LOGINThe shrill telephone ring from somewhere on his office floor aroused him from his musings. There was a pile of documents that needed his attention on his desk, a blueprint he had to overlook in his system, but for the first time in three years since Hannah's death, he had no urge to work.
Work had been his escape after her death, the minute he figured out Monet knew exactly what she was doing with the kids, he'd plunged himself into his company. Dealing with his grief by taking his company to one of the most sought-after architectural firms to look out for in such a competitive market. Three days since she announced her engagement to Kyle, his house had become an echo of warmth. Hell! It felt just as raw as Hannah's passing. The kids were moving in silence; even Carter—who undoubtedly didn't grasp the entire situation had taken to sulking. Everything irritates him. Sweet Meredith no longer hangs around the kitchen with Monet anymore. She doesn't even meet her eyes, and Richard watches it kill Monet at every turn. Good. His kids weren't the only ones hurting. She had woven herself so deeply into their lives that it was equally hard to let go for her as it was for the kids. And there isn't a thing you can do about it— His conscience tugged at him. He soared to his feet, almost knocking his chair over from the force of his movement, banging it against the oak cabinet behind his seat with a resounding bang. His secretary poked her head into his office, “Jesus Christ, Richard what's wrong?” Richard looked at Mrs Haines but he wasn't really seeing her salt-n-pepper rounded figure at the moment. He needed to get out of the office. “Cancel the rest of my schedule for today and the rest of the week.” Mrs Haines looked at him open-mouthed but managed a nod, watching him toss files into his briefcase, “I'll email you any work but send the rest of the files that don't need my signature to the other partners.” He was out of the office in a whirl, almost leaving Mrs. Haines a whiplash as she watched his long strides to the elevator; she turned to look at his desk; it looked like a tornado had passed through it. “Well, well, well,” She muttered with a little bittersweet smile on her lips. “Three whole years you had with her, and you couldn't see that she was just what you and the kids needed.” _______ “........the kids are a mess—” “And you are painfully terrified,” His grandma added softly cutting him short. Richard sighed shoveling his fingers through his hair for the umpteenth time that day. He'd driven to his house right after he left his office, but he stopped short when he saw Monet's KIA in the driveway. The kids were still at school, and he didn't want to be alone with her, so he'd driven to the other part of town, straight to his grandmother's. “She could have given me a heads up,” He grumbled, hating how he sounded even as he said it. Florence smiled softly at him, all gentle eyes and knowing sighs as she poured tea into the mismatched mug he always used when he came over. “You wanted a heads-up for what exactly, Richie? So you could ignore it better? Push it off another week and pretend you aren’t unraveling like that old sweater I warned you about throwing out?” Richard gave her a sharp look but it dulled halfway through. Her words were never meant to sting. They were truth—wrapped in lace and served with honey. “She could’ve told me,” he muttered, sitting heavily on the worn floral couch across from her. “She didn’t have to blindside the kids like that. Blindside me.” “You’re not mad she didn’t tell you,” Florence said gently, stirring sugar into her own tea. “You’re mad because you didn’t know it would hurt this much. You thought you could eventually let her go one day and keep your peace. But sweet boy... you lost your peace a long time ago.” He pinched the bridge of his nose, elbow braced on his knee. “She’s not... I mean, this isn’t about me and her. It’s about the kids.” Florence just hummed, sipping slowly. “Of course it is.” “She’s in their bones now. You can’t just rip her out and expect no one to bleed.” He swallowed hard. “I told you, the minute you brought that girl into your home,” she continued, “I knew she wouldn’t just be a nanny. She filled in the cracks, Richard. Quietly. Gently. And she never overstepped. But honey, even God knows that kind of love doesn’t stay invisible forever.” “I’m not—” he started. “You’re not in love with her,” she finished for him. “I know. You’re still in love with Hannah. And you still think loving anyone else would betray her memory.” His jaw tightened. Florence reached out and patted his knee. “It’s okay,” she whispered. “It’s okay to grieve and still be grateful for what’s here.” He didn’t answer. She didn’t push. His silence was answer enough. Florence smiled. “Stop punishing yourself, Richie. Love doesn’t come just once. Sometimes, it knocks twice. And this time, it knocked for the kids. She stood leaning over to give him a kiss on his dark head just as she'd done when he was a kid, “I trust you to make the right decisions, Richie. You always do.” “I have a pilates class,” She said stretching in her mauve Lycra joggers. At seventy five she was as spry and feathery as she'd been when he was a kid. “Mae's making her famous lasagna for you to take to the kids, maybe that would cheer them up.” And then she was gone in a whirlwind of Lavender and mint perfume, leaving him in silence, in her floral tearoom straight from the eighties. He'd renovated the whole house but his grandmother had insisted this room stayed exactly the same. He hadn't understood why his grandmother had insisted on not renovating this room, but he felt like he did now. Some things were meant to stay the same forever.Monet spent the entire flight home pondering the conversation she had with her mother and younger sister. In all her years, she never thought she'd hear herself say all those words: mother and sister. Her own family. But they weren't really her family. Her family was back in the heart of New York, waiting for her. Stephanie Jacobs hadn't been woman enough to face her choices. Their resemblance only spanned physically. The woman she'd become had nothing to do with Stephanie or the choices she's made. Thank you.” She whispered to herself but it was really for Mother Margaret and Richard. The house felt the same, that was the first thing Monet noticed. Not changed. Not unsettled. Not altered by everything that had happened in ways the world would recognise.Just, the same. The children’s laughter carried down the hallway, light and unrestrained. Something clattered in the kitchen. A voice—Carter’s—calling out something unintelligible, f
They did not stay long. There was nothing in the place that invited lingering.Not after the words had been said. Not after the truth had settled into something too solid to reshape.Monet stepped outside the wooden gate first. The air felt different.Not lighter. Just… clearer.Elara followed a few moments later.She didn’t look at Monet immediately. Didn’t speak.She stood a few feet away, arms folded—not defensively this time, but as if holding herself together in a way she hadn’t needed to before.For a while, neither of them said anything.There was no script for what came after.“She didn’t apologise,” Elara said finally.Monet paused, remembering the broken words she heard, then glanced at Elara, “No.”A pause.“I think I would have hated it if she did,” Elara admitted.Monet’s lips curved faintly. “Me too.”That small, unexpected agreement softened something.Not everything. But something.Elara let out a slow breath. “I don’t know what to do with this,” she said.It wasn’t an
Elara stormed out. Her foot falls fading into nothingness but still her presence remained. Her indignance remained. Monet was glad it remained. Something that heavy shouldn't have to shrink with Elara's absence. It shifted the air, cracked the stillness, left behind something louder than silence. The door closed softly behind her, and the quiet returned as if it had been waiting. Monet remained where she was. Stephanie did not sit again. For a long moment, neither of them spoke. Up close, Monet could see it more clearly now—the fine lines time had written into Stephanie’s face, the absence of polish, of performance. There was no distance left to hide behind. Just a woman. Just the truth of her. “You look…” Stephanie started, then stopped. Monet tilted her head slightly. “Like what?” Stephanie exhaled, a faint, almost disbelieving sound. “Like someone I don’t get to claim.” The honesty of it settled between them, fragile and sharp. Monet didn’t soften. “You don’t.” Steph
The place was not what Monet expected.There were no towering gates. No rigid silence enforced by ritual or hierarchy. No sense of sacred A distance that would have made this easier to understand.It was… quiet.A coastal retreat tucked into the edge of something deliberately forgotten—white walls softened by time. Olive trees cast long, patient shadows. The kind of place people came to when they no longer wanted to be found but still needed to exist somewhere.Monet stood at the entrance for a long moment.Her bag hung loosely from her shoulder. Her phone sat untouched in her hand. She had not called Richard.Not yet. This—this was the part she had chosen to walk alone.“You’re here.”The voice came from behind her. Monet turned.Elara. Of course.For a moment, neither of them moved. The air shifted thicker now, charged with something that had been building long before either of them had words for it.“You knew,” Monet said quietly.Elara’s mouth curved not quite a smile. “I
Stephanie Jacobs had always been taught that choices were rarely singular.They came layered. Consequential. Tied to expectations that existed long before she was born.A Jacobs woman did not simply choose.She upheld. She persevered.She survived within parameters drawn so finely they felt like silk—until they tightened.She had been beautiful.That was the first thing people noticed.Not her intelligence, though it was there. Not her quiet defiance, though it lived beneath her skin like a second pulse.Beauty came first.It opened doors. It forgave silence. It disguised fracture.New Orleans had loved her the way it loved things it did not quite understand.Admired her. Displayed her.Adjusted itself just enough to accommodate her existence without ever truly making space for it.Stephanie learned early how to exist in that space.Half claimed. Half withheld. Entirely watched.Then she met him. Monet’s father.He did not look at her like she was something to be assessed. He looked a
Richard noticed before he understood. It wasn’t anything obvious.Monet moved through the house the same way she always did—softly, attentively, present in all the places that mattered. She laughed with the children. Listened without distraction. Touched him in passing with the same unconscious familiarity that had, over time, become his anchor.Nothing had changed.And yet—something had.It lived in the spaces between things. In the way she lingered just a second longer before answering certain questions.In the way her eyes seemed… occupied, even when her attention was fully his.In the quiet, deliberate calm that had replaced the earlier fragility, he had grown used to navigating around.Monet was not unsettled, she had decided.And that, more than anything, put him on edge. He found her in the barely used dining room that evening.The light had shifted into that soft, amber hour where the house felt suspended between day and night. Monet stood by the bay windows, her refle
They met somewhere neutral. Not the café where recognition had bloomed, not the villa that felt borrowed. A small, shaded courtyard tucked behind an old chapel on the island—stone benches worn smooth by time, bougainvillea climbing the walls like something trying to reclaim ground. Monet arrived
Richard didn’t sleep. He lay awake long after Monet’s breathing evened out, her body curled toward him as if instinctively seeking shelter. One of her hands rested on his chest, fingers splayed, anchoring herself without knowing it. He stared at the ceiling, replaying Gabriel’s voice with a prec
They didn’t talk much on the way back. Not because there was nothing to say—but because everything felt too sharp to touch without cutting something open. The car moved quietly through the island roads, headlights slicing through palms and shadow. Richard drove with one hand on the wheel, the
Dinner was Monet’s idea. Not because she was hungry—she hadn’t been, not really, since the café—but because she needed movement. Noise. Light. Something that felt ordinary enough to test whether the world had actually shifted or whether the change was still contained inside her chest. Richar







