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I stared at the name on the report until my eyes burned. Arthur Pendelton was not just a museum assistant. Years ago, long before he ever worked at the Vance Institute, he worked for my late father. After my father passed away, Arthur went to work for his old business partner, Richard Sterling my father old rival.My fingers pressed hard against the edge of the desk. The past was not just creeping back into my life. It was walking right through my studio door.I grabbed my coat, locked the door behind me, and took a taxi straight to the Vance Institute. I did not call ahead. I did not ask for an appointment. I walked past the front lobby, skipped the main elevators, and took the back stairs up to the office floor.Arthur was sitting at a glass desk outside Eleanor Vance's main office, typing on a keyboard. When the heavy stairwell door shut, his head snapped up. His face lost all its color the moment our eyes met."Miss John," Arthur said, standing up so fast his chair rolled bac
I stared at the glowing phone screen, my thumb hovering over the blocked number. A cold chill ran down my neck, but I refused to let my hands shake. Whoever sent that message wanted me to panic. They wanted me to pack up my brushes, hide the painting in fear, and run straight to Adrian for help.I turned away from the desk, walked to the closet, and pulled out a clean white sheet. I draped it over the easel, tucking it tightly around the wooden frame until every inch of The Silk Ribbon was hidden. I was not backing down.By eight o'clock the next morning, two police officers were standing in my studio. Officer Hayes, a tall woman with sharp gray eyes and a notebook, checked the lock on my front door while her partner looked at the back window."There's no sign of a break-in, Miss john," Officer Hayes said, clicking her pen. "The door frame isn't damaged and the lock works fine. Are you completely sure you locked up before you left yesterday?""I'm positive," I said, putting two
My feet stayed glued to the floor. My whole body went stiff. The silence in the room felt heavy and scary.I swallowed hard, trying to clear my dry throat, and stepped slowly into the room. A floorboard creaked under my boot. I froze and listened, looking toward the small kitchen, the bathroom door, and the dark hallway near my storage closet."Is anyone here?" my voice came out as a quiet whisper.No answer. Only the hum of the fridge and the sound of rain hitting the windows.I dropped my bag onto the couch and picked up a candle holder from the side table. Holding it tight in my right hand, I walked toward the back of the studio. I checked behind the drying racks. Empty. I threw open the bathroom door and flipped on the light. Empty. I opened the storage closet and swung the candle holder in front of me. There were only blank canvases and cans of paint.Whoever had been here was gone.I walked back to the middle of the room and stopped in front of the easel. The painting sat
The door handle felt cold in my hand. I turned around slowly, keeping my face calm while my heart beat fast.Director Dupont stood by the window. The evening light made dark shadows across his face. He didn't look like he was making friendly small talk. He looked like he was trying to find a weakness."Why do you ask, Director?" I kept my voice steady, holding my leather bag tight against my side. "No one gets into my studio without my permission. That painting hasn't left the easel.""It's just a simple question, Tamara," Dupont said softly, stepping closer to the long table. "The art world is small. People talk over dinner or inside private galleries.""These aren't just small details, are they?" I took two steps back into the room and stopped trying to leave. "That canvas is covered with a sheet. I haven't even signed it yet. The only way anyone knows what it looks like is if they stood right in front of it or if someone told them."Eleanor Vance leaned forward on the table. "
The glass conference room on the top floor of the museum looked out over the city skyline, but I kept my eyes on the table in front of me. Two black folders rested under my hands, my fingers tracing the sharp edges of the paper inside. Across from me sat Director Dupont and his chief curator, Eleanor Vance. A simple nod from either of them could make or break an artist's career."Your recent show caught our attention, Tamara," Director Dupont said, leaning back in his chair and resting his chin on his hands. "The emotion in your brushwork shows a lot of skill for an artist your age.""Thank you, Director Dupont," I said, keeping my back straight and my voice steady, even though my heart was pounding. "I appreciate you taking the time to look at my work."Eleanor flipped through the photos on the table, her fingernail tapping against a picture of my main painting. "It’s rare to find an artist who handles light with such raw energy. It pulls you in." She stopped and looked up at me. "Of
His voice sent a sudden shock through me, but I didn't step back. He moved away just enough to look me in the eye."You're crazy," I said, my chest moving fast. "That's not how this works. You don't just demand someone's heart.""I'm not demanding it," Adrian said calmly. His hand slid from my neck to my shoulder, his thumb pressing gently against my collarbone. "I'm telling you what I want. Keep your walls up, Tamara. Make them higher if it makes you feel safe. But I'm not going anywhere."I pulled away, needing space to cool down. I walked over to the supply shelf and picked up a clean rag just to give my hands something to do. "You're making this into a movie. I don't do big romance. I do my work.""Speaking of your work," Adrian said, leaning against the drafting table. His intense look disappeared, replaced by a calm, practical expression. "The Henri Art Foundation is having its big show next month. They have three open spots."I stopped, holding the rag. "They don't take a







