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3 Answers
Zane
Careful Explainer
Analyst
Beginners often ask me, 'How do I make my characters feel real?' The trick is treating them like people, not puppets. Give them contradictions—a brave knight who’s terrified of spiders, or a cynical detective who secretly donates to orphanages. I steal quirks from real life: my barista’s habit of humming off-key show tunes became a character trait in my last manuscript. Also, write what fascinates you, not what’s trendy. If you’re forcing yourself to write vampire romances when you’d rather explore underwater cities, it’ll show.
Grammar and structure matter, but don’t obsess early on. Tools like Grammarly can clean things up later. What’s irreplaceable is voice—your unique storytelling fingerprint. One exercise I love: rewrite a fairy tale in three completely different tones (noir, comedic, lyrical). It’s like flexing a muscle you didn’t know you had.
2025-11-15 13:53:47
14
Stella
Reviewer
Chef
Writing a novel can feel like climbing a mountain blindfolded at first, but trust me, every writer starts somewhere. The biggest mistake I see beginners make is overplanning—they get so caught up in worldbuilding or outlining that they never actually write. My advice? Just start. Scribble down messy first drafts without worrying about perfection. 'Bird by Bird' by Anne Lamott taught me the power of 'shitty first drafts,' and honestly, it’s liberating. Dialogue and characters often reveal themselves as you go, not before.
Another tip: read voraciously in your genre. If you’re writing fantasy, devour everything from 'the name of the wind' to niche indie titles. Notice how pacing works, how tension builds. And don’t underestimate short writing sprints—setting a timer for 20 minutes forces focus. Oh, and avoid editing while drafting; that’s a creativity killer. Let the story flow, even if it feels ridiculous. Some of my best plot twists came from accidental detours.
2025-11-16 01:10:20
18
Lila
Ending Guesser
Librarian
Ever notice how the best novels make you forget you’re reading? That’s immersion, and it starts with sensory details. Instead of 'the forest was dark,' try 'the pine needles crunched underfoot, releasing a sharp resin scent that clung to my sleeves.' Small moments build believability. Also, conflict is your friend—even in quiet literary fiction. Maybe the conflict is internal, like a character torn between duty and desire.
Lastly, finish something. A flawed completed draft beats a perfect half-written one. I taped my first rejection letter to my wall as motivation. Every writer has a pile of them; it’s part of the journey.
2025-11-20 14:55:22
18
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Related Books
Sinners & Saints: A Collection Of Dark Romance Stories
Mary Samantha
10
571
This author once failed as a heroine… and returned as something entirely different.
Not as a savior.
But as the villain.
And she didn’t come back empty-handed.
She brought secrets.
She brought sins.
She brought a story that was never meant to be read.
Sinners & Saints is not just a collection of dark romance stories—
It is a confession.
A warning.
And a door best left unopened.
Within these pages lie twisted love stories where desire and destruction walk hand in hand, and every choice comes with a cost.
So the question is simple:
Will you turn away…
or step inside anyway?
Thanks for reading! If you didn’t find the answer to your question here, contact your editor who sent you the contract offer and tell him/her to improve this guidebook.
Also, don't forget to take the small quiz in the last chapter and share your score with us in the comment!
This is a brochure containing a collection of PROMPT IDEAS from our one and only GOOD NOVEL WORKSHOP. Every PROMPT is a thrilling idea that might inspire you and can be the foundation of your next book! If interested, Please send your summary to: workshop@goodnovel.com, and note which prompt is based on. Our editors will get back to you as soon as possible.
We love reading novels, fall in love with the characters, sometimes envy the main girl for getting the perfect male lead... but what happens when you get inside your own novel and get to meet your perfect main lead and bonus...get treated like the female lead?! As the clock struck 12, Arielle Taylor is pulled inside her own novel. This cinderella is over the moon as her Prince Charming showers her with his attention but what would happen when she finds herself falling for her fairy godmother instead?
Please read my interview with Goodnovel at: https://tinyurl.com/y5zb3tug
Cover pic: pixabay
After transmigrating through three novels in a row, the hardest thing I ever suffer through is drinking iced long black. But when I open my eyes again, I somehow become the pathetic simp side character in a trashy romance novel.
Just as I debate whether to file a complaint against the system, the trembling system hurriedly explains something to me.
Although this is a trashy romance novel, it is also an unfinished abandoned novel.
I ask, "So you're saying I decide how the story develops?"
The system replied, "Yes. Everything is completely under your control."
Satisfied, I lazily stretch and begin checking the original Jacob's background. He has a trillionaire father and a billionaire mother. On top of that, he has seven rich and beautiful older sisters.
With such a ridiculously overpowered setup, how can he go around simping for a broke college girl with no money?
What a complete waste!
Writing a novel can feel like staring at a mountain you're supposed to climb barefoot—exciting but terrifying. The trick is to break it down into manageable steps. First, don’t obsess over perfection right out of the gate. Just start writing. Your first draft is allowed to be messy; it’s like sketching before painting. Grab an idea, even a vague one, and let it spill onto the page. Maybe it’s a character who won’t shut up in your head or a scene that plays on loop in your imagination. Build from there. I’ve abandoned so many 'perfect' outlines because the story always veers off-road, and that’s where the magic happens.
Structure helps, though. You don’t need a PhD in plot theory, but knowing basic story arcs (like the three-act structure) can be a safety net. Think of 'Harry Potter' or 'The Hunger Games'—setup, confrontation, resolution. But rules are more like guardrails. If your story thrives on chaotic vibes (looking at you, 'Catch-22'), go for it. Tools like Scrivener or even Google Docs can keep your chaos organized. And read—voraciously. Analyze how your favorite books pace dialogue or build tension. Steal tricks shamelessly (just don’t plagiarize). Writing’s a solo sport, but you’re never really alone; every book you’ve loved is coaching from the sidelines.
Lastly, finish something. Even if it’s 50,000 words of nonsense, completing a draft teaches you more than a dozen half-burned manuscripts. Share it with trusted friends or online writing groups. Feedback stings, but it’s fertilizer. And when doubt creeps in (it will), remember: every author you admire once faced a blank page, too. My first 'novel' was a cringe-fest about vampire detectives, but it got me hooked on storytelling. Now, where’s that coffee? Oh wait, no setting descriptions—just keep writing.
I stumbled through my first manuscript making every mistake possible, so maybe I can save someone else the headache. The biggest thing isn't plotting or prose—it's finishing a draft. Doesn't matter if it's messy. Just get the whole story down from 'once upon a time' to 'the end'. You can't edit a blank page, but you can fix a terrible one.
Another rule I wish I'd known earlier: write the book you want to read. Not what's trending, not what you think will sell. If you're not excited to turn the page in your own document, why would anyone else be? That genuine interest is what carries you through the sloggy middle chapters where most beginners quit.
Also, protect your writing time like it's a medical appointment. Tell people you're busy. Turn off the internet. The world will happily fill all your free hours if you let it. A little bit daily adds up faster than you'd think.