LOGINIsla Vance enters Dante Moretti's dangerous world after her brother Marco becomes involved in a serious debt that threatens his life. Dante offers Isla an agreement: she will help investigate a thief who has been secretly stealing from his organization, while he protects her brother. Isla expects Dante to be ruthless and controlling, but after arriving at the Moretti estate, she discovers unexpected kindness behind his cold personality. He gives her freedom, a key to her room, and even remembers how she likes her tea. As Isla and Dante work together, their relationship slowly changes from distrust and tension into attraction and emotional attachment. During their investigation, Isla discovers that Dante secretly paid for her mother's medical treatment six years earlier, even though he claims they had no reason to know each other. Isla becomes determined to uncover their hidden connection and the truth surrounding her mother's past. Eventually, Dante must reveal the secret he has protected for years, while Isla must decide whether she can trust the man she was once afraid of. Their relationship will ultimately overcome the secrets between their families, allowing them to choose each other freely.
View MoreChapter 1: The Debt
The first thing Isla Vance noticed was that the man holding the gun was not the one she should be afraid of. He stood by her brother's chair, young and sweating, his hand shaking on the grip. The real danger sat across the restaurant at the corner table, perfectly still, turning a glass of red wine with two fingers like he had all night. Dante Moretti. Everyone in Valtieri knew the name. Nobody said it above a whisper. "Isla," her brother Marco croaked. His lip was split and one eye was swelling shut. "I'm sorry. I'm so sorry." Isla stood frozen in the doorway of Bellavista, the little restaurant where she kept the books six nights a week. It was past midnight. The chairs were stacked on the tables. The only light came from one lamp over the corner booth. She should have run. Instead she walked straight in, because that was Marco bleeding on the floor, and she had never in her life been able to walk away from him. "Let him go," she said. Her voice came out steadier than she felt. The man at the corner table finally looked up. His eyes were grey, cold, and unhurried. They moved over her once, from her rain-soaked hair to her worn shoes, and she felt weighed like something at a market. "You must be the sister," Dante said. His voice was low and calm, which was worse than shouting. "Sit." "I'd rather stand." "Sit, Miss Vance. I don't repeat myself, and I'm being generous tonight." The young man with the gun shifted nervously. Isla's knees wanted to give out, so she sat. The chair across from Dante was still warm, as if someone had just left it in a hurry. She decided not to think about why. Dante slid a thick folder across the table. "Your brother borrowed money from a man who works for me. Four hundred thousand dollars. He lost it all in three weeks at a table he had no business sitting at." Isla's stomach dropped. "That's not possible. Marco doesn't have that kind of..." "He doesn't," Dante agreed. "That is the problem." She opened the folder with trembling hands. Dates. Signatures. Her brother's handwriting, unmistakable, on every page. The number at the bottom made the room tilt. "I can pay it back," she whispered. It was a lie, and they both knew it. "With what? You earn nineteen dollars an hour counting my own restaurant's money." He said it lightly, almost kindly. "Yes, Miss Vance. Bellavista is mine. So is the building, the street, and most of the people on it. I know exactly who you are." A chill ran down her spine. She had worked here for two years and never once seen him. Yet he knew her wage. "What do you want?" she asked. For the first time, something flickered in his face. It might have been amusement, or interest. She couldn't tell, and that frightened her more than anything else. "Smart girl. You didn't beg. Most people beg." He leaned back. "Tell me something. When you balance the books here, do you notice anything strange?" Her heart skipped. She did notice. For three months, small amounts had been disappearing from the nightly totals, never enough to be obvious. She had quietly kept her own notes in a notebook hidden in her bag, too scared to tell anyone, because telling the wrong person in this city could get you killed. "No," she said quickly. Dante smiled, slow and sharp. "Liar." He said it almost gently. "You've been writing it down for ninety-one days. Do you know how I know? Because someone in my organization has been stealing from me, and the only person clever enough to catch him is the quiet girl in the back office who thinks nobody sees her." Isla's mouth went dry. "Here is my offer," he continued. "Work for me. Not here. In my house, in my study, going through every ledger my family owns. Find the thief. Do it, and your brother's debt disappears, and he walks out of this room alive." "And if I refuse?" Dante said nothing. He only glanced at Marco, then at the young man with the gun. The message was clear enough. Isla swallowed hard. "How long?" "Until I'm satisfied." His gaze held hers. "You'll live in my home, under my protection. My men will go where you go. You'll answer to me and no one else." "That's a kidnapping." "It's a job," he said smoothly. "With excellent security." She stared at him, at the expensive suit, the steady hands, and the faint scar along his jaw that she suddenly, stupidly, wanted to stop looking at. This man could ruin her life with a single phone call. Yet there was something else under the ice, something tired and watchful, like a man who trusted nobody because he had learned the hard way. "Why me?" she asked softly. "You could hire anyone." For a long moment, he didn't answer. "Because," Dante said at last, "everyone I hire is afraid of me. You walked into a room full of guns to save your brother, and you still tried to bargain. I want someone who isn't afraid to tell me the truth." He stood. He was taller than she expected, and the room seemed to shrink around him. He held out one hand, palm up, not a request but an invitation she couldn't refuse. "Decide, Miss Vance. Your brother is bleeding." Isla looked at Marco. He shook his head weakly, whispering don't, Isla, don't. She looked back at the hand held out to her. Her mother had once told her that every door worth walking through is a little terrifying. Isla placed her hand in his. His fingers closed around hers, warm and unexpectedly gentle, and a strange current ran up her arm. Dante felt it too. She saw it in the tiny pause of his breath, the way his eyes dropped to their joined hands and then lifted again, sharper than before. "Welcome to the family," he murmured. Outside, thunder cracked over Valtieri. And somewhere in the dark, someone who had been stealing from the Moretti family for three months read the message that had just landed on his phone: She's been taken in. She knows. He began to smile.The first birthday was a gloriously ordinary affair.They held it in the rose garden, under a sky the color of a robin's egg. Someone had hung paper lanterns in the cherry trees. Marco had set up trestle tables on the lawn and loaded them with enough food to feed an army. A string quartet, borrowed from the conservatory in Genoa, sawed cheerfully through Vivaldi. Nico, who had decided that the birthday was in his honor, ran in wild circles, shrieking, with a wooden sword.The white rose by the sundial was in full bloom.Isla stood beside it, in a yellow dress, with a glass of lemonade in her hand and a smile she could not quite stop. She watched her husband across the lawn. He was crouched on the grass in his shirtsleeves, with a small, solemn, chubby person standing on his thighs, and he was laughing, a rich, helpless, unguarded laugh she had heard perhaps a dozen times in her life.It was the best day in months.Tomas had come, with a basket of eggs from the convent hens. Carlo had
They went down at midnight, by candlelight.It was the first time Carlo Verdier had been in the Moretti cellar in thirty-eight years. He walked slowly, with a stick, between a pair of silent guards, in a borrowed overcoat. He stopped at the foot of the stair and looked about him, at the low vaulted roof, the stacks of dusty crates, the line of rusted iron racks. His face was unreadable."It has not changed," he said."It's been empty for twenty-two years.""It was always empty. It was the one honest room in the house." A thin smile. "We swore the Pact over there."He pointed. At the far end, where the vault narrowed to a point, stood an old oak table, black with age. Eight chairs had been drawn up round it. A single lamp swung from a hook. And on the table, in a nest of straw, sat a squat stone bottle sealed with red wax."The fourth stair," said Isla. "Under the board.""You have been listening.""I've been counting."They took their places in silence. Dante at the head, with the bab
She had imagined him a hundred ways.A tall, silver, saturnine man, in a gray suit, like a banker. A broken ruin, hollow-eyed. A tyrant, like Giovanni. A ghost. She had imagined him in dreams, in the hollow of the night, in the small gray hour before the alarm rang. She had never imagined this.He was a small man. He was sitting on a narrow iron cot in a whitewashed cell, with a battered book on his knee, and he was wearing slippers. He was sixty-one. He had thin brown hair, speckled with white, and a neat clipped moustache, and a mild, lined, scholarly face that belonged on a schoolmaster. He looked up as the door opened. He took off his spectacles. And she saw that his eyes were hers."Isla," said Carlo Verdier.His voice shook. He rose. He stood with the book clutched to his chest, a small man in a gray prison jersey, and the hand that held his spectacles trembled so violently that the lenses clicked."Hello," she said."I did not think you would come.""Everyone keeps saying that.
They saw Vittorio first.It was not a kindness. It was a calculation. A pale visitor's room in a Genoese prison, with a steel table and two plastic chairs and a guard by the door. Isla sat across from the man who had held her arm at the altar. Dante stood behind her with folded arms. And Vittorio Moretti, in gray prison cotton, with his handsome face gone sallow and his hands cuffed to the table, looked up at her and smiled a small, hopeless, apologetic smile."I thought you wouldn't come.""I nearly didn't.""I wouldn't have blamed you." He ducked his head. "She's well?""Don't ask about her.""I am sorry.""You signed her name."He closed his eyes. It was a long moment before he spoke."I did it for the same reason Giovanni did it for Dante." His voice was low. "My father came to me. The night she was born. He said, there are men in the Pact who will want to use her. A child is a hostage with a long life. He said that I must stand sponsor, or she would be taken." A wretched laugh. "
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