แชร์

14

ผู้เขียน: Ana Hertales
last update วันที่เผยแพร่: 2026-09-04 11:49:06

Marianna.

"Oh my god." Alina's eyes widen. Her mouth drops open. "You are a virgin, aren't you?"

Actually, I don’t really want to bring this up.

I—I’m not a virgin. But my sexual experience… isn’t extensive. To be honest, it’s only happened once—at my house when my parents weren’t home, back when I was with Marcus.

Marcus said I shouldn’t be so scared. He could definitely tell I was terrified, trembling so hard my teeth chattered. Then it all just happened—way too fast. His penis went inside me, and I felt like I was being split in two. The pain was blinding.

I pushed him away and he immediately started saying accusatory things. His face twisted with frustration, telling me, “You’re playing the victim here just because you have a frigid, screwed-up complex about sex.”

I told him to “Get out of my house.”

And in the end, as he grabbed his clothes, he looked back at me and told me, “You’re a mess.”

I’ve never mentioned this to anyone. Except maybe Marco, who might have a vague idea though he doesn't know the details.

So, when I looked at Alina’s face—her shocked, pitying expression—I couldn’t say a word.

She was right. In a way.

"I..." My voice is a frail, hollow whisper. "I should go to my room."

"Oh, honey." Alina's voice drips with something that might be pity, but feels like poison. "I didn't mean to embarrass you."

"I need to go," I say. "Excuse me."

Behind me, I hear the shower turn off. I hear Alina's bare footsteps heading back toward the master bedroom. Hear her voice, low and sweet, dropping the cruelty entirely: "I'm ordering Thai food. You want the usual?"

His response is too quiet for me to hear. Which is fine. I don't want to hear it.

I close the guest room door behind me. Lock it. I slide down to the floor with my back against the heavy wood, my legs crumpling underneath me, my cheap Target blazer bunching up around my shoulders.

I don't cry.

I must have fallen asleep at some point.

I don't remember getting into bed or changing out of my interview clothes. The room is dark. The city lights outside cast weird shadows on the ceiling, shapes that move and shift like living things.

I'm dreaming.

I know I'm dreaming because everything has that thick, underwater quality. Reality stretches like taffy into something unrecognizable. The grey guest room vanishes, replaced by the familiar, claustrophobic walls of my childhood bedroom.

I'm lying on a bed. My old bed. And Marcus is there.

He’s heavy, pressing me down into the mattress. He’s rough, his movements frantic and impatient. His hand moves aggressively to my breast, his grip bruising. A sharp spike of physical pain shoots through my chest.

I gasp, my eyes flying wide open, staring up at the ceiling of the dream.

"Marcus," I choke out, a reflexive, desperate protest.

"Shh," he murmurs, his mouth trailing hot, wet kisses down my neck, stifling my voice. "You're fine. You're doing so good."

I can't breathe. The air in the room is gone. He moves his hand lower, his knuckles dragging against my skin, hooking his fingers forcefully into the waistband of my underwear. He pulls them down with a violent yank. Then, his fingers reach into my vagina.

It's a sharp, invasive shock. I try to thrash, try to push him off, but before I can move, the nightmare fractures.

Marcus's face suddenly vanishes.

The walls of my bedroom dissolve, replaced by a deeper, absolute darkness. It's like I've been dropped into the Marianas Trench. It feels exactly like drowning—the crushing pressure, the icy panic, the total absence of light. But there is no water. Just the endless, suffocating void.

And the hands.

It isn't Marcus anymore. It is countless hands. They emerge from the pitch-black space around me, multiplying by the second. They are everywhere. Touching me. Grabbing me. Hot, invasive palm prints burning into my arms, my legs, my stomach. Fingers wrapping around my ankles, brushing against my thighs, pressing into my shoulders.

I am completely, utterly terrified.

I try to fight. I try to kick, to twist my body away, to push the phantom hands off my skin, but my body isn't listening. I am completely paralyzed. I am made of stone, or ice, or nothing at all—just an empty vessel for whatever this horror is doing to me. The hands keep moving, slick and relentless, pulling at me, trying to drag me down into the abyss where I will disappear completely. It is a visceral, skin-crawling terror, the absolute destruction of my own agency.

Someone is speaking. Voices murmur from the dark, words I can't understand, muffled and distorted like they're coming from miles underwater.

I open my mouth to scream.

Nothing comes out. The darkness rushes into my throat, swallowing the sound. It swallows me. I am dissolving into it, being torn apart by the countless hands, becoming nothing, becoming—

"Marianna!"

My eyes fly open in the real world.

I'm gasping, choking on air. I scream, but what comes out is more of a croak, a broken, terrified bird noise that gets caught in my teeth. My arms come up instinctively, defensive, wildly warding off whoever is standing over the bed.

"Marianna. Stop."

That voice.

Duane.

My body moves before my brain catches up, desperate for an anchor, desperate for something solid in the dark. I lunge forward. My arms wrap tightly around his torso, my face burying itself instantly into his chest. He's solid. He's warm. My fingers dig into the fabric of his shirt like a lifeline, my breath coming in ragged, hysterical gasps against his skin.

He goes completely still.

And then—slowly, horribly—reality filters back in. The smell of his cologne. The hard plane of his chest.

I'm hugging Duane Richter. Oh god.

I release him like he's made of fire. I scramble backward so fast I nearly fall off the edge of the mattress, my back hitting the headboard.

"I—" My voice is a strangled, humiliating thing. "I'm so sorry. I didn't—I wasn't—"

I look up at him. The ambient light from the city filters through the windows, casting him in pale silver.

His expression is incredibly grave. The hard lines of his jaw are locked tight.

Say something. Please say something. Tell me I'm pathetic. Anything is better than this heavy, crushing silence.

"I was dreaming," I manage to whisper, my throat raw. "I didn't mean to—"

"Marianna."

I stop talking.

He still hasn't moved. His grave, piercing gaze doesn't leave my face.

"Go back to sleep."

 

อ่านหนังสือเล่มนี้ต่อได้ฟรี
สแกนรหัสเพื่อดาวน์โหลดแอป

บทล่าสุด

  • Saved by Brother's Best Friend   100

    Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B

  • Saved by Brother's Best Friend   99

    Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in

  • Saved by Brother's Best Friend   98

    Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I

  • Saved by Brother's Best Friend   97

    Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in

  • Saved by Brother's Best Friend   96

    Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente

  • Saved by Brother's Best Friend   95

    Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l

บทอื่นๆ
สำรวจและอ่านนวนิยายดีๆ ได้ฟรี
เข้าถึงนวนิยายดีๆ จำนวนมากได้ฟรีบนแอป GoodNovel ดาวน์โหลดหนังสือที่คุณชอบและอ่านได้ทุกที่ทุกเวลา
อ่านหนังสือฟรีบนแอป
สแกนรหัสเพื่ออ่านบนแอป
DMCA.com Protection Status