เข้าสู่ระบบMarianna.
I don't remember leaving the interview.
Miami's brutal May sun hitting me like a slap, my Target blazer sticking to my back, my feet moving without permission from my brain.
He's fine. He has to be fine.
F1 cars are designed for this. The halo. The survival cell. All those carbon fiber layers. Drivers walk away from crashes all the time. I've seen the compilations on YouTube—spectacular wrecks that look like death on wheels, and then the driver just... climbs out. Waves to the crowd. Posts an I*******m story about it later.
He's fine.
My phone is dead again—of course it is, because this piece of shit device has a battery life of approximately forty-seven minutes—so I can't check the news. Can't see if they've shown him getting out of the car. Can't confirm that he's alive and whole and not currently being airlifted to some trauma center while I'm power-walking through Brickell like a lunatic in uncomfortable shoes.
The blisters have already started. I can feel them forming on both heels, hot spots of friction that will definitely become open wounds by the time I reach his apartment. Good.Pain is better than thinking about—
The car doesn't look like a car anymore.
I walk faster. The flats are definitely drawing blood now. A woman in yoga pants gives me a concerned look as I speed-walk past her, and I must look absolutely unhinged—sweating through professional attire, mascara probably running, breathing like I just ran a marathon instead of walking fifteen blocks.
What am I even doing?
What am I going to do when I get there? Burst into his apartment and... what? Check his pulse? He probably isn't even home. He's probably at the hospital getting checked out, or at the team headquarters doing debriefs.I just—
The elevator up to his floor takes approximately seventeen years. I spend them staring at my reflection in the polished metal doors, sweaty, disheveled, one heel definitely bleeding through my cheap flats, and wondering what the fuck I think I'm doing.
The doors open.
And I hear it.
For a second, I don't understand what I'm hearing.
Then I hear it again.
A moan. Low and drawn out. Feminine.
And another sound underneath it—rhythmic, percussive. The unmistakable sound of something hitting something else. Over and over.
Oh.
Oh no.
Oh no no no no—
I'm frozen in the elevator vestibule. One foot in, one foot out, doors trying to close on me and then sliding back open when they hit my body. The motion sensor dings in annoyance. Please step out of the elevator. Please step out of the elevator.
"Yes, yes, god, yes—"
That voice. I know that voice.
Swedish accent.
I'm standing here, paralyzed, listening to Alina Lindqvist achieve what sounds like the most enthusiastic orgasm in human history, and I can't make myself fucking move.
My stomach turns.
I take a step backward. The elevator doors start to close.
And then—
"Oh my god, Marianna?"
I freeze.
The elevator doors close on me again. Open again. Ding in frustrated resignation.
Alina appears at the end of the hallway.
She's wearing Duane's t-shirt. Her hair is mussed and her cheeks are flushed and there's a satisfied curl to her mouth.
"What are you doing here?" she asks, like I'm the intruder.
"I—" My voice comes out wrong. Squeaky. The voice of a mouse who's just walked in on something it desperately wishes it hadn't. " I was just—"
"We thought you'd be gone longer." Alina stretches, catlike, the motion pulling the t-shirt up her thighs. "Well. Awkward timing, I guess."
She laughs. It's a beautiful sound.
I'm living the nightmare.
Behind her, through the open doorway of the master bedroom, I see—
A figure. Tall and broad and unmistakably him, crossing the room toward what I assume is the bathroom. He's naked. I can see the line of his back.
Alina shifts, blocking my view. Deliberately. Her smile sharpens.
"He's taking a shower," she says. "I'm sure you understand. He's very... thorough."
I don't respond. Can't respond. My tongue has turned to concrete in my mouth.
"Actually, wait." Alina tilts her head, studying me . Her eyes travel down my body. "Can I ask you something?"
I want to say no.
"How old are you again? Twenty-two? Twenty-three?"
"Twenty-three," I manage.
"Hmm." That sound again. Dismissive. "And you've been with... how many men? In your life?"
The question hits me.
"I don't—that's not—"
"Because I'm wondering." She takes a step toward me. Closing the distance between us until I can smell her—expensive perfume and sex. "The way you react. It's very..." She pauses, searching for the word. "Virginal."
My face is on fire.
"I'm not—"
"It's cute, actually." She's right in front of me now. Close enough that I can see the individual strands of her perfect blonde hair, the tiny smear of mascara under her left eye—the only imperfection on her entire fucking face. "Very... innocent."
I should defend myself. I'm not the pathetic creature she clearly thinks I am. .But she's looking at me with those ice-blue eyes, and suddenly all I can think about is Tyler telling his friends I was broken. Daniel calling me frigid. Marcus asking if I'd been assaulted, like that was the only possible explanation for why I couldn't just be normal.
"Oh my god." Alina's eyes widen. Her mouth drops open. "You are a virgin, aren't you?"
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







