How Can Writers Increase Chances In Short Story Contests For Money?
2026-07-30 14:10:29
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LucaLane
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3 Answers
Harper
Story Interpreter
Sales
Grammar and formatting matter way more than people admit. A judge sees a typo in the first paragraph, and their brain starts dismissing your work. It signals you didn't care enough to proofread. They're looking for reasons to cut the pile down. Don't give them an easy one. Use a standard font, double-space, follow their submission rules to the letter. It's boring, but it shows professional respect for the process. That basic competence gets your story into the 'maybe' pile instead of the 'no' pile before the first plot point even lands.
2026-07-31 23:36:25
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Julia
Novel Fan
Driver
Looking back at my last five attempts, the biggest shift came when I stopped trying to sound 'literary' and just focused on the last line. I'd write the final image first—something that sticks in your teeth or gives you a chill—and then build the whole story backward to earn it. Contests get flooded with competent, forgettable prose. Judges read hundreds. They're numb. That last sentence is the only thing that wakes them up.
I also started hunting for contests with very specific, weird prompts. The narrower the prompt, the fewer entries they get. A general 'open theme' contest is a lottery. But if they want a ghost story set in a laundromat involving a single sock? Fewer people bother, and your odds improve dramatically. The money's often smaller, but winning begets more wins. It's a resume line.
Never submit anything you wrote the same week. Let it sit until you've forgotten the rhythm of the sentences, then read it aloud. The clunks announce themselves.
2026-08-03 02:01:11
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Declan
Book Scout
Translator
Honestly? Read the previous winners. Every anthology and contest site publishes them. Don't just skim for pleasure; dissect them like a mechanic with a broken engine. What's the word count they actually pick? Is the dialogue sparse or dense? Do the stories tend toward bleak realism or speculative twists? Most contests have a hidden aesthetic they reward year after year. You're not just writing a good story; you're writing a story that fits their particular, often unstated, mold.
It sounds cynical, but it's just learning the market. If you're sending a quiet, character-driven slice-of-life piece to a contest that consistently picks high-concept sci-fi, you're donating your entry fee. Match your material to their taste. That's half the battle right there.
2026-08-03 17:16:58
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Surprised nobody mentioned the back of the book yet. Judges for a paid contest are reading hundreds of entries, probably in a tight timeframe. That means your first paragraph is everything. It needs a hook, but also a distinctive voice they can latch onto immediately. I've seen stories with incredible middles get passed over because the opening felt generic. Read the previous winners out loud, not just for theme, but for rhythm. Does your opening sentence have that same cadence?
Another thing: don't try to game the theme. If the prompt is 'second chances,' writing a literal story about a parole hearing is a trap everyone else will fall into. The winning entry last year for a contest like that was about a gardener trying to revive a specific, extinct rose. It was all metaphor, but it fit the brief perfectly. They're paying for originality of thought, not just competence.
And for the love of all that's good, triple-check the formatting guidelines. Sending a PDF when they want a .doc with specific fonts and spacing is an instant disqualifier, no matter how brilliant the prose. It screams that you didn't read the rules, which tells them you're not serious.
I just submitted to The Masters Review Flash Fiction contest last month—first place gets $3,000, which is solid for under 1,000 words. The caveat is their editorial taste leans toward crisp, literary prose with a twist; my more genre-bending piece got a polite pass last year. Another reliable one is the 'Saturday Evening Post' Great American Fiction Contest. It pays $500 for the winner and publication in a magazine my grandparents actually recognize, which is a weird flex but kind of charming. Not the hugest purse, but the prestige opens doors.
For pure cash, the BBC National Short Story Award is massive (like £15,000), but it's ultra-competitive and has specific eligibility around UK connection. I treat those as my annual 'reach' submissions. Honestly, don't sleep on genre-specific contests either—'Asimov's Readers' Award' or the Alfred Hitchcock's Mystery Magazine contest often have lower entry numbers and decent payouts if your story fits the mold. My strategy is mixing one 'dream' contest with a couple of mid-tier ones per season to balance hope and realism.
Man, I used to spend hours down this rabbit hole when I was trying to justify more writing time. The real heavy-hitters for pure cash are contests like the 'Writers of the Future', which tops out at $5000 for first place. They've got a huge sci-fi/fantasy focus, but they don't own your rights after, which is huge.
Then there are the genre-specific ones like the 'Soul-Making Keats' contest from the National League of American Pen Women—some categories have prizes up to $2500. These feel more like proper literary establishments. The catch is a lot of them have entry fees that can add up, so you've gotta weigh if the shot is worth the buy-in. I submitted to one a few years back that was $15 entry, prize was $1000, and got an honorable mention that felt better than the prize would have, honestly.