hatch, so when I write it, I prioritize wonder over wordcount. You don’t need another Tolkien clone—what’s your weird angle? Maybe your elves are carnivorous, or prophecies are scams sold by fortune-teller guilds. I once wrote a short story where 'heroes' were actually disaster tourists, and the 'dark lord' just wanted privacy. Readers remembered that more than my perfectly plotted epic.

Dialogue’s another playground. Avoid ye olde medieval cringe unless it’s intentional. My rule: if a character wouldn’t say it while washing dishes, cut it. Also, steal from history—real wars, rebellions, and scandals are wilder than most fantasies. The Byzantine Empire alone could fuel a dozen books. And endings? Don’t tie every bow. Leave mysteries unresolved, like that eerie tavern song no one explains. It keeps readers arguing online, which is half the fun.
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