What Are Zhang Yixing'S Solo Songs After EXO?

Zhang Yixing, also known as Lay, is a name that instantly lights up my screen whenever I see it. As a member of EXO, he's not just another idol—he's a powerhouse of talent. I first noticed him in EXO's 'Growl' era, but what really hooked me was his solo work. His album 'Lose Control' is a masterpiece, blending smooth R&B with his signature dance moves. Beyond music, his acting in 'The Island' showed serious range. What makes him stand out is his relentless work ethic; he's the 'sheep' who never sleeps, always grinding in the studio or on set. His Mandarin lyrics often reference his hometown, Changsha, giving his art this personal touch that feels raw and real. Lay's also a trailblazer for Chinese idols in K-pop, navigating the industry's complexities with grace. His departure from SM Entertainment in 2022 hit hard, but seeing him build his own empire—Chromosome Entertainment—proves he's more than an idol. He mentors young artists now, and that mentor role fits him like a glove. Sometimes I rewatch his 'Lit' performance on 'Street Dance of China'—those krump moves could start a fire. The way he balances humility with ambition? That's the stuff legends are made of.

Huang Zitao really came into his own after leaving EXO, diving into solo work with a style that blends hip-hop, pop, and traditional Chinese elements. One of his earliest and most iconic tracks is 'The Road,' which feels like a personal manifesto—raw, defiant, and packed with his signature rap flow. Then there's 'Black White,' a moody banger with trap beats that show off his versatility. His collab with Jony J on 'Beggar' is pure fire, mixing Mandarin and English lyrics seamlessly. And let's not forget 'Misunderstood,' where he gets introspective about fame. His music videos are visual feasts too, like the cinematic 'Hello Hello' with its martial arts themes. Every release feels like he's doubling down on his artistic identity, and I love how unapologetically him it all is. Later drops like 'AI' and 'Awaken' leaned even harder into EDM and futuristic sounds, proving he's not afraid to experiment. 'The Edge' is another standout—those piercing high notes! Honestly, his solo career feels like a rebellion against the K-pop idol mold, and it’s thrilling to watch. The way he infuses tracks with guzheng or Peking opera samples? Chef’s kiss. If you haven’t dug into his post-EXO catalog, you’re missing out on some of the most audacious C-pop out there.

Zhang Yixing, also known as Lay, is EXO's main dancer and a sub-vocalist, but his role goes way beyond just those labels. I've followed EXO since their debut, and what stands out about Lay is how he bridges the group's Chinese and Korean activities. While other members focused more on the Korean market, Lay became crucial for their promotions in China, especially after EXO-M's initial lineup changes. His dance skills are insane—watch any fancam of 'Monster' or 'Growl,' and you'll see how sharp his movements are. He also brings a unique flavor to their vocal line with his warm, slightly raspy tone in songs like 'Promise.' What’s fascinating is how he evolved solo. While still part of EXO, he built a parallel career in China, producing music that blends Mandarin pop with his own style. Tracks like 'Lit' show off his creativity, and his involvement in composing for EXO’s later albums (like 'Don’t Mess Up My Tempo') proves his growth. Some fans debate whether he’s still 'active' in EXO due to his solo commitments, but SM Entertainment still lists him as a member, and he’s expressed loyalty to the group multiple times. Honestly, Lay’s duality—being both an idol and a solo artist—makes him one of K-pop’s most intriguing figures.

Zhang Yixing, also known as Lay, has been a fascinating figure in the K-pop and C-pop scenes for years. While he's technically still a member of EXO, his activities have largely shifted to his solo career in China. SM Entertainment confirmed he's still part of the group, but he hasn't participated in EXO's recent comebacks or group activities since around 2019 due to his booming solo projects and China's strict Hallyu restrictions. I miss seeing him perform with EXO—their 'Monster' era was legendary—but his solo work like 'Lit' and 'Jade' shows how much he's grown as an artist. It's bittersweet; part of me hopes for a reunion performance someday, but I also respect his hustle. What's cool is how he bridges both worlds. He still reps EXO in interviews and occasionally mentions the members, which warms my fan heart. His Weibo bio even still lists EXO, so the bond's there. If you dive into his solo music, you'll see EXO's influence in his performance style, but blended with traditional Chinese elements—it's a unique mix. Whether he'll return for a group album someday is anyone's guess, but for now, he's killing it as a soloist and actor in China.

Zhang Yixing's departure from EXO was a gradual process that felt inevitable to longtime fans like me. Around 2015-2016, I noticed his activities in China increasing dramatically—his solo albums 'LOSE CONTROL' and 'SHEEP' were huge hits, and he became a judge on idol survival shows. SM Entertainment allowed him to establish his own studio there, which was rare for K-pop idols at the time. The 2017 THAAD tensions made Korea-China promotions nearly impossible, and Lay being the only Chinese member left in EXO by then (after the others' lawsuits) made his position uniquely difficult. I remember watching EXO's concerts during this period where he'd appear via video call for his parts—it felt bittersweet. His final official departure in 2022 seemed more like a paperwork formality; we'd all emotionally adjusted years earlier. What fascinates me is how he managed to maintain goodwill with both SM and EXO members—still mentioning them fondly in interviews while building his empire in China. Looking back, his career trajectory reminds me of Jackson Wang's—both leveraged K-pop training to dominate the Chinese market but took very different paths. Lay's political alignment with the Chinese government (like his 'Youthfulness' performance for the CCP anniversary) probably made staying in a Korean group untenable long-term. I respect how transparent he was about missing group activities due to scheduling conflicts rather than inventing drama. These days when I see EXO's ot9 stans still hoping for reunions, I think they're chasing nostalgia—Lay's solo career has objectively outgrown what he could've done within EXO's structure.

Zhang Yixing, also known as Lay, joined EXO through SM Entertainment's rigorous training system. Back in 2008, he participated in a global audition in China and caught the attention of SM scouts with his dancing skills. After passing the audition, he moved to South Korea to train under SM, where he honed his abilities in singing, dancing, and even acting. The training period was intense—think endless practice sessions, language barriers, and the pressure to stand out among dozens of trainees. But Yixing’s perseverance paid off when he was announced as part of EXO’s lineup in 2011, debuting with the group in 2012 as one of its main dancers and vocalists. His journey always stood out to me because of how much he pushed through; you can see his dedication in performances even now, like when he pulls off those gravity-defying moves. What’s wild is how his role evolved over time. Initially, he was one of EXO-M’s members, focusing on the Chinese market, but he gradually became a bridge between K-pop and C-pop. His solo work, like albums 'LOSE CONTROL' and 'Lit,' showcases his growth beyond the group. It’s inspiring how he balanced EXO activities with his solo career, especially when he became SM’s first Chinese artist to establish his own studio in China. The guy’s a powerhouse—never just resting on his idol status but constantly pushing boundaries.

Zhang Hao, the talented artist from ZEROBASEONE, has indeed blessed us with some solo gems! Though he's primarily known for his group activities, his solo track 'Always' from the pre-debut survival show 'Boys Planet' is an absolute masterpiece. The emotional depth in his voice, combined with the heartfelt lyrics, makes it a standout piece. I remember replaying it endlessly—it’s one of those songs that just hits differently. While he hasn’t released a full solo album yet, his covers and performances on shows like 'Boys Planet' showcase his versatility. Here’s hoping for more solo work in the future because his voice is pure magic.

Sehun from EXO hasn't released many solo songs officially under the group's discography, but he's definitely made his mark with a few standout tracks and collaborations. One that instantly comes to mind is 'On Me,' his solo track from EXO's special winter album 'Universe.' It's a smooth, R&B-infused song that really highlights his laid-back yet charismatic vibe. The way his voice flows over the minimalistic beat makes it feel intimate, like he's sharing a secret with the listener. I remember playing it on loop when it first dropped—it’s one of those tracks that grows on you with every listen. Outside of EXO's albums, Sehun has also dipped his toes into solo work through collaborations. His feature with fellow member Chanyeol on 'We Young' is a playful, youthful anthem that showcases his rap skills and chemistry with Chanyeol. And let's not forget his contributions to EXO-SC, the subunit with Chanyeol, where he gets more room to shine as a rapper and vocalist. Tracks like 'Telephone' and '1 Billion Views' from their albums give him plenty of spotlight moments. While he might not have a long list of solo songs yet, each one feels like a glimpse into his artistry, and I’m always excited to see what he’ll drop next.

Lay Zhang's relationship with EXO has been a topic of discussion among fans for years now. He officially debuted with the group in 2012 and was a core member during their early years, contributing to hits like 'Growl' and 'Call Me Baby.' However, around 2016, his activities with EXO began to decrease as he focused more on his solo career in China, especially after the THAAD controversy limited Korean artists' promotions there. While SM Entertainment confirmed he hadn't left the group, his absence from comebacks like 'Don’t Fight the Feeling' in 2021 made it clear his involvement was minimal. These days, he’s thriving as a soloist, actor, and variety show regular—honestly, his solo track 'Lit' slaps harder than most group releases anyway. That said, EXO-Ls still hold out hope for a full OT9 reunion someday. The group’s 10th-anniversary fan meet in 2022 had Lay sending a heartfelt video message, which felt like a nod to their bond. But with members enlisting in the military and pursuing individual paths, it’s hard to say when or if that’ll happen. For now, I just rewatch old EXO show appearances where Lay’s awkwardly charming humor shines—his dynamic with the members was golden.

Luhan has really made a mark with his solo career since departing from EXO, and it’s fascinating to see how he evolved from group dynamics to a solo artist. For starters, 'Medals' is a high-energy track that showcases both his vocal skills and catchy beats. The dance choreography in the music video is super impressive, too, reflecting his style and personality. There's this infectious energy in the song that makes it perfect for anyone looking to rev up their day. Another noteworthy track is 'I’m Sorry,' which is a beautiful ballad where his emotional depth shines through. Every time I listen to this one, I feel like he really pours his heart into the lyrics, making it relatable for anyone who’s been through a rough patch. It's definitely a slower pace compared to 'Medals,' but it's a great representation of his versatility as an artist. The raw emotion and the mellow instrumental backdrop really pull you in, and I just can’t help but get lost in it. Then there's 'The Inversion,' which has a more upbeat vibe and a playful edge. The collaboration with other artists makes it another lively addition to his discography. I love how he experiments with different sounds, allowing his personality to shine through every note. His ability to tackle a variety of genres speaks to his talent and growth, and it's exciting to see. Each song feels tailored to express different sides of him, from the energetic bops to the heart-wrenching ballads. It’s quite a spectrum, and I really appreciate that he’s carving his own path in the music industry. If you haven’t explored his solo work much, I’d highly recommend starting with these tracks. They paint a vivid picture of Luhan’s journey and how he’s truly blossomed as a solo artist in a rich and dynamic way.