Who Wrote The First Fantasy Book

I've always been fascinated by the roots of fantasy literature. While it's tricky to pinpoint the absolute 'first' fantasy novel, many scholars credit 'The Castle of Otranto' by Horace Walpole, published in 1764, as the founding work. It’s a Gothic novel dripping with supernatural elements—ghosts, curses, and eerie castles—setting the stage for the genre. But if we dig deeper, older texts like 'The Epic of Gilgamesh' or medieval romances like 'Le Morte d'Arthur' flirt with fantastical themes. Personally, I lean toward Walpole because he consciously framed his work as fiction, unlike earlier mythic tales. The way he blended horror and whimsy feels like the blueprint for modern fantasy.

I’ve always been fascinated by ancient historians, and the title of 'first history book' is often debated. The earliest known historical work is 'The Histories' by Herodotus, a Greek writer from the 5th century BCE. He’s called the 'Father of History' for a reason—his accounts of the Greco-Persian Wars and various cultures were groundbreaking. Unlike myths or chronicles, he tried to verify facts, though his style was narrative and colorful. Thucydides later refined the approach with 'History of the Peloponnesian War,' focusing on objectivity. But Herodotus set the foundation, blending travelogues, anthropology, and politics into something entirely new for his time.

As a longtime fantasy enthusiast, I've delved deep into Brandon Sanderson's works, and the 'Mistborn' series holds a special place in my heart. The first book, 'Mistborn: The Final Empire,' was penned by Sanderson and published in 2006. It introduces readers to a world where ash falls from the sky, and the oppressed skaa rebellion simmers under the rule of the immortal Lord Ruler. Sanderson's intricate magic system, Allomancy, is a standout feature, allowing certain individuals to ingest and 'burn' metals to gain superhuman abilities. The characters, like Vin and Kelsier, are richly developed, making their struggles and triumphs deeply engaging. Sanderson's ability to weave complex plots with emotional depth is why 'Mistborn' is often recommended as a gateway into epic fantasy. Beyond the book itself, Sanderson's dedication to world-building and his consistent output have earned him a massive following. His 'Cosmere' universe, which includes 'Mistborn,' connects various series through subtle lore, rewarding longtime readers. The first 'Mistborn' trilogy is a perfect blend of heist story, revolution, and personal growth, showcasing Sanderson's knack for balancing action with introspection. If you haven't explored his works yet, 'The Final Empire' is an excellent starting point.

I remember stumbling upon 'The Hobbit' by J.R.R. Tolkien when I was just a kid, and it completely blew my mind. It felt like stepping into a whole new world filled with dragons, dwarves, and a reluctant hero named Bilbo Baggins. The way Tolkien crafted Middle-earth was so vivid and immersive, it set the standard for what fantasy could be. Before that, I had read fairy tales, but 'The Hobbit' was different—it had maps, languages, and a sense of history. It wasn’t just a story; it was an adventure that felt real. That book sparked my love for fantasy, and I’ve been chasing that feeling ever since. Even now, I can recall the thrill of Bilbo’s journey and the magic of discovering Smaug’s treasure. It’s the kind of book that stays with you forever.

As someone deeply fascinated by historical literature, I’ve always been curious about the origins of American historical writing. The first American history book is widely considered to be 'The History of the Colony and Province of Massachusetts-Bay' by Thomas Hutchinson, published in the mid-18th century. Hutchinson, a colonial governor, meticulously documented early New England life, blending political insight with personal observations. While not a perfect work by modern standards, it laid the foundation for American historiography. Another early contender is 'The History of New England' by John Winthrop, though it’s more of a journal than a formal history. These works capture the raw, unfiltered perspectives of early settlers, offering a glimpse into their struggles and triumphs. For anyone interested in the roots of American historical writing, Hutchinson’s work remains a pivotal starting point.

I've always been fascinated by the origins of science writing in English, and the answer takes us back to the 17th century. The first recognized English science book is often attributed to Thomas Harriot, a mathematician and astronomer who wrote 'A Briefe and True Report of the New Found Land of Virginia' in 1588. While it wasn’t purely scientific by modern standards, it documented natural observations and indigenous practices, blending exploration with early scientific inquiry. Harriot’s work laid groundwork, but the title of first dedicated English science book usually goes to William Gilbert’s 'De Magnete' (1600), a groundbreaking study on magnetism. Gilbert’s meticulous experiments and theories about Earth’s magnetic field were revolutionary for their time. His writing style was dense but systematic, marking a shift from speculative philosophy to empirical evidence. What’s wild is how these early works straddled science and mysticism. Gilbert, for instance, still referenced 'cosmic souls,' yet his methods were surprisingly modern. Comparing Harriot’s travelogue to Gilbert’s focus shows how science writing evolved—from descriptive logs to hypothesis-driven research. Both men were Renaissance polymaths, but Gilbert’s influence echoes louder in later figures like Newton. It’s humbling to think how these texts, now archaic, were the sparks that ignited England’s scientific revolution. They remind me that even the most foundational works began as messy, human attempts to decode the unknown.

I've always been fascinated by ancient Greek scholars, and the person credited with writing the first history book is Herodotus. Known as the 'Father of History,' he wrote 'The Histories,' a detailed account of the Greco-Persian Wars and the cultures of the ancient world. His work wasn't just dry facts—he wove in storytelling, myths, and his own observations, making it engaging. While some critics called him the 'Father of Lies' for including tall tales, his approach laid the groundwork for historical writing. I love how his curiosity about different cultures shines through, like when he describes Egypt or Babylon with vivid detail. His style feels personal, almost like he's chatting with you over a cup of wine.

As someone who’s obsessed with art and its origins, I’ve dug deep into this topic before. The first true art history book is widely considered to be 'Lives of the Most Excellent Painters, Sculptors, and Architects' by Giorgio Vasari, published in 1550. Vasari wasn’t just documenting artists; he was shaping how we think about creativity itself. His work laid the groundwork for modern art criticism, blending biographies with his own passionate opinions on Renaissance masters like Leonardo da Vinci and Michelangelo. What’s fascinating is how Vasari’s personal connections to artists like Michelangelo colored his writing. He didn’t just list facts—he infused drama, gossip, and reverence into every page. While earlier texts like Pliny the Elder’s 'Natural History' touched on art, Vasari’s was the first to frame art as a *historical progression*. His bias toward Florentine artists is obvious, but that’s part of why it’s such a lively read. If you ever flip through it, you’ll notice he practically invented the idea of artistic 'genius.'