Library

How I Write A Novel

Yuna's life was an unfortunate one. Her lover(Minho) and her cousin(Haemi) betrayed her and that resulted in her execution. The last words she uttered was that she was going to seek revenge if she ever got another chance! God as the witness, felt bad for poor Yuna and so he gives her the ability to remember everything in all of her lifetimes. She was planning on seeking revenge but unfortunately her plans didn't come to fruition. She was reincarnated into the modern era. During her 2nd lifetime, she becomes a successful engineer and moves on from her past lifetime. Unluckily for her, during her 3rd lifetime she gets reincarnated back to the past. Her plans change once again. She doesn't love Minho nor does she care about being empress. She decides on a new life without all of the chaos and scheming in the palace. Join Yuna on her journey to seeking a peaceful and successful life in the ancient period. Hi. Thanks for taking the time to read my novels:)

97 Chapters

How I Became Legend?

She was once a woman—a lesbian to be exact—in her past life, fantasizing about having a date with beautiful girls and dreaming to act like a real man does someday. But she was afraid to show her true colors because she was living in a judgemental society. Not until, she was trapped in a burning hospital building, trying to save an old woman before herself but only to find out that old woman was only an apparition of a deceased person. She died there, sacrificing her life for nothing. Many things happened in her mind before she runs out of breath. The next thing happened, she emerged from a bamboo tree and woke up into another realm. And to her surprise, she was reincarnated as a teenage guy possessing magical skills. She is Princess Maria Isabelle De Lata who later known as Reign Thunderstorm in the magical world of Artesia. And this is her… wait a minute… and this is the story of how she or… he became a legend.

4 Chapters

HOW WOULD I TAKE REVENGE???...

Second chance, Betrayal, Revenge and Age Gap. 23 year old Valeria Poland is fresh out of college and optimistic about her life outside the school walls. However, the night of her graduation, the rose coloured lens she uses to view the world are destroyed when she arrives home in a drunken stupor to find her parents murdered in cold blood. Just like that, an animalistic side that she has occasionally seen but forced back appears, and she unleashes her despair and pain by letting out a loud howl. That's when she realises she's a werewolf. Her mind still reeling with varying emotions of shock, anguish and anger, Valeria is led by her wolf (Kala) to her dad's study, where she finds various documents, some stained with blood. After thorough study, she discovers the people she's been calling her parents are not her biological parents, and that her real parents- obviously werewolves- are also dead. Her quest for more knowledge about it all and her wish to get revenge for her adopted parents cause her to stalk someone that is repeatedly mentioned in most of the documents; a 31 year old man named Garrett Holmes. Garrett is depicted as a ruthless man in the documents, with a history of deception, violence and a thirst for blood. Despite all this, he is said to own a multi-million dollar company in the heart of the city, with branches worldwide. Coincidentally, Valeria's recently completed course of study is in his line of work. Valeria decides to find a job in the company and charm her way up the position ladder till she can find a way to get more information on him.

Not enough ratings

5 Chapters

How I Married My Stepbrother

Blurb They didn't love eachother like normal brother and sister should and that was why he didn't hesitate to kiss her against the wall the day he came back from military service. Jayden and Chloe were step siblings although they weren't related by blood and now, things are a lot more heated between them now that Chloe had gotten more beautiful and her cleavage could be easily seen in her low cut dress. Will Jayden leave her to marry her betrothed or will he drag her away from the altar on her wedding day. Note that this is a CRAZY book and it ends on a CLIFFHANGER.

Not enough ratings

101 Chapters

HOW I TAMED THE PLAY BOY

Being the best is a requirement for me. When it comes to this, I am the best. Unlike others, I can move quickly. As for me, I'm quite robust. I have a high IQ. Many professional teams are interested in signing me because I am the starting goalkeeper for my high school's soccer squad. My teammates will follow my every order as long as I am captain. Girls urge me to add them to my list of s*x partners. To avoid my father's anger, I just need to make it to the professional league and play for the best team in the world. I am Williams Phanuel, and I have made sure that everything in existence is centered on me. I've got my eye on the new girl in class; it'll only be a matter of time until she succumbs to my charms. This one is more obstinate than others; she won't even give me her name. She has a sharp mind, too. Perhaps too witty for his own good. I simply cannot admit her. No one will get past me. Despite my lack of concern, I must admit that she is distracting me from my objective. Your father will not approve of that. Do I need to reiterate how much I adore the works of William Shakespeare? I'm aware of that. To put it simply, I am a paradox in human form. There are "some born great," "some who make great," and "those who have greatness thrust upon them," as Shakespeare put it. I managed to acquire all three! No one can ever hope to measure up to that.

Not enough ratings

77 Chapters

I Became a Villainess Werewolf In My Own Novel

Awakening to a bewildering and astonishing reality, Seraphina found herself in an extraordinary situation: she had transmigrated into her own novel, stepping into the shoes of a character she had meticulously crafted. The male lead in her story was notoriously elusive, challenging to approach, and the master of a harem. Seraphina, now Zephyrine Everlynn, unexpectedly found herself among the women in his harem. It was utterly absurd! Promptly leaving the harem, Seraphina used her knowledge to help others win the male lead's heart, all for the right price. But why did the male lead continuously find his way back to her?

7.3

125 Chapters

How To Write An Erotica Novel

3 answers2025-06-10 21:32:03

Writing an erotica novel is all about balancing sensuality and storytelling. I love diving into the emotional and physical connections between characters, making every touch, glance, and word charged with tension. Start by crafting characters with depth—their desires, fears, and quirks make the intimacy feel real. The setting matters too; a dimly lit jazz club or a secluded beach can amplify the mood.

Focus on pacing. Tease the reader with slow burns, then deliver scenes that are vivid but not overly clinical. Dialogue is key—whispers, confessions, and playful banter build chemistry. Research is your friend; read works like 'Delta of Venus' by Anaïs Nin or 'Bared to You' by Sylvia Day to see how masters blend passion and plot. Lastly, don’t shy from editing. Sometimes less is more, and the right suggestion can be hotter than explicit detail.

How To Write A Fantasy Novel

1 answers2025-06-10 12:42:13

Writing a fantasy novel is an adventure, much like exploring an uncharted realm where anything is possible. The key is to build a world that feels alive, with its own rules and history. Start by sketching out the basics of your setting—whether it’s a sprawling medieval kingdom, a futuristic city floating in the clouds, or a hidden village where magic is as common as rain. Think about how the world’s geography, politics, and cultures shape the lives of your characters. For inspiration, look at how 'The Name of the Wind' by Patrick Rothfuss creates a sense of depth through its detailed magic system and lore. The way Kvothe’s story unfolds feels grounded because the world around him is so richly imagined.

Characters are the heart of any story, and in fantasy, they often carry the weight of the world’s conflicts. Don’t just focus on heroes and villains; give your side characters quirks and motivations that make them memorable. Take 'The Lies of Locke Lamora' by Scott Lynch—Locke is a brilliant thief, but it’s his camaraderie with Jean and the rest of the Gentlemen Bastards that makes the story shine. Their banter and loyalty add layers to the high-stakes heists. When crafting your protagonist, consider their flaws and how they grow. A character who starts naive but learns harsh lessons, like Fitz in 'The Farseer Trilogy', feels more real than one who’s perfect from the start.

Magic systems can make or break a fantasy novel. Decide whether magic is rare or commonplace, whether it comes at a cost or is freely wielded. Brandon Sanderson’s 'Mistborn' series is a masterclass in this—allomancy’s rules are clear, and the limitations create tension. If your world has gods or mythical creatures, think about how they interact with mortals. Are they distant figures of legend, like in 'The Priory of the Orange Tree', or deeply involved in human affairs, as in 'American Gods'? Consistency is crucial; readers will notice if the rules change without reason.

Plotting a fantasy novel often involves balancing epic stakes with personal journeys. The quest to save the world is classic, but it’s the smaller moments—like a character’s reunion with a lost sibling or the betrayal of a trusted ally—that resonate. 'The Wheel of Time' series excels at this, weaving countless threads into a tapestry where every action has consequences. Don’t rush the pacing; let the story breathe. And remember, a satisfying ending doesn’t need to tie up every loose end—sometimes, a bit of mystery lingers, as in 'The Hobbit', where Bilbo’s adventures hint at a larger world beyond the Shire.

How To Write A Dystopian Novel

2 answers2025-06-10 02:06:36

Writing a dystopian novel feels like crafting a dark mirror to our own world. I start by identifying the societal flaws I want to magnify—oppression, surveillance, environmental collapse—and twist them into something worse yet eerily familiar. The key is making the setting oppressive but believable. In '1984' or 'The Handmaid’s Tale,' the rules feel suffocating because they echo real fears. I focus on the details: how daily life is controlled, the propaganda, the small rebellions that hint at hope before crushing it. The protagonist often starts naive, then awakens to the horror, but the real tension comes from their choices. Do they conform, resist, or break? The best dystopias leave readers unsettled, questioning their own world.

World-building is everything. I map out the power structures: who benefits, who suffers, and how the system enforces its will. The government might use technology, religion, or brute force. Then, I drop characters into this machine and watch them struggle. The stakes must feel personal—family, love, survival—not just abstract ideals. The ending doesn’t have to be hopeful, but it should resonate. A dystopian novel isn’t just about despair; it’s a warning, a scream into the void.

How To Write A Romance Novel

2 answers2025-06-10 00:43:21

Writing a romance novel is a journey that demands a deep understanding of human emotions and relationships. The foundation of any great romance lies in its characters. You need protagonists who feel real, with flaws, desires, and growth arcs that readers can root for. Take 'Pride and Prejudice' by Jane Austen, for example. Elizabeth Bennet and Mr. Darcy are unforgettable because their personalities clash yet complement each other perfectly. Their journey from misunderstanding to love feels earned because Austen took the time to develop their inner worlds. When crafting your characters, ask yourself what makes them vulnerable, what they fear, and how love transforms them. A romance novel isn’t just about the happy ending; it’s about the emotional hurdles that make the payoff satisfying.

The setting also plays a crucial role in shaping the romance. Whether it’s a bustling city, a quiet countryside, or a fantastical realm, the environment should enhance the emotional tone. Historical romances like 'Outlander' by Diana Gabaldon use time periods to add tension and stakes to the relationship. Contemporary romances often rely on relatable settings—coffee shops, workplaces, or shared apartments—to ground the love story in reality. The key is to make the setting feel alive, almost like another character that influences the protagonists’ bond. Dialogue is another vital element. Snappy, heartfelt, or even awkward exchanges can reveal chemistry better than lengthy descriptions. Pay attention to how characters speak to each other; their words should reflect their personalities and evolving feelings.

Conflict is the engine that drives a romance novel forward. Without obstacles, the love story risks feeling flat. External conflicts—like societal expectations, distance, or rival suitors—add pressure, while internal conflicts—such as trust issues or past traumas—deepen the emotional resonance. In 'The Hating Game' by Sally Thorne, the rivalry between Lucy and Josh creates a delicious tension that makes their eventual romance all the more thrilling. However, the conflict must be meaningful and resolved in a way that feels authentic. Avoid contrived misunderstandings; instead, focus on challenges that force the characters to grow. Lastly, pacing is critical. Balance moments of tension with softer, intimate scenes to give readers emotional breathing room. A well-paced romance keeps readers invested from the first meet-cute to the final embrace.

How To Write A Cyberpunk Novel

3 answers2025-06-10 11:05:30

I've always been fascinated by the gritty, neon-lit worlds of cyberpunk, and writing a novel in this genre requires a deep dive into its core themes. Start by imagining a dystopian future where technology and corporate power dominate society. Think about how the divide between the rich and poor has widened, with mega-cities towering over slums. Your protagonist should be an underdog, maybe a hacker or a rogue AI, fighting against the system. The setting is crucial—describe sprawling urban landscapes dripping with rain and neon signs, where every shadow hides danger. Incorporate advanced tech like cybernetic implants and virtual reality, but don’t forget the human element. The best cyberpunk stories blend high-tech with low-life, exploring themes of identity, rebellion, and the cost of progress. Keep the dialogue sharp and the pacing fast, with plenty of action and moral ambiguity. Read classics like 'Neuromancer' or 'Snow Crash' to get a feel for the tone.

How To Write A War Novel

4 answers2025-06-10 02:56:31

Writing a war novel is an ambitious endeavor that requires a deep understanding of both the human condition and the brutal realities of conflict. I always start by immersing myself in historical research, whether it’s reading firsthand accounts like 'All Quiet on the Western Front' or studying military strategies. Authenticity is key—details about weapons, uniforms, and battlefield conditions can make or break a reader’s immersion.

Next, I focus on character development. War isn’t just about battles; it’s about the people who endure them. A protagonist with a compelling arc, like the journey of courage and despair in 'The Things They Carried,' resonates deeply. I also explore themes like brotherhood, sacrifice, and the moral ambiguities of war, as seen in 'Catch-22.' Balancing action with introspection creates a layered narrative that sticks with readers long after the last page.

How To Write A Mystery Novel

1 answers2025-06-10 18:52:59

Writing a mystery novel is like crafting a puzzle where every piece must fit perfectly to keep readers hooked until the very last page. I approach it by starting with the core mystery itself—what is the central question that needs solving? It could be a murder, a disappearance, or even a heist. The key is to make it intriguing enough that readers feel compelled to uncover the truth alongside the characters. For example, in 'Gone Girl' by Gillian Flynn, the mystery revolves around the sudden disappearance of Amy Dunne, and the layers of deception keep readers guessing. The best mysteries often play with expectations, so I always brainstorm multiple twists that subvert clichés while still feeling satisfying.

Characters are the heart of any mystery novel. The protagonist, usually a detective or an amateur sleuth, needs depth and flaws to feel real. I think about their motivations—why are they invested in solving this mystery? Side characters should also have secrets or red herrings that muddy the waters. In Agatha Christie's 'And Then There Were None', every character has something to hide, which amps up the tension. Dialogue is another tool I use carefully; a casual remark in Chapter 3 might be a vital clue in Chapter 10. I jot down a timeline of events and alibis to ensure consistency, because nothing breaks immersion faster than a plot hole.

The setting can amplify the mystery’s mood. A small town with tight-lipped residents, like in 'Sharp Objects', fosters paranoia, while a locked-room scenario, as in 'The Murder of Roger Ackroyd', limits suspects and raises stakes. I describe environments in a way that feels atmospheric but doesn’t overwhelm the pacing. Clues should be sprinkled throughout—some obvious, others subtle—so readers feel smart when they piece things together. Red herrings are fun, but they should never feel cheap; misdirection works best when it arises organically from character behavior. Lastly, the resolution must tie up loose ends while leaving room for the reader’s imagination. A great mystery doesn’t just answer 'whodunit'—it makes you rethink everything you thought you knew.

How To Write A Mystery Romance Novel

3 answers2025-06-10 19:14:57

Writing a mystery romance novel is like crafting a puzzle where love is the missing piece. I always start with the characters—give them depth, secrets, and undeniable chemistry. The romance should simmer beneath the surface, but the mystery needs to grip readers from page one. Plot twists are crucial; I love dropping subtle clues that seem insignificant until the big reveal. For example, in 'Gone Girl,' the unreliable narration keeps readers guessing while the toxic romance adds layers. Balance is key—too much mystery overshadows the romance, and vice versa. Settings matter too; a foggy coastal town or a historic mansion can amplify both tension and passion. Dialogue should crackle with unspoken feelings and hidden agendas. Remember, the best mystery romances leave readers heartbroken and satisfied, like 'The Silent Patient' meets 'The Notebook.'

How To Write A Historical Romance Novel

3 answers2025-06-10 03:09:31

Writing a historical romance novel is like stepping into a time machine and falling in love with the past. I immerse myself in the era I want to write about, soaking up every detail from fashion to social norms. Research is key—I spend hours reading diaries, letters, and historical accounts to get the language and mindset right. The romance needs to feel authentic to the time, whether it’s a forbidden love in Victorian England or a passionate affair during the Renaissance. I focus on creating characters who defy the constraints of their time while still feeling believable. The tension between societal expectations and personal desires fuels the story. Settings are another huge part of it; a ballroom scene or a chance meeting in a bustling market can set the stage for sparks to fly. Dialogue should reflect the period without sounding stiff, so I balance formal speech with moments of raw emotion. The goal is to make readers feel like they’ve traveled back in time and experienced the love story firsthand.

How-To Write A Fantasy Novel Wikihow

3 answers2025-06-10 04:24:27

Writing a fantasy novel is like building a world from scratch, and I love every bit of the process. Start by figuring out your core idea—something unique that sets your story apart, like a magic system or a mythical creature society. I always sketch out the basics of my world first: the geography, the cultures, and the rules of magic. Characters are next; they need depth and flaws to feel real. I spend time imagining their backstories and motivations. Plotting is where things get fun. I outline major events but leave room for surprises. Writing daily keeps the momentum going, even if it’s just a few sentences. Editing is brutal but necessary. I cut anything that doesn’t serve the story. Reading fantasy novels helps too—I pick apart what works in books like 'The Name of the Wind' or 'Mistborn' to learn from the masters.