เข้าสู่ระบบMarianna.
"So," Jill says, with the tone of someone about to begin an interrogation. "Now that you're safely on American soil and can't escape this conversation. Oliver Hale."
"What about him?"
"Don't play dumb with me, Marianna. I've been waiting eleven hours for this."
I take a long sip of water. Stalling. "There's nothing to tell. He's a client. He was happy about his race result. He kissed my forehead. End of story."
"Mm-hmm." Jill is unconvinced. "And the part where he specifically requested you for his Monaco sessions? Where he invited you to the team celebration? Where he called you his good luck charm?"
"That's just... how he is. He's friendly. With everyone."
"Does he kiss everyone on the forehead?"
"I don't know! Maybe! British people are weird about physical affection!"
Jill snorts. "Nice try. I've dated British guys. They're emotionally constipated, not physically affectionate." She leans closer to the camera. "Okay, real talk. Forget the kissing. Forget the romance speculation. I need to know something important."
"What?"
"You're a physical therapist."
"Sports Performance Specialist—"
"Whatever. You touched him. Professionally. You put your hands on Oliver Hale's actual physical body." Her eyes are gleaming with an intensity that should probably concern me. "What's he working with?"
"Jill."
"I'm asking for scientific purposes."
"What scientific purposes could possibly—"
"The science of me needing to know if F1 drivers are as hot under the racing suits as they look on TV." She gestures impatiently. "Come on. Details. Specifics. Muscle groups."
I groan, rubbing my face with my free hand. "You're impossible."
"I'm curious. There's a difference."
"Fine." I give up. Resistance is futile when Jill wants information. "He's... in good shape. Obviously. He's a professional athlete."
"Scale of one to ten."
"I'm not rating my client's body on a numerical scale."
"Then describe it. Use your words. You're good at words."
I sigh, leaning back on the barstool. Might as well get this over with.
"His back is..." I search for clinical terminology. Fail. "Really nice, actually. Good lat development. Strong erector spinae—that's the muscles along the spine. He's got that V-taper thing going on, you know, where the shoulders are broader than the waist?"
"I know exactly what V-taper means. Continue."
"His core is solid. Like, really solid. You have to have insane core strength to handle the G-forces in an F1 car—we're talking 4 to 6 Gs in some corners—so his obliques and transverse abdominis are—"
"English, Marianna."
"His abs are great." I feel my face heating up. "Happy?"
"Getting there. What else?"
"His shoulders are well-developed. Neck too—F1 drivers have these crazy strong necks because of the G-forces on their heads. And his arms are..." I pause, remembering. "Actually surprisingly toned? Like, you don't think of driving as an upper body workout, but the steering forces—"
"And below the waist?"
"JILL."
"I'm just asking about his quads! His glutes! Legitimate muscle groups that you, as a professional, would have assessed!"
"His hip flexors were tight," I say flatly. "His glutes were unremarkable. His quads are normal."
"'Unremarkable.' You're killing me."
"What do you want me to say? That he has the ass of a Greek god?"
"Does he?"
"I wasn't looking at his ass, Jill! I was doing my job!"
"Your job that involves touching athletic men in their physical prime—"
"I was focused on his psoas, not his—"
"What's a psoas?"
"It's a hip flexor muscle that runs from the lumbar spine through the pelvis and—"
"You're blushing."
"I'm not!"
"You're literally the color of a tomato right now."
"It's hot in here—"
"You're in an apartment with central air—"
"Well, his body is... look, professionally speaking, he has exceptional musculature, okay? "
I stop.
Because there's a sound behind me.
A footstep.
On marble.
And then a voice—low and cold and horribly, terribly familiar—says:
"Please, don't stop on my account."
No.
No no no no no—
I spin around on the barstool so fast I nearly fall off.
Duane is standing at the entrance to the hallway. Leaning against the wall, actually, arms crossed over his chest, dressed in dark jeans and a black t-shirt, watching me with an expression that could freeze lava.
He's supposed to be in Europe. He's supposed to be celebrating his Monaco victory or preparing for Canada or doing whatever three-time world champions do after winning one of the most prestigious races in the sport.
He's not supposed to be here.
He's definitely not supposed to have heard me describing his body as "like a Greek statue" to my best friend.
"I—" My voice comes out strangled. "How long have you—"
"Long enough."
Oh god.
Oh god oh god oh god—
On the phone screen, Jill has gone completely silent, her face frozen in an expression of horrified glee. I can practically see her mentally composing the text messages she's going to send me the moment this call ends.
"I thought you were in Europe," I manage.
"Clearly." His eyes flick to the phone. To Jill's face on the screen. Back to me. "Don't let me interrupt your... professional analysis."
I want the floor to open up and swallow me whole. I want a meteor to crash through the ceiling. I want literally anything to happen that isn't this—standing in Duane Richter's kitchen, caught red-handed describing both him and another driver to my best friend like we're rating cuts of meat at a butcher shop.
"That was clinical," I say weakly. "A clinical assessment. For work purposes."
"Mm." That sound. That non-word.
"I have to go," Jill's voice chirps from the phone. "This seems like a private conversation. Bye, Mari! Good luck! Love you!"
The screen goes black.
Traitor. Absolute traitor.
I'm alone now. Alone with Duane and the wreckage of my dignity and the echo of my own voice saying like a Greek statue hanging in the air between us.
"I was just talking to my friend. It wasn't—it didn't mean anything—"
"Didn't it?" He stops at the kitchen island, directly across from me. Close enough that I can see the tension in his jaw, the way his fingers grip the marble countertop."Tell me something, Marianna." He says my name like it's an accusation. "Is this a hobby for you? Collecting drivers?"
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







