LOGINLIVIA
The man is exactly on time.
That tells me something before he even opens his mouth.
I watch him through the rows of shelves as he steps into the archive, the heavy door sighing shut behind him. He hesitates in the same spot most people do, just past the threshold, instinctively aware that this room is different from the ones above it.
Light falls in rectangles across the floor. Dust moves in those rectangles like it has nowhere else to be. The old clock on the wall ticks a little louder than necessary, filling the spaces where people might otherwise talk.
He doesn’t talk.
He scans the room: the central desk, the lamp, the stacks of boxes. His gaze lingers on the old plans I left rolled near the edge, then on the coffee mug, then on the small tower of files I didn’t bother to straighten before leaving last night.
He reaches out. His fingers hover a fraction above the corner of a folder.
Of course they do.
“Don’t touch anything,” I say.
His hand freezes, the way most people do when they realize they’re not alone.
He doesn’t jerk back or stammer an apology. He just turns slowly toward the sound of my voice.
That tells me something too.
Up close, he looks like his file, but not entirely. Files never show you the way exhaustion sits at the corners of someone’s mouth or how guilt lives in the body. They list traits and tendencies, probabilities and patterns, but they don’t show the way a man’s shoulders look like they’ve forgotten what it means not to carry something heavy.
“Good morning,” he says.
I step out from between the shelves. “Debatable.”
He smiles, but it’s a tired, reflexive thing. It doesn’t reach his eyes.
He’s taller than I expected from the photos. His hair is a little more gray at the temples than in the neatly clipped image attached to his file. His eyes, though—those are exactly the same.
Soft brown.
Watchful.
Already bracing.
“I’m Evan Hart,” he says, like I might be surprised.
I’m not.
“I know,” I say.
One of his brows lifts. “You… do?”
“Marco called to warn me,” I say. “He said, ‘He’s American, he’s precise, and he thinks too much. Be ready.’”
A flicker of amusement crosses his face. “Accurate, I guess.”
“We’ll see,” I say.
I don’t add that I knew his name years ago. That I’ve read every line of his profile so many times I could recite it in my sleep. Subject H-47. Primary variable. Protector complex. Guilt baseline: elevated.
No file ever mentions the way someone smells faintly like soap and airplane air, or the way their gaze pauses on small details—the crack in the plaster near the ceiling, the chip on the desk—before settling on you.
He looks at me with a kind of cautious curiosity. Not hungry, not leering. Just… searching.
That may be the most dangerous look of all.
“You’re Livia?” he asks.
I watch his mouth form the name. It doesn’t sound wrong coming from him, and that unsettles me more than it should.
“Yes,” I say lightly. “Sometimes.”
His forehead creases. “Sometimes?”
“Names are flexible things,” I say, moving toward the back of the archive. “Records are less so.”
He follows. Of course he does. People like him always follow the person who seems confident navigating the dark.
As I walk, I let my fingertips skim the edges of cabinets, grounding myself in the here and now, in the familiar coolness of metal and the weight of keys against my thigh.
I can feel his gaze flick around, taking in the labels, the order, the sheer volume of stored memory.
“This is… a lot,” he says finally.
“History always is,” I answer. “People think the past is a story with a beginning and an end. It’s more like a landfill.”
“That’s… a cheerful metaphor.”
“Cheerful isn’t my area,” I say dryly.
At the third cabinet from the end, I stop, crouch, and unlock the lower drawer. The key turns with a click I feel in my teeth. Inside, rolled plans nestle beside each other like sleeping snakes.
I pull the one I want.
“Original schematics,” I say, holding it up. “Try not to breathe on them too hard.”
He smiles again. It still doesn’t quite reach his eyes, but it’s closer this time.
He steps to the nearby table, and I unroll the parchment carefully. The paper is older than both of us, older than anyone we’ve ever met. The bridge took shape here before it ever touched stone.
“You speak like they’re alive,” he says.
“They outlived their creators,” I say. “That counts for something.”
He studies the lines, the curves of the arch, the tiny annotations in a handwriting that belonged to a man who’s now dust.
I watch him.
It’s a habit I’ve never been able to break, even when I wanted to. Watching people is how I survived. Before the facility. During. After.
His gaze is focused, but there’s a flicker behind it. His mind is clearly already adjusting, calculating, imagining where the weaknesses are, where time has chewed through intention.
“You handle them like they matter,” he says.
“They do,” I say.
“Not everyone would agree.”
“Not everyone is invited down here,” I reply.
He glances up at me. “And yet you knew I was coming.”
“I know who they bring into my space,” I say.
I don’t say: I know who they built it around.
He straightens, bracing his hands on the edge of the table.
“You don’t smile much,” I hear myself say.
The observation slips out before I can filter it. Old habits. Old training. Look closer. Analyze. File away.
He blinks. “I’m sorry?”
“You don’t smile,” I repeat. “Not really. You do a thing with your mouth that suggests you’re aware a smile is expected.”
“That’s… specific,” he says, a little thrown.
“Specificity is my area,” I say. “This job breeds it.”
“Maybe I’m just tired,” he says.
“Yes,” I say. “But that’s not all it is.”
His jaw tightens, then relaxes. He looks back at the map.
“Do you analyze everyone like this?” he asks.
“Only the ones who matter.”
I shouldn’t say things like that. It creates attachment. Interest. Variables no one accounted for. But the word is out before I can swallow it.
He’s quiet for a moment.
“Marco said you were intense,” he says eventually.
“Marco is easily overwhelmed,” I answer. “Come back tomorrow.”
“That’s it?” he asks. “You’re kicking me out after ten minutes?”
“You’re jet-lagged,” I say. “Your brain won’t retain what it needs to if I drown you in data right now. Tomorrow, you’ll come back, and I’ll show you the structural reports from the previous restorations. We’ll talk about the fractures people missed.”
“The fractures in the bridge,” he says.
“Yes,” I say. “The bridge.”
He hears the weight on the word. His gaze sharpens slightly.
“Is that how you see everything?” he asks. “Fractures?”
“It’s how I see things that are pretending not to be broken,” I say.
He holds my gaze for a second too long.
There it is again—that pull in my chest, the one I hate. Recognition. Of what, I don’t know. Guilt? Loneliness? The way the human mind responds to someone who looks at it too closely?
I step back.
“Tomorrow,” I repeat.
He nods slowly. “Okay. Tomorrow.”
He leaves the archive, the heavy door closing behind him with a soft thud.
I stay where I am for a few seconds, listening to the echo of his footsteps fade on the stairs above.
Only when I’m sure he’s gone do I move.
The key around my neck feels heavier as I walk to the small unmarked door at the back. It looks like any other storage closet. It isn’t.
I unlock it and slip inside.
The room is windowless, lit by a single overhead light that hums faintly. Shelves line the walls, stacked with boxes labeled in codes instead of names. Along one side, there’s a row of sleek metal cabinets with digital locks.
I enter the code without looking.
The drawer slides open.
Files stare back.
I find the one marked H-47 and pull it out. The folder feels too light for what it contains.
His picture is clipped to the front. The same brown eyes. Less gray hair. A more relaxed jaw.
EVAN HART
Age at intake: 34Marital status: MarriedSpouse: Leah HartPre-existing conditions: None reportedPsychological profile:– High empathy– Strong protector reflex– Elevated guilt response– Low tolerance for perceived failureIntended role: PRIMARY VARIABLE
Notes in the margin, in Cortez’s narrow, precise handwriting:
Pair with partner type: nurturing / anxious-dependant.
Introduce stressor: reproductive failure.Monitor moral resilience under prolonged emotional strain.I trace the word resilience with the tip of my finger until the letters blur. They built a theory around him. Around them. Around what love does under pressure. Around what they could make it do.
I slide the file back, shut the drawer, and lean my forehead briefly against the cool metal.
“You don’t smile much,” I murmur into the hum of the light.
No one in these cabinets does.
Back at my desk, I pull out my own notebook—the one with no label, no institutional stamp, the only record that belongs solely to me.
I write:
DAY 1 — CONTACT
Subject: Evan Hart (H-47)Presentation: Predictably exhausted, guarded, polite.Smiles: performative.Baseline guilt: visible.Recall: still suppressed. No conscious awareness.Unexpected:
Personal reaction stronger than anticipated.Need to adjust distance.I pause.
Then, grudgingly, I add:
Risk of attachment: high.
I close the notebook and stare at the ceiling. He thinks he came here to fix a bridge. He thinks his life is just… unraveling, like everyone else’s. He has no idea he’s been walking the fault line for years.
And I have no idea if I’m capable of watching him fall again.
EVANThe first thing that disappears is the signal. Not all at once. Just a slow degradation—bars thinning, data stuttering, the map app hesitating as if it’s unsure whether it should keep helping me. I don’t correct it. I let it fail.By the time the train leaves the outskirts of Rome, my phone is little more than a clock and a camera. No notifications. No background hum of connection. No soft digital reminders that someone, somewhere, knows where I am. I should feel exposed. Instead, I feel… lighter.The carriage isn’t full. A few tourists sit clustered near the windows, speaking quietly in languages I don’t try to identify. An older man sleeps with his head tipped back, mouth slightly open. A woman across the aisle reads a paperback, turning pages with deliberate slowness, like she’s rationing the story. No one looks at me. No one checks a device and frowns. No one nods too politely.I sit by the window and watch the city loosen its grip. Concrete gives way to scrub. Buildings thin
EVANI don’t pack right away. That feels important—delaying the physical act as if postponing motion might keep this from becoming real. Instead, I sit at the desk and stare at the map glowing on my laptop screen, the coordinates pinned like a wound someone insists on reopening. The coastline curves inward gently, almost deceptively calm. Pale blue water. Uneven land. A village name rendered in a font so small it feels apologetic for existing.Remote. That’s the first word that comes to mind. Remote means hard to reach. Remote means easy to disappear into. Remote means no one goes there by accident. I zoom in slowly. The roads appear reluctantly, thin lines that snake rather than connect. No highways. No rail lines cutting clean paths through terrain. Just narrow roads that seem to exist because someone once decided they had to.I click around, pulling up satellite imagery. Stone buildings. Low roofs. Weathered surfaces bleached by salt and sun. A harbor small enough to be missed if y
EVANI don’t look at the photo right away. It sits on the small desk in the corner of the apartment, face down, the way you leave something you know can hurt you if you make eye contact. The blinds are half open, Rome leaking in through thin slices of afternoon light. Somewhere outside, someone is laughing. A Vespa screams past. The city insists on continuity.I sit on the edge of the bed and let the sounds wash over me without absorbing any of them. My phone is dark. No new messages. No instructions. No reassurance. Silence has become the loudest presence in the room. I tell myself I’m not afraid of the image itself. I’ve already seen it. Me and Livia in the archive. Too close. Too intimate for something that hadn’t yet crossed a line. Taken from an angle that shouldn’t exist, from a height that doesn’t make sense unless someone was standing exactly where no one ever stands.What I’m afraid of is what I missed. That’s the pattern now. Not what’s shown. What’s omitted. I stand, cross
EVANThe confrontation doesn’t happen the way I imagine it will. There’s no explosion. No raised voices. No dramatic confession torn loose by anger or desperation. It happens quietly. Which somehow makes it worse.Leah is sitting up in bed when I return from the hallway, her back propped against pillows, a paper cup of water resting untouched on the tray beside her. The room is dimmer now—afternoon light filtered through half-closed blinds, the hospital settling into its softer hours. The monitor beside her keeps its steady rhythm, the sound already carved into my nervous system.She looks smaller than she did this morning. Not weaker. Smaller. As if something inside her has folded inward, conserving itself. She looks at me when I enter, and her expression tightens—not fear, not relief, but recognition. Like she already knows this moment is coming. Like she’s been waiting for it.“You’re back,” she says.“Yes.”My voice sounds wrong to my own ears—too flat. Too controlled. I pull the
EVANI wake up with the sensation of a sentence already in my mouth. Not a dream. Not an image. A sentence—complete, shaped, waiting.Meet me by the west stairwell.It sits behind my teeth like I’ve been holding it all night. My eyes open to the hospital ceiling: flat white panels, the faint seam of fluorescent fixtures, a vent that hums softly. The chair beneath me has left a grid imprint on my forearm. My neck aches from sleeping in a position my body was never meant to accept.Across the room, Leah sleeps. She’s turned slightly toward the wall now, hair fanned across the pillow, her hand curled near her face like she’s holding something invisible. The monitor at her bedside blinks in a steady, indifferent rhythm. Every so often her brow tightens, then smooths again, like her mind is fighting something in her sleep and losing politely.I sit up slowly, careful not to make noise. The sentence remains: Meet me by the west stairwell. And with it, another detail—smaller, sharper: Livia’
EVANThe hospital room is too quiet after the stranger leaves. Not peaceful quiet. Not resting quiet. The kind of quiet that feels curated—like sound has been filtered, reduced to approved frequencies. The monitor hums. The IV ticks softly. Leah’s breathing is slow, shallow, mechanical in a way that makes my chest tighten every time her ribs rise. I sit beside her bed long after visiting hours technically end, because no one tells me to leave. That, too, feels intentional.Leah sleeps, sedated just enough to keep the fear from surfacing. Her face looks younger when she’s like this. Less guarded. Less fractured. As if the woman I married still exists somewhere beneath the layers of diagnosis and data. I watch her fingers twitch occasionally, small involuntary movements that the nurse earlier described as “benign motor variance.” Everything has a name now. Everything can be explained. Except the way the man in the hallway knew my middle name. Except the way Leah asked if someone had bee







