로그인DAMIEN'S POV
Tuesday came too fast.
I'd rehearsed what to say to Maya a hundred times. Apologize. Take responsibility. Don't make excuses. Dr. Reeves had coached me through it in our session Monday afternoon.
"Elara's best friend will likely be hostile," she'd said. "That's her job. She's protecting someone she loves."
"I know."
"Don't get defensive. Don't try to win her over. Just listen and accept whatever she needs to say."
Easier said than done.
I arrived at the gallery at six forty-five, early again. Couldn't help myself. The space was small but beautiful—exposed brick walls, warm lighting, carefully curated pieces. This was Elara's. She'd built this.
A woman stood near the back, arms crossed, watching me. Early thirties, sharp eyes, protective stance. Had to be Maya.
"You're early." Her voice was cold.
"I didn't want to be late."
"How considerate. That's new for you."
I deserved that. "You're Maya."
"And you're the asshole who destroyed my best friend. We've established who everyone is." She walked closer, looking me up and down like I was something she'd found on her shoe. "Elara said you have amnesia."
"Yes."
"Convenient."
"It's really not."
"Right. Because now you don't have to remember all the times you made her cry. All the nights she called me at two AM because she felt so alone in her own marriage. All the times I had to talk her out of blaming herself for your neglect."
Each word was a knife. I made myself stand there and take it.
"You want to know the worst part?" Maya stepped closer. "She made excuses for you. 'He's busy with work. He's under stress. His mother is demanding.' She loved you so much she convinced herself your cruelty was somehow her fault."
"I know. I've been watching old videos. Reading emails. I was—"
"A monster. Say it. You were a monster to her."
"I was a monster to her."
"And now? What are you now?"
"I don't know. Someone trying to be better."
Maya laughed. "Trying. Everyone's always trying. Do you know what trying got Elara? Three years of loneliness and a divorce that nearly broke her."
"I can't change the past—"
"No, you can't. So why are you here? What do you want from her?"
The question stopped me. What did I want?
"I want to understand. I want to make sure I never become that person again."
"That's about you. Not her."
She was right. "I also want—I want her to know that I'm sorry. That if I could go back and do things differently, I would."
"But you can't."
"No."
Maya studied me for a long moment. "She's starting to hope again. I can see it. And that terrifies me because you're going to hurt her again."
"I won't—"
"You will. Maybe not intentionally. Maybe your memory will come back and you'll revert to who you were. Maybe you'll decide this is too hard and disappear. Maybe you'll meet someone else and—"
"I wouldn't do that."
"You already did. You were married to her and treated her like she didn't exist. What makes you think you won't do it again?"
I had no answer.
The gallery door opened. Elara walked in carrying a box of wine glasses, stopping when she saw us.
"You're early."
"Both of us, apparently," Maya said, not taking her eyes off me. "We were just having a chat."
"Maya—"
"It's fine." I looked at Elara. "She's right to be protective."
"Damn right I am." Maya finally turned to Elara. "I'll be in the back room setting up. Yell if you need me to throw him out."
She left. Elara set down the box and looked at me.
"That bad?"
"I've had worse. Your mother threw a drink in my face when I told her we were getting divorced."
"I remember. You didn't press charges."
"She loved you. In her way." Elara started unpacking wine glasses. "Help me with these?"
We worked in silence for a few minutes. It felt strange, doing something normal together. Domestic.
"I meant what I said on the phone," I said quietly. "About Victoria. I'm handling it."
"By firing her."
"And cutting her out of my life completely. James is taking over her board responsibilities. I've changed all my passwords and locks. She can't interfere anymore."
"You really think it's that simple?"
"No. But it's a start." I set down a glass. "I also contacted a lawyer about the letters. What she did might be considered interference with correspondence. Potentially criminal."
Elara's hands stilled. "You're going to sue your mother?"
"I'm considering it. Not for me. For you. She destroyed our marriage deliberately."
"And a lawsuit will what? Give me those years back?"
"No. But it might give you justice."
She looked at me, something complicated in her expression. "I don't want justice, Damien. I just wanted to be loved."
The words gutted me.
"I know. And I failed at that. Completely." I moved closer, careful not to invade her space. "Can I show you something?"
I pulled out my phone and opened the photos app. The letters from Victoria's safe—I'd photographed every one.
"I had these digitized. Your letters. I've been reading them." I handed her the phone. "This one. From two years in. You wrote about wanting a family someday."
Elara took the phone, her hands shaking slightly as she read her own words from years ago.
"I don't remember writing this."
"You wrote about wanting two kids. A dog. A house with a garden where you could paint." I watched her face. "You had dreams, and I was so focused on work I never asked about them."
"Stop." She handed back the phone. "I can't do this right now. There are people coming for the event in twenty minutes and I can't—"
"I'm sorry. I shouldn't have—"
"No, it's—" She took a breath. "It's good that you're reading them. I just need time to process all of this."
People started arriving. Artists, collectors, art lovers. Elara transformed, becoming confident and professional. I watched her work the room, explaining pieces, making connections. This was her element. She was brilliant at it.
Maya appeared beside me. "She built this from nothing. After you."
"I can see that."
"She didn't just survive the divorce. She thrived. She became who she was always meant to be." Maya's voice was sharp. "So before you go thinking you want her back, ask yourself if you're willing to support this version of her. The successful, independent version. Not the version who made herself small to fit into your life."
"I would never ask her to be small."
"You didn't ask before. You just expected it."
She walked away before I could respond.
The event wound down around nine. I helped Elara clean up, Maya watching us like a hawk the entire time.
"Thank you for coming," Elara said as we packed the last of the glasses.
"Thank you for letting me."
"Maya was hard on you."
"She should be."
Elara smiled slightly. "She's usually worse. I think she actually might not completely hate you."
"Progress."
We stood there awkwardly. I should leave. This was my cue to leave.
"Can I ask you something?" Elara said.
"When you read the letters. What did you think?"
I considered lying, saying something safe. But she deserved the truth.
"I thought about how much time we wasted. How I had someone who loved me completely and I was too blind to see it." I met her eyes. "And I thought about how if I ever got a second chance, I'd spend every day making sure you knew you were seen."
"That's a nice thought."
"It's a promise. Even if you never take me back, even if we only ever see each other at random events in Seattle, I promise to be different. To be better."
Elara was quiet for a long moment. "I have a showing in Portland next month. Small gallery, local artists."
"Okay?"
"I'm driving down Friday afternoon. It's a three-hour drive and I hate driving alone." She wasn't looking at me. "If you wanted to come. Just for the drive. You could see what my work is actually like."
My heart stopped. "You're inviting me to Portland?"
"I'm inviting you to sit in a car for three hours. Don't read too much into it."
"I won't."
"And Maya will probably kill me for this."
"Probably."
"Friday. Two PM. Don't be late."
"I won't be."
She finally looked at me. "This isn't a second chance, Damien. This is me trying to figure out if the person you are now is real."
"I understand."
"Good." She grabbed her coat. "Now go home. I need to deal with Maya's lecture about what a terrible idea this is."
I left, my chest tight with something that felt dangerously close to hope.
DAMIEN'S POVMay fifteenth we flew to Split.The flight was long and Elara slept for most of it with her head on my shoulder and a novel face down in her lap that she'd been reading in the airport and abandoned within twenty minutes of takeoff. I read through a Cross Industries report that James had sent and then put it away and watched the clouds below and let my mind go quiet.We landed in the early morning, local time, the Croatian coast visible from the descent. Blue that didn't look real until you were in it.The first island was Hvar.We took a ferry from Split harbor, forty minutes, the water already warm for May in a way the Adriatic apparently just was. Elara stood at the ferry railing the whole crossing with the wind doing things to her hair that she didn't bother correcting.The rental house was small, up a narrow stone street, with a terrace that looked directly at the harbor. No hotel lobby, no concierge, no one to manage anything. Just a key and a door and the view.She
ELARA'S POVMarch arrived and with it the news that Marcus Webb had started a new company.Damien read about it in the financial press on a Tuesday morning over coffee and mentioned it the way you mention something that has become genuinely irrelevant."Consulting firm," he said. "Focused on distressed assets.""Appropriate.""My thought exactly."He put his phone down and finished his coffee and that was the entirety of the Marcus Webb conversation. Two years ago that name would have required management, strategy, contingency planning. Now it was two sentences over breakfast.That was its own kind of progress.I booked Croatia the same week. Thirteen days in May, starting on the fifteenth. The islands south of Split that we hadn't reached last time, smaller and less visited, the kind of places that required ferries and some tolerance for uncertainty.Damien looked at the itinerary I sent him and said nothing about the ferry portions.Progress there too.The Henry Chen catalogue had i
DAMIEN'S POVFebruary brought the Henry Chen show's opening in Vancouver.We flew up the Thursday before, Elara and I, with Robert Chen on the same flight though he'd booked separately and we found him at the gate reading the catalogue proof he'd been carrying everywhere since January.He looked up when we sat nearby. "I've read it four times.""Finding errors?" Elara asked."Finding things I missed the first three times." He closed it. "There's a photograph on page forty-seven. My father at his studio in 1981. I didn't know that photograph existed until Patricia found it in the archives.""What does he look like?""Like himself. Exactly like himself." He paused. "That sounds obvious.""It's not obvious. Some people don't look like themselves in photographs."He looked at her for a moment. "No. They don't."The gallery was transformed for the show.Claire had worked with a lighting designer for two weeks getting the paintings positioned and lit correctly. Each piece required different
ELARA'S POVMy mother had stopped asking if we were coming and started asking what time we were arriving, which was the distinction that mattered. We were expecting. That was new in the best way.Damien brought the chess set again and a bottle of wine and a book my father had mentioned in passing three months ago that Thomas had completely forgotten mentioning but received with the recognition of someone who'd been thinking about it without realizing it."You wrote it down," my father said."Notes app," Damien said. "I keep one for everyone."My father looked at him for a moment. "Smart system.""Elara taught me. She's been doing it for years."Thomas looked at me. I shrugged. He went back to examining the book and I caught Damien's eye across the room and he looked away before either of us smiled.Christmas dinner was the usual production, my mother's cooking filling the house with the smell of something that required two days of preparation and disappeared in forty minutes. We sat a
DAMIEN'S POVNovember arrived and the Henry Chen catalogue became real.Elara had found a small independent publisher in Vancouver through Claire's network, a woman named Patricia Yuen who specialized in art documentation and understood immediately what the project was trying to do. They had one meeting and Patricia sent a contract within the week.I stayed entirely out of it.Not because I wasn't interested but because I'd learned the difference between interest and involvement, and this was Elara's project in a way that required me to be interested without being involved. I asked questions when she wanted to talk about it. I didn't offer solutions she hadn't asked for.That distinction had taken time to learn.She was at the dining table on a Saturday morning with the transcript documents spread around her, working through the editing with Claire over video call, when Robert Chen arrived at the gallery downstairs with two of his father's actual paintings.She'd told me he was bringi
ELARA'S POVI flew in on a Tuesday, without Damien, who had board meetings running through the week. This was my trip. Richard visits, the apartment, the art. I'd been clear about that and he'd been clear about respecting it.Richard's apartment was on the Upper East Side, different from the Cross family penthouse where Damien and I had lived during the marriage. That building had been sold two years ago. This was Richard's own space, smaller, chosen by him rather than inherited.Gerald the nurse let me in. Richard was in the sitting room in a chair by the window with a chess board set up on the table beside him, mid-game against himself or against a problem he'd been given. He stood when I came in, slowly but completely, the physical therapy evident in how deliberate and successful the movement was."Elara." He gestured to the chair across from him.I sat. Gerald brought coffee without being asked and disappeared.The apartment was what I'd expected. Expensive furniture chosen for st
DAMIEN'S POVVictoria showed up at my office unannounced.Security called up first. "Mr. Hartley, your mother is here. Should we send her up?""No. Tell her I'm unavailable.""She says it's urgent. About the legal case."I closed my eyes. "Fine. Send her up. But stay close."Three minutes later, Vi
ELARA'S POVThursday night pottery was a disaster. A beautiful, hilarious disaster.Damien showed up with a notebook, like he planned to take notes. The instructor, a woman named Carol with clay permanently under her fingernails, laughed."This isn't calculus. Just feel the clay.""Feel it," Damien
DAMIEN'S POVMr. Chen didn't blink. Didn't move. Just waited."I neglected your daughter throughout our marriage," I said. "I prioritized work over her. I forgot important dates. I made her feel invisible and unimportant. There's no excuse for any of it.""Why did you do it?""I'm still figuring th
DAMIEN'S POVDr. Reeves watched me fidget with the pen on her desk."You're nervous about something.""I'm having feelings I don't know what to do with.""Feelings for Elara?""Yes. We've been doing pottery for three weeks. Having dinner after. Texting throughout the day. Normal things. But I'm—" I