MasukShe was just the nanny. Quiet, kind-hearted, and desperately in love with the children she cared for. He was a grieving widower with too many secrets and a heart locked in silence. And when her world fell apart, his offer came with one condition—marriage. After walking away from her first love and discovering a truth that shattered her dreams of motherhood, Monet Palmer finds herself caught between a life she planned and the one she never expected. The Abbott house was only supposed to be a job—but somewhere between bedtime stories and tear-stained lullabies, it became home. Now, with a wedding she’s not sure she wants, and a man she’s afraid to love, Monet is forced to confront the one question that haunts her: What happens when the heart chooses a family… but not the groom? In this emotional slow-burn romance, secrets, healing, and unexpected affection collide. Because sometimes, the most powerful kind of love… is the one you never saw coming.
Lihat lebih banyakElara had chosen the museum because it was anonymous and it was in New York. Museums were good like that—full of people, but not intimacy. Movement without engagement. You could stand in front of a centuries-old painting and feel unseen, which was exactly what she needed after the podcast, after the backlash, after the silence she had not expected to hurt this much.She was halfway through the West African sculpture wing when she felt it. Not being watched. Being recognized.“Elara Jacobs.”The voice was calm. Cultured. Female. Not young.Elara turned slowly.The woman standing behind her did not belong to the museum the way tourists did. She belonged the way benefactors did—tailored coat, posture precise, eyes observant without curiosity. Wealth without noise. Authority without announcement.Florence Abbott.Elara knew her face from photographs. Society columns. Old Christmas features that pretended not to be about lineage while being entirely about lineage.Richard’s grandmother.
Richard Abbott did not confront people on instinct.He gathered facts. He verified patterns. He waited until certainty settled into his bones like a weight inescapable, undeniable.That was how he knew Gabriel Morgan was not a coincidence.The PI’s report lay open on Richard’s desk, pages neat, impersonal, damning in their restraint. Names. Dates. Proximity. Patterns that did not scream guilt but whispered intention.Gabriel Morgan. Private equity consultant. International board appointments. Old-money access without visible origin.And threaded through it all—quietly, repeatedly—Monet.Richard leaned back, fingers steepled, jaw tight.Gabriel had been near the foundations on which Monet once stood. Near the convents. Near the social circles that brushed too close to Stephanie Jacobs’ shadow. Near Elara—long before Seychelles, long before chance could be blamed.Richard exhaled slowly. So this was not curiosity.This was an inheritance. He closed the file and stood. They met.
Juliet Pendleton saw it while standing in her kitchen, barefoot on cold marble, a porcelain cup cooling untouched in her hand.She hadn’t been looking for it. That was the unsettling part.The notification surfaced the way truths often did in her life—uninvited, perfectly timed.Trending: Stephanie Jacobs’ Daughters—A Legacy Reopened. The Jacobs family isn't offering any comments at the moment. Juliet frowned faintly and tapped the screen. She listened. All the way through.She didn’t interrupt it with outrage or disbelief. She didn’t pace. She didn’t curse Monet or Elara or Richard.She simply listened.By the time the episode ended, her tea had gone cold and something sharp and old had surfaced behind her ribs.“Well,” she murmured to the empty kitchen. “So it finally escaped the box.”Juliet had spent most of her life adjacent to secrets that other people believed were buried. Old money had a way of leaving fingerprints on stories even after it washed its hands.Stephanie Jaco
Monet knew who it was before the knock finished echoing on the door. There was a particular rhythm to Mother Margaret’s presence—unhurried, reverent, as though even doors should be approached with care. Monet closes her eyes briefly, breath tightening, then forces herself to stand. She opens the door.Mother Margaret looks smaller than Monet remembers. Or maybe Monet has grown into her grief. The nun’s habit is immaculate, her silver-streaked hair tucked neatly beneath her veil, her eyes warm with something dangerously close to relief.“Monet,” she says softly.That is all it takes.Anger surges—hot, immediate—but it has nowhere to land. It dissolves the moment Mother Margaret steps forward and cups Monet’s face the way she used to when Monet was a child with skinned knees and unasked questions.“You shouldn’t have come,” Monet says, even as she steps aside.“I know,” Mother Margaret replies, and enters anyway.They sit in the breakfast nook in the kitchen. Monet pours tea. Stea












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