Harry Potter Publishing Company

The Devouring Queen is a paranormal revenge fantasy set between a blood drenched Lycan kingdom and a starving vampire empire, where every moon can crown a monarch or claim a corpse. The story follows Elara, once a gentle Luna who was betrayed and murdered on her wedding night. Instead of finding peace, she awakens three years in the past inside the stolen body of a hidden vampire princess. She returns to life in a world already preparing for her death, because in thirty nights the Lycan King must kill his true mate to awaken an ancient god beast. Now two women wear the same face, and only one can survive the prophecy that hungers for blood. Elara, reborn as a ghost wearing royal skin, abandons innocence and embraces the power she never had in her first life. With a quiet voice and a predator’s smile, she steps into a kingdom filled with secrets, manipulations and creatures who underestimate her. Cassius, the beautiful and broken Lycan King, is trapped between the woman he once loved, the version he helped destroy, and a prophecy that demands sacrifice. Their love is poisonous, irresistible and destined to end in ruin. As the nights slip away, Elara weaves a dark game of power and deception. She announces a false pregnancy, visits the chained original bride under midnight moons, and manipulates courts and armies with deadly grace. The mirrors around her begin to bleed, the lies thicken, and the prophecy tightens like a noose. The climax erupts in a courtyard filled with fallen soldiers, where the two identical brides tear the king apart to decide which destiny will rule. The kingdoms that remain have only two choices: kneel or burn.

Sidney fell in love at first sight with a man whose family have so much to do with her family, and the secret ran deeper than she could ever imagined! Will she ever get past the betrayal? Bradley never knew what it was like to fall in love with someone, only to lose them for something his family did or didn't do. Will they ever forgive each other?

Staying as Asher Campbell’s wife was all May wanted even though at first, the marriage had not been a match made from heaven, more like a match made by her step father who had not arranged her marriage to the billionaire, but sold her off as well. When on their second year anniversary, he asked for a divorce, she was devastated, realizing her husband only saw her as a gold digger who did nothing to add value to the society, and also didn’t respect her. When he offered her a million dollars to sign the divorce papers quietly without making any fuss, she asked for three months to try and get him to fall in love with her. If he did gave her those months, a big if, would she be able to achieve what she wanted so bad to achieve?

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.

Stanley Edwards, people claimed he mirrored a Russian man and had the heart of steel. He was an executioner who mercilessly took the lives of twenty women over a period of eight years. He is released from prison, can he get a whole new life? After he meets the love of his life, how will he protect their love? Is he still the grim executioner?

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.