INICIAR SESIÓNMilo Chen had never had his name on a wall before.
Now his name was on a white wall in big black letters: MILO CHEN: TOKYO BOYS His photos were everywhere. 20 photos. Freckled boys in Tokyo rain, a CEO with messy hair, a key on a fridge, grilled cheese at 3 AM. His whole life in the last 3 months. He stood in the corner, wearing his blue good luck shirt and black jeans, black nails picking at his lip piercing, shaking. "I can't do this," he whispered to Lucien. "What if no one comes? What if they laugh? What if they say my photos are childish?" Lucien was behind him, in a black suit but no tie — because Milo told him no tie — holding a massive bouquet of blue flowers. Blue like Milo's shirt. "Look," Lucien said. Milo looked. The small Brooklyn gallery was full. Full full. Lena was there. Eleanor was there with pancakes in a Tupperware. Daniel's replacement — no, not replacement, Milo's friends from photo class were there. And strangers. Strangers looking at Milo's photos. And Lucien. Lucien standing in first row, like promised, being possessive with his eyes. The gallery owner, a woman with pink hair, tapped a glass. "Thank you for coming for Milo Chen's first show," she said. "Milo is 24, self-taught, shoots on film, and he told me he learned to photograph because he wanted to remember places where he felt safe. These photos are his safe places. Tokyo. And home." Milo cried. Right there. In his blue shirt. Lucien handed him the blue flowers. Huge bouquet, heavy. "For my photographer," Lucien whispered. "My favorite artist." Milo took them and went to speak, voice shaking: "Hi, I'm Milo. I— I used to be homeless. I used to take photos so I could remember where I slept that wasn't cold. And then I met someone who let me take photos of his fridge. And his messy hair. And his grilled cheese. And now his fridge is my fridge. So these photos are... they're my home. Thank you for coming to my home." No one laughed. People clapped. A lot. Eleanor clapped loudest and shouted "That's my son!" and everyone laughed nice laugh. After, people came to Milo. Asked about his camera, his film, his freckles. Milo answered, still holding blue flowers bigger than him. One cute boy came — same type as Central Park cute boy — and said "Your Tokyo boy photos are hot, are you single?" Before Milo could answer, Lucien appeared. Like magic. Possessive CEO magic. "He is not single," Lucien said, hand on Milo's waist, cold voice but soft eyes for Milo. "He is very, very taken. He lives with me. His key says so." The cute boy left quickly. Milo looked up at Lucien, delighted even at his own gallery. "You did good possessive!" Milo whispered. "You did good photographer," Lucien whispered back. "I'm so proud I could buy this whole gallery." "You better not," Milo said, serious. "This is mine. You can be proud without buying." "I know," Lucien said, kissing his temple. "I'm learning. You teach me." At the end of night, Milo sold 7 photos. 7! For $300 each. $2,100 — more money than he ever made. He held the check and stared at it. "I can buy groceries," he whispered. "Real groceries. Not just ramen." Lucien took his hand. "You can buy anything. It's your money. You earned it." Milo folded check and put it in his pocket. Then he took Lucien's hand and walked around his gallery one more time, alone, after everyone left. His name on wall. His photos. His blue flowers. His CEO in no tie. He stopped at his favorite photo — the one of Lucien on rooftop, messy hair, looking at Milo off-camera. Under it, Milo had written for the show: My safe place. Lucien saw it and pulled Milo close. "I love being your safe place," he said. "You are," Milo said. "You are my safe place with a really nice penthouse and really salty soup." That night, no fridge note. Milo was too tired. He fell asleep on couch holding blue flowers and $2,100 check and Lucien's hand. Lucien carried him to bed and taped the gallery invitation on fridge himself, writing underneath: My boyfriend is a real artist. And I got to be in first row. - L Milo, half asleep, added in the morning, messy: He was good possessive and didn't buy the gallery. Progress for both of us - MTen years later.Milo is 34 now, not 24, not 29, 34, freckles 47 on nose still, but now with more wrinkles when he smiles, because 10 years of smiling more than 24 years of cold makes wrinkles, good wrinkles, warm wrinkles, freckle wrinkles.Black nails still chipped, lip piercing still shining, but now with tiny scratch from Mara's real camera that is now big real camera, because Mara is 7 now, not 2, not 2 and 8 months, 7, real photographer, real camera, real photos, real gallery.Blue good luck shirt still same shirt, 10 years same shirt, now with 15 drool patches, because 10 years of babies, 10 years of Mara, 10 years of Sarah baby sister now 6 with mismatched socks, 10 years of drool, 15 patches, not 9, 15, each patch memory, each patch baby, each patch love, shirt faded, blue still good luck, but now more patches than blue, but still blue, still good luck, forever shirt.Lucien is 38 now, CEO still but half retired, half Provence, half New York, half Taraba, three tables still o
Five years and two months later, August, not June, lavender not real purple but cut, harvested, but smell still in house, in clothes, in blue shirt with seven drool patches that now had eight drool patches because Mara drooled again yesterday on purpose because she said "eight is better than seven, like your eight white ruins."Milo was 29 and three months, still 47 freckles on nose, still 12 on cheek, still 3 on forehead when nervous, but now also tiny line when he smiles, from smiling so much, because five years of smiling more than 24 years of cold.Lucien was 33 and three months, CEO still but now half Provence office, half New York, half Taraba office, because he opened Taraba office for Milo's mom, with photos on walls, because Milo said "my mom needs office with photos too, not just rice and beans."They had third fridge now.First fridge New York penthouse with 150 photos, because Milo kept adding after 300 total, now 350 total across two fridges, but now third fridge.Second
Five years later, lavender still real purple every June, but now Milo knows June will be real purple, no surprise, like he knows Lucien will get lavender dirt on white shirt every June, no surprise, like he knows Mrs. Alvarez will bring rice and beans Tupperware on plane every June, no surprise, tradition.Milo is 29 now, freckles 47 on nose still, but now with tiny wrinkle when he smiles, because 29 not 24, but freckles still stars, black nails still chipped, lip piercing still shining, blue good luck shirt still same shirt, now with seven drool patches, because five years of babies drooling, seven patches, not three, seven, each patch memory, each patch baby.Lucien is 33 now, CEO still but half Tokyo calls, half Provence calls, because Beaumont Corp now has Provence office in stone house barn that was darkroom that was gallery, now office too, with photos on walls and rice and beans Tupperware on desk, because Milo put rice and beans on CEO desk.They have child now.Not baby clien
The email came on Monday morning while Milo was in barn darkroom developing second gallery leftovers, red light, yellow gloves too big, Lucien helping and ruining again, white ruin number four now, because they ruined again in Provence barn.Lucien's phone buzzed. He never checked phone in darkroom because Henri said "if you check phone in barn, I will throw it in lavender," but this email was to Milo's email, not Lucien's, forwarded from Lena, subject: VOGUE — PHOTOGRAPHER MILO CHEN.Milo read it with yellow gloves on, hands shaking, chemical smell, red light making email glow red._Dear Milo Chen, We saw your Provence gallery photos on Instagram, from village lady who posted lavender and blue shirt boy. We love your eye. We want you to shoot for Vogue, Paris, fashion week, 10 days, $20,000, plus cover possibility. You would shoot real models, real clothes, real Paris. Please reply._Milo stared at email. Vogue. Paris. Fashion week. $20,000. Cover possibility. Real models, not babies
Milo's second gallery was not in New York.New York gallery was first gallery, with cute boy who talked to Milo on bench, with Lena who gave him wall, with 7 photos sold, with Mrs. A rice and beans on table.Second gallery was in Provence, in barn that was darkroom, that Henri said "barn needs gallery, not just darkroom, because you have too many photos for one fridge."Milo was nervous again, like first gallery, like baby client, like meeting Henri, like wedding, but different nervous now, because he had ring and blue shirt with drool patch and 50 photos sold, but still nervous, because photographer nervous never goes away, it just becomes warm nervous.Lucien was nervous too, but CEO nervous, because second gallery was his idea, he paid for lights, for walls, for invitations, but Milo said "no billionaire money for gallery, baby money and gallery money," so Lucien paid but said it was baby money loan, and Milo said "okay, baby money loan, I will pay back with baby photos."Gallery d
One year later, June again, lavender real purple again, but now Milo knew it would be real purple, not grey-green pretending purple, real purple that smelled like wedding.Milo and Lucien lived two places now — penthouse in New York with fridge that had 100 photos taped, from Tokyo rain to Provence wedding to baby drool to white ruins, fridge that was family fridge, and stone house in Provence with fridge that also had photos, because Milo put photos on every fridge he owned now.Milo was 25 now, freckles still 47 on nose, 12 on cheek, 3 on forehead when nervous, black nails always chipped, lip piercing still shining, blue good luck shirt now faded but still blue, still good luck, now with small patch where baby grabbed with drool at wedding, Milo kept patch, didn't fix, because drool patch was memory.Lucien was 29 now, still CEO but less Tokyo calls, because he hired Lena to do Tokyo calls, and Lena said "finally, you let me do Tokyo, I will make salty soup better than you," and Luc







