LOGINChapter 8
Ryan The Zurri Enterprises offices occupied the top five floors of one of Cape Town's most buildings. All glass and steel and unobstructed views—a monument to my family's power. I hate it here. Father's office is on the top floor, naturally. "Ryan. Come in." He doesn't look up from his computer. "Dad. " "Close the door." I do, taking the seat across from his massive desk. The power play is intentional,him elevated, me lower, the dynamic clear. "The city council is voting on the docklands development next month," he begins. "We need to ensure they vote our way." "How do you want to handle it?" "The usual. Donations, favors, carefully applied pressure." He finally looks at me. "why the the war ." "The Rossis are playing dirty. They've got someone running a very effective media campaign against us. Painting us as outsiders, carpetbaggers, only interested in profit." I think about Maya's words: I traffic in narratives. I take messy, complicated realities and turn them into stories people can believe in. "You want me to counter it." "I want you to destroy it. And the person running it." He pulls up something on his computer, turns the screen to face me. My heart stops. It's Maya. A professional photo, all ice and control and nothing like my Stella. "Maya Rossi. Antonio's eldest daughter. She runs media operations for the Falcons, but word is she's also her father's secret weapon. Any; crisis that could damage the family, she makes it disappear." Father's eyes are cold. "Smart." "She's good. Very good. Which makes her dangerous." "What do you want me to do?" "I want you to find her weakness. Everyone has one. Find hers, exploit it, and bring her operation crashing down." He leans back. "Yoh . "Can you do that?" I think about Maya crying out my name. The vulnerability in her eyes. The trust she gave me. "Yes I can do that." I lie "Good. Because if we lose this development deal, we lose momentum, if we lose momentum, we lose everything." His gaze sharpens. "The Rossi's have been thorns in our side for too long. It's time to remove them permanently." "You mean the business." "I mean the family." His voice is flat. "what..." "All of it. By the time we're done, Antonio Rossi won't have a pot to piss in. His daughters will be ruined. His legacy will be ashes." His daughters. Maya. I feel sick. "That seems extreme." "Extreme?" Father stands, moves to the windows. "My grandfather came to this country with nothing. Built everything from scratch, and the Rossi's they are old money, old power they tried to destroy him at every turn. They've blocked us, undermined us, treated us like we're beneath them for three generations." "That was then ." "It's still now." He turns, and I see the rage beneath the polished exterior. "They tried to stop my first development deal. Tried to keep me out of the business community. Whispered that the Zurri's were criminals, that we couldn't be trusted." His jaw clenched. "They made my father's life hell. I won't let them do the same to you." I've heard this story before. The Zurri vendetta against the Rossi's, passed down like a birthright. But I've never questioned it until now. "What if there's another way? What if we could..." "Could what? Make peace? " He laughs bitterly. "Ryan, the Rossi's don't make peace. They make war, he only way to win a war is to destroy your enemy completely." "Pops" "No buts. This is who we are. This is what's expected of you." He moves back to his desk. "Now. About Maya Rossi. I want a full dossier on her. Where she goes, who she sees, what she cares about. Find her weakness." The irony would be funny if it wasn't so horrifying. Both our fathers, demanding the same thing. Both of us, ordered to weaponize information about the other. "I'll see what I can find." "Don't just see. Do." His voice hardens. "This is your legacy, Ryan. Your birthright. Don't let me down." I leave his office feeling like I'm going to throw up. Three days from now. The same day as the Falcons' next home game. The same day I'm planning to "accidentally" run into Maya at Vesper. My phone buzzes with a text from Marco: Did some more digging. Maya Rossi has a weakness after all. -What is it? Her sister. Gabriella. Twenty-five, social media influencer, daddy's little princess. Maya's fiercely protective of her. Rumor is she takes heat to keep Gabriella clean. I think about Maya saying she was tired of carrying her name. The weight of expectations. The person she has to be. She's not just Antonio's weapon. She's his shield. Protecting her sister, taking the hits, sacrificing herself. Just like I do for my family. -Don't spread that around, I text back. If it gets out I know. Your secret girlfriend becomes a target. I'm not an idiot. She's not my girlfriend. Yet. 😏 I pocket my phone and head to my office. I have three days to figure out how to handle this mess. Three days to decide if I'm really going to betray my family for a woman I spent one night with. Three days to figure out if Maya Rossi feels the same way about me. And pray to God that when I see her again, she doesn't hate me for what I am.Chapter 70 Ryan The idea starts the way bad ideas usually do simply, and with complete confidence. Maya is sleeping. This is itself an event worth noting—she is, by her own admission and the evidence of the past week, not a good sleeper in ordinary circumstances, which these are not, and the fact that she went down at nine and stayed down and is now, at ten-thirty the following morning, still asleep with her face turned toward the window and her breathing slow and even, is a sign that her body is finally doing the work of recovering properly. I am not going to wake her. I am, however, hungry in a way that has been building since six AM, and I am standing in Maya's kitchen with its elegant stone worktops and its copper pots and its nearly empty refrigerator—Maria stocked essentials before we arrived but not, apparently, accounting for a second person—and I am thinking that Maya deserves to wake up to a proper meal. This is a good thought. Everything that follows from it is somew
Chapter 69 Maya The house is on Via dei Giardini. I bought it four years ago during a property acquisition that was, on paper, a portfolio diversification decision and was, in reality, the first thing I had ever purchased purely because I wanted it. No strategic rationale. No yield calculation that justified the price. Just a nineteenth century townhouse on a quiet street in Brera with original stone floors and a courtyard with a fig tree and windows that let in afternoon light the colour of something warm. I have spent a total of eleven weeks in it across four years. I've never brought anyone here. I tell myself this is because my time in Milan is always professional—meetings, due diligence, the quarterly visits to the investment fund I co-manage with a Milanese firm. I tell myself it's practical. I tell myself a lot of things about a lot of decisions and I've gotten very efficient at not examining them too closely. Ryan examines everything closely. This is one of the
Chapter 68 Ryan The heartbeat doesn't stop. I mean that literally it continues, of course, monitored and steady in the way that Dr. Conti has pronounced satisfactory, and then the ultrasound ends and the room returns to its ordinary hospital dimensions and the sound stops being something I can hear externally. But it doesn't stop. It moves from the screen to somewhere inside my chest and it stays there, beating alongside my own at a frequency I can feel but couldn't explain to anyone. I've heard descriptions of this moment. From Marco, when his daughter was born three years ago—he called me from the hospital at two in the morning barely coherent, saying things that didn't connect grammatically, and I thought at the time that I understood what he meant. I was sympathetic and warm and entirely wrong about what I understood. I didn't understand anything. Dr. Conti leaves with the particular tact of a woman who has learned when a room needs to be vacated. Maya and I sit in th
Chapter 67 Maya The thing about hospitals is that they make time strange. There is no natural light calibration in this room—the window shows me sky but not sun, brightness but not warmth, and the hours move in the rhythm of the ward rather than the rhythm of the world outside. Vitals at six. Rounds at eight. Medication at ten. Lunch at twelve-thirty that I eat approximately half of before my appetite retreats again. The structure is imposed from outside, which should feel like the opposite of everything I've built my life around, and yet. There is something almost restful about it. I think about this while Ryan sleeps in the chair beside me. He fell asleep at around eleven, which I consider a personal achievement—I'd been working on it since nine, responding to his attempts at conversation with shorter and shorter answers, letting the silences stretch until they became comfortable and then soporific, the way you'd settle a child who doesn't know it's tired yet. He's sleepi
Chapter 66RyanThe hotel is four blocks from the hospital.I know this because I walked it. Not because walking made sense at ten o'clock at night in an unfamiliar city in October, but because the alternative was getting into the car Chiara had arranged and sitting in the back of it while someone else controlled the speed and the direction and the arrival time, and I couldn't do that. I needed to move under my own power. I needed the pavement beneath my feet and the cold Milan air in my lungs and the physical fact of forward momentum, because if I stopped moving It was going to have to fully feel what I'd been holding at arm's length for the past fourteen hours.I wasn't ready to feel it yet.So I walked.The hotel room is anonymous and adequate and completely wrong.I stand in the middle of it for approximately thirty seconds after the door closes behind me, looking at the bed I'm supposed to sleep in, the desk I'm supposed to sit at, the window that looks out at a street that has
Chapter 65MayaThere is a particular quality to hospital ceilings.I have noticed this before—at my mother's bedside, once, when I was nineteen and not yet good at the controlled composure I would later develop into something approaching an art form. Hospital ceilings are uniformly indifferent. They don't react to what happens beneath them. They offer nothing except the reminder that there is something above you, solid and unhurried, while everything below is in motion.I stare at the ceiling of my room in the Ospedale San Raffaele and I breathe, because breathing is currently a project rather than an automatic function and projects require attention.In through the nose. Count to four. Out through the mouth.The oxygen cannula sits awkwardly against my face and I resist the urge to pull at it the way I've been resisting for the past—I check the clock on the wall—six hours. It is now early afternoon. The Milan light coming through the window has the particular flat quality of a cloud
Chapter 18 Maya The party moved from the dining room to the lounge, the music swelling into something jazzier, more hedonistic, the kind of music that encourages bad decisions and expensive regrets. I get caught in a conversation with a group of investors, nodding and smiling while my mind is
Chapter 13 Maya The drive to the Commodore takes fifteen minutes. I spend it oscillating between fury and something that feels dangerously like vindication. Jeremy wasn't devoted. He was using me, probably for access to the family, to information. Or maybe he just wanted both Rossi sisters and
Chapter 34: RyanThe takeout containers were still on the kitchen counter half-eaten pad Thai, a demolished box of spring rolls, the lingering scent of ginger and toasted sesame oil hanging heavy in the air. The fluorescent light of the glass extractor fan cast a sharp, clinical glow over the is
Chapter 33: Maya The hydrogen peroxide bubbled on my knee, white and angry, eating at the grime from the bathroom floor. I bit my lip against the sting and pressed the cotton pad harder. Physical pain was easier. Physical pain had rules. "You're sure you're okay?" Gabriella's







