เข้าสู่ระบบMarianna.
I'm leaving.
Tonight.
I have $14 in my checking account, but my first paycheck comes in two weeks. There are Airbnbs in Miami for $40 a night—sketchy ones, sure, the kind with reviews that mention "character" and "authentic experience" and "minor cockroach situation"—but I have a credit card with maybe $300 of available balance. I can survive for two weeks on ramen and spite.
I cannot survive another night in that apartment.
The elevator ride up feels longer than usual. The key card feels heavier in my hand. The hallway feels narrower, like the walls are closing in, like the grey marble is judging me for ever thinking I belonged here.
The apartment is empty when I walk in.
Good. I don't want to see him. Don't want to have to pretend I'm fine, that this is fine, that any part of this situation is within screaming distance of fine.
I just want to pack my nothing and leave.
The guest room looks exactly the same as it did this morning. Grey walls. Grey sheets. The faint lingering scent of his laundry detergent on the clothes I've been wearing, the hoodie I've been living in, the pieces of him I've wrapped around myself like armor.
I need to stop wearing his clothes.
I need to stop breathing his air.
I need to get the fuck out of this apartment before I lose whatever remains of my mind.
I don't have a suitcase—thanks, American Airlines, for that particular gift—so I grab a plastic bag from under the bathroom sink. The one from Target.
Into it goes:
My original underwear (washed, dried, tragic);The sundress from the airport (still slightly damp in places);The cracked iPhone (his, technically, but I need it);My wallet (containing $14 and a debit card linked to an account that's basically a cry for help)
That's it. That's everything I own in Miami.
Five days of my life, reduced to a single plastic bag.
I look around the room one last time. The king-sized bed I slept in. The bathroom with the rainfall shower. The view of Miami through floor-to-ceiling windows that probably cost more than my education.
None of it was ever mine.
I knew that. I always knew that. But knowing something and feeling it are different things, and right now, standing here with my plastic bag of possessions, I feel it. The full weight of my own impermanence. The complete, devastating clarity of exactly where I stand in Duane Richter's life.
Nowhere.
I stand nowhere.
I'm halfway to the elevator when I hear it.
The ding.
The doors sliding open.
Footsteps.
Duane rounds the corner and stops.
We stare at each other across the length of the hallway. Him in his black athletic clothes, fresh from whatever important F1 thing he was doing. Me in his stolen hoodie, clutching a Target bag like it's the last lifeboat off the Titanic.
"What are you doing?"
His voice is flat. Controlled. The same voice he used this morning when he told them to get him someone else.
I straighten my spine. Force my face into something resembling calm.
"I'm leaving."
"What?"
"Leaving." I say it slower, like he's having trouble with the concept. "Departing. Vacating the premises. Removing myself from your space so you don't have to deal with my presence anymore."
Something shifts in his expression. Too fast to read.
"I want to thank you," I continue, my voice steady despite the earthquake happening inside my chest. "For letting me stay here this week. It was very generous. I know it wasn't easy, having someone in your space, someone you didn't want here. Someone who—" I swallow. Keep going. "Someone who clearly makes you uncomfortable."
"Marianna—"
"I have a job now. I can afford my own place. Well—" A laugh escapes me,"And I won't be your problem anymore."
I move toward the elevator. Past him. Just need to get past him and this will be over—
His hand closes around my arm.
Not hard. But firm. Unmovable.
"Where exactly are you planning to go?"
"There are Airbnbs—"
"With what money?"
The question hits me like a slap.
"I have—" I start, but he's already talking over me.
"Fourteen dollars. That's what you have." His eyes are dark, boring into mine. "I saw the Wendy's receipt in the trash. You spent almost thirty dollars on fast food and you have fourteen dollars left to your name."
Heat floods my face. Shame and rage in equal measure.
"You went through my trash?"
"It was on the counter."
"You—" I yank my arm free. Step back. "You have no right. No right to comment on my finances, or my choices, or anything about my life. You made it very clear this morning that you want nothing to do with me, so—"
"The Airbnbs you can afford are in dangerous neighborhoods."
The sudden change in topic throws me.
"What?"
"Forty dollars a night in Miami." His voice is hard. Cold. But there's something underneath it now, something I can't identify. "That's Overtown. Little Haiti. Parts of Liberty City that tourists never see. Do you know what the crime rate is in those areas? Do you know what happens to young women who—"
"Oh, so now you care about my safety?" I laugh, and it sounds unhinged. Probably because I am unhinged. "You don't get to do this. You don't get to treat me like garbage and then pretend you're worried about me. That's not how this works. You can't have it both ways, Duane. "
"I'm not letting you leave."
"You don't get to let me do anything. I'm not your property. "
"You're Marco's sister." His jaw tightens.
"You think I don't know?" I continue, momentum carrying me forward like a train with no brakes. "You think I don't understand exactly where I rank in your world? Somewhere between an inconvenience and a charity case. Something to be tolerated because your friend asked nicely. I get it."
He doesn't answer.
I turn toward the elevator again. My vision is blurring, which is infuriating, because I am not going to cry in front of him again. I am not going to give him that.
He moves faster than I expect.
One second I'm walking away. The next I'm against the wall, his hands on either side of my head, his body blocking my escape.
We're close.
Too close.
Close enough that I can see the individual striations in his irises. The faint shadow of stubble along his jaw. The way his chest rises and falls, faster than usual, like something is slipping past his famous control.
"You think I want this?"
His voice is low. Rough. Barely more than a whisper.
"You think I enjoy watching you walk around in my clothes? Smelling like my soap? Sleeping in my guest room while I'm—" He stops. Breathes.
I don't understand. I don't understand anything that's happening right now.
"Duane—"
"I won't be here."
"What?"
"This month." He's still too close. Still pinning me without touching me, his presence a physical weight. "Monaco next week. Canada after that. Then back to Europe for the triple-header. I won't be in Miami. I won't be in this apartment. You don't need to leave."
I stare at him.
"Stay." The word comes out sharp. Almost angry. He steps back fully. Creates space between us. The mask is sliding back into place, the cold control returning. "Marco asked me to look after you. I'm fulfilling that obligation. Nothing more."
Nothing more.
Right.
Of course.
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







