Who Wrote The Knuckleduster Manga Series?

I get why you asked — 'Knuckleduster' is the kind of title that makes you want a quick chapter count so you can plan a weekend binge or see whether to start collecting physical volumes. I don't have a single definitive number to hand right now, and that’s mostly because manga chapter totals can be tricky: some works are single one-shots, some are short serialized runs later collected into a couple of tankōbon volumes, and some have extra bonus chapters or special chapters released in magazines or as part of reprints. When I dug through library sites, publisher pages, and fan databases for similar niche titles in the past, I often found conflicting counts depending on whether people included side stories and web-only specials. If you want the absolute total, the most reliable route is to check the official publisher listing for 'Knuckleduster' (the tankōbon page will list chapter titles/contents), then cross-check with a cataloging site like MangaUpdates or MyAnimeList and a retailer listing (Amazon JP, Bookwalker, or the publisher’s shop). Watch for editions: omnibus or reprints can combine chapters and sometimes add new extras, which skews simple chapter counts. Also keep an eye out for any one-shot prologues or bonus chapters that were magazine-only — I learned that the hard way when I bought a complete box set and later discovered two magazine-exclusive shorts hadn’t been included. If you want, tell me where you saw 'Knuckleduster' (a scanlation site, publisher page, or a volume listing) and I’ll walk you through exactly how to parse that page to get a firm chapter total. I’d also happy to point out if any chapters are commonly listed twice across different releases, since that’s the usual trap that makes people think a manga has more (or fewer) chapters than it actually does. Personally, I love tracing a series’ publication history — it’s like detective work with bookmarks and caffeine.

This one had me double‑checking my shelves and databases. I couldn’t find a single, undisputed creator listed under the exact title 'Gloves Off' as a mainstream Japanese manga, which is why I want to walk you through why that confusion happens and how to pin it down. Titles like 'Gloves Off' are pretty generic in English, and they often get applied to indie comics, one‑shots inside anthologies, translated manhwa/webtoons, or localized releases that change the original title. That means the person credited for the story could be listed as the mangaka, the original author, or even the translator/editor depending on where you saw the name. If you’ve got a physical volume or a screenshot, your best bet is to look for the original‑language credits. Check the colophon/credits page near the front or back of the book for words like 作 (saku), 原作 (gensaku), 漫画 (manga/artist), or 만화/원작 if it’s Korean—these indicate who wrote and who drew it. If it’s a digital release, the platform page (publisher site, Webtoon, Tapas, etc.) usually lists the creator right under the title. In the absence of a clear credit, search the ISBN or publisher code—retailer pages like Amazon JP, BookWalker, Kodansha, Shonen Jump, or the publisher’s official catalog often show the author. I also use databases like MangaUpdates, MAL, and MangaDex; they sometimes have multiple entries for works with the same English title and will show the original title in Japanese/Korean and the credited creator. I get a bit nostalgic about tracking down creators because it’s like detective work: image searches of a page can surface the original cover, and tags or comments on Pixiv/Twitter often point to the artist. If 'Gloves Off' turned up as a short in an anthology, the anthology’s table of contents will credit the chapter creator even if the English title is generic. So, while I can’t name a single definitive author for 'Gloves Off' without the original title or a publisher reference, these steps have always rescued me when a title’s translation hides the real creator. It’s satisfying when the name finally pops up—feels like finding a buried autograph.

Man, I fell head over heels for 'My Lovely' the moment I picked it up! The manga's delicate balance of romance and slice-of-life humor had me hooked. It’s written and illustrated by Yuki Yoshihara, who’s seriously underrated in my opinion. Her art style is so expressive—those little comedic chibi moments contrasted with the tender romantic scenes? Perfection. I’ve followed her work since 'The Secret Sakura Shares,' and she has this knack for writing relatable, flawed characters you can’t help but root for. Funny story—I actually stumbled upon 'My Lovely' during a late-night bookstore run, and it ended up being one of those series I binge-read till sunrise. Yoshihara’s storytelling feels like chatting with an old friend; it’s cozy yet never predictable. If you haven’t checked out her other works like 'Kiyoku Yawaku,' do yourself a favor and dive in!

Bright, messy, and absolutely goofy — that's how I’d sum up the manga take on 'Splatoon', and the person behind that is Sankichi Hinodeya. He both wrote and illustrated the serialized comic that ran in 'CoroCoro Comic', bringing Nintendo’s squid-splattering world into comic form with a slapstick, kid-friendly twist. Hinodeya’s pages lean heavily into humor, exaggerated expressions, and quick gags that match the kinetic energy of the games while adding original little character beats and silly scenarios. I love how the manga feels like a playful companion to the games rather than a straight adaptation: the art emphasizes cartoony reactions, inventive use of ink for visual jokes, and short episodic strips that are perfect for younger readers. The manga was published by Shogakukan in Japan and, like a lot of 'CoroCoro' material, it didn’t get a huge official English release, so many of us discovered it through scans and translations. If you enjoy the lighter, more comedic side of 'Splatoon', Hinodeya’s work is a delightful read — it always puts a smile on my face.

If you like rom-coms that flip typical tropes on their head, you'll probably already know this one — the original manga 'Kiss Him, Not Me' (Japanese title 'Watashi ga Motete Dousunda') was written and illustrated by Junko. I first bumped into the series late-night while skimming manga recommendation threads, and the author credit caught my eye because Junko uses such expressive character designs and comedic timing that you can practically hear the punchlines. Junko serialized the story in Kodansha's magazines from 2013 until 2018, and it was collected into a run of volumes that wrapped up the larger arc while leaving plenty of goofy, heartwarming moments intact. As someone in my late twenties who devours rom-coms the way some folks inhale coffee, I fell for the premise pretty quickly: Kae Serinuma, a hardcore fujoshi, loses weight and suddenly becomes the object of affection for several boys — but her own romantic fantasies are much more BL-centric. Junko balances the satire of otaku culture with genuinely tender character beats. The art is playful, the facial expressions are gold, and the comedic pacing is sharp. I adored how Junko didn't just play up the gag of a fan-girl suddenly popular, but also explored Kae's identity and what she actually wants from relationships, all while keeping the manga light and laugh-out-loud funny. Beyond authorship, Junko’s work on 'Kiss Him, Not Me' helped it earn an anime adaptation in 2016, which brought even more people into the fandom and gave the characters a whole new energy through voice acting and music. If you're hunting down the manga volumes, you'll find the full story spans multiple collected editions, and Junko’s style evolves a bit across them — the early chapters are particularly hyperactive and gag-heavy, while later entries let quieter feelings breathe. For anyone tempted to start, I’d recommend reading a few chapters to get the rhythm; Junko's comedic beats land best when you're in the right mood (late evening snacks and a cozy nook, ideally). Personally, Junko’s blend of humor and heart is exactly what I turn to when I want something upbeat but not vacuous — it's a series that makes me laugh, then go, "Huh, that's actually kind of sweet."

'Ironfist Chinmi' holds a special place in my heart. The author behind this classic is Takeshi Maekawa, who crafted this story with such vivid action sequences and a coming-of-age vibe that really resonated with me. What's fascinating is how Maekawa blends traditional kung fu tropes with a shonen spirit—those training arcs still give me nostalgia! The series ran from the 80s to the 90s, and even though it's older, the art holds up surprisingly well. If you dive into Chinmi's journey, you'll notice how Maekawa's love for martial arts shines through every punch and kick. Funny enough, I stumbled upon 'Ironfist Chinmi' while hunting for underrated gems in my local manga shop. It's one of those titles that might not be as mainstream as 'Dragon Ball,' but it’s just as addictive. Maekawa’s storytelling has this raw energy—like you can almost hear the sound effects leaping off the page. I’d kill for a modern remake with updated art, but the original’s charm is irreplaceable.

Every chapter of 'The Mafia's Precious Nurse' has this soft-but-dangerous atmosphere that hooked me instantly, and the person behind that voice is Yuki Kawasaki, who both wrote and illustrated the series. I say that with genuine enthusiasm because Kawasaki's pacing and character beats feel very deliberate — the quiet, intimate moments with the nurse contrast so well against the mafia's bleak world. The storytelling balances tender domestic scenes with the darker emotional stakes of crime-family politics, and keeping it in one creator's hands gives the series a cohesive tone. I love how Kawasaki handles small gestures — the way a cup of tea or a bandage can mean a thousand little things in this manga. There's also a nice rhythm to the panels: slow, patient close-ups that breathe, followed by sudden, sharp shifts when conflict hits. If you're into romantic tension that's grounded by real-world worry and moral compromise, Kawasaki's work here is a great example. Personally, I found myself rereading certain pages just to savor the mood; it feels like a story that knows exactly how to make you care about both the nurse and the world she’s pulled into.

The author of 'Black Bullet' is Shiden Kanou, a name that resonates deeply with those who enjoy action-packed stories laced with a touch of sci-fi. Kanou's unique knack for creating gripping narratives is reflected in 'Black Bullet,' which revolves around a dystopian future plagued by monstrous creatures known as Gastrea. The series does a fantastic job of blending horror, action, and a bit of comedy, pulling readers into a world where humans must rely on extraordinary powers to survive. Throughout the manga, you can feel the tension and excitement build as characters face seemingly insurmountable odds. Aside from 'Black Bullet,' Shiden Kanou has given us other noteworthy works that deserve recognition. Among them is 'Marumo's Story,' which delves into the lives of its characters, creating a deeply emotional experience. Each piece he crafts has its rhythm, exploring themes of survival and humanity, similar to what we see in 'Black Bullet.' Furthermore, Kanou’s illustrations are engaging and energetic, making every fight scene vivid and immersive. The interplay between his storytelling and art really adds to the reading experience. For someone like me, who craves immersive worlds filled with both action and depth, Kanou’s works are a must-read. His ability to evoke emotion while maintaining a compelling plot keeps me on the edge of my seat, eagerly turning pages. I always look forward to what he will create next, as I’m constantly impressed by how he pushes genre boundaries with every new story.