เข้าสู่ระบบMarianna.
My brain doesn't know what to do with the information.
I didn't sleep last night. Obviously. I lay in Duane's guest bed—which now feels like a crime scene, emotionally speaking—and stared at the grey ceiling and replayed that kiss approximately nine thousand times.
His mouth. His hands. The way he tasted like coffee and something darker. The sound he made when I kissed him back, this low groan from somewhere deep in his chest that I'm going to be hearing in my dreams for the rest of my life.
And then: Your brother's coming back. This is over.
What does that even mean?
What was "this" in the first place?
I have so many questions and zero answers and approximately three hours of sleep, which is definitely the ideal mental state for my first day back at work after becoming an international meme.
The bus to Kinetic takes thirty-two minutes. I spend them scrolling through T*****r on the cracked iPhone, watching the discourse about me and Oliver slowly die down as the internet finds new things to obsess over. Someone posted a photo of a celebrity's dog wearing a sweater. The world moves on.
If only my brain would get the memo.
This is over.
But he kissed me first. He's the one who—
Stop. Stop it. You have a job to do. A career to build. A life that doesn't revolve around Duane Richter and his confusing mixed signals and his stupid perfect mouth.
Focus.
The Kinetic lobby is quiet when I arrive at 7:45. Early again, because apparently I'm still trying to prove something. The eucalyptus smell is the same, the water feature is still trickling its expensive trickle, and everything looks exactly like it did a week ago.
Except I'm different now. I've been to Monaco. I've been kissed. I've been told it's over before it even started.
Normal Tuesday stuff.
I'm heading toward the locker room when I spot the sign outside Conference Room A:
MANDATORY STAFF DEVELOPMENT SESSION 9:00 AM - 12:00 PM Guest Instructor: Dr. Kevin Hartley, DPT, OCS, CSCS "Advanced Myofascial Release Techniques for Elite Athletes"
Wait.
Kevin Hartley?
I stop so abruptly that someone behind me nearly collides with my backpack.
Kevin Hartley. The Kevin Hartley. The man who literally wrote the textbook I used in my Sports Rehabilitation Methods class—I still have it somewhere, dog-eared and highlighted within an inch of its life. He's the one who developed the Hartley Protocol for rotator cuff recovery, the treatment method that cut rehabilitation time by 40% and got adopted by half the professional sports teams in America.
I watched his TED Talk three times during finals week junior year. Not for class—just because he made fascial release sound like poetry. Like magic.
And he's here. At Kinetic. Teaching a session that I get to attend.
Okay. Maybe today won't be a complete disaster after all.
Dr. Kevin Hartley looks exactly like someone who could revolutionize an entire field and make it look effortless.
Late forties, maybe early fifties, but the kind of fit that suggests he actually practices what he preaches. He has this presence—not intimidating, but magnetic.
"Good morning, everyone." His voice is exactly like I remember from the TED Talk—calm, assured, the voice of someone who's never had to shout to be heard because people naturally want to listen. "I'm Kevin Hartley. Some of you might know my work..."
I pull out my notebook, suddenly very aware that I'm about to spend three hours learning from a legend.
At least this will be a distraction. Something to focus on besides the implosion of my personal life.
The session is everything I hoped it would be and more.
Dr. Hartley doesn't just teach techniques—he tells stories. The NFL quarterback who almost lost his career to a shoulder injury until they tried a new approach to fascial mobilization. The Olympic gymnast whose chronic back pain turned out to be a hip issue that everyone else had missed. Each case study is a puzzle, and he walks us through the solution with the patience of someone who genuinely loves what he does.
"The body never lies," he says at one point, and the way he says it makes me want to tattoo it on my forearm. "Our job is to learn its language."
I'm taking notes so furiously that my hand cramps. Filling pages with diagrams and arrows and excited annotations like THIS!! and ask about this later and holy shit.
Around 11:30, we break into small groups for hands-on practice. I'm paired with Marcus—the quiet kid from orientation who still looks vaguely terrified of everything—and we take turns practicing the cross-fiber friction techniques Dr. Hartley demonstrated.
"You're really good at this," Marcus says, sounding surprised.
"Thanks." I adjust my angle on his forearm. "I've been practicing. On myself, mostly. Which sounds sad when I say it out loud."
He laughs. It's a nice sound. Normal. The kind of interaction that doesn't make me want to crawl out of my own skin.
Dr. Hartley circulates through the room, observing, offering corrections. When he reaches our station, he watches me work for a long moment.
"Marianna, right?" He's read my name tag, but the way he says it sounds personal. Warm. "Dr. Lindholm mentioned you. Said you've got exceptional instincts."
My face heats. "I'm just—I've studied your work. The textbook. And the TED Talk."
"Your technique is impressive for someone so new to the field," he continues. "
I don't know what to say. "Thank you," I manage. "That means... a lot."
He nods, that warm smile still in place. "Keep it up. I'll be interested to see where your career goes."
And then he moves on to the next station, and I stand there feeling like I just got handed an Oscar by the Academy itself.
The session ends at noon. People start packing up, chatting, comparing notes. The energy in the room is buzzing.
I'm organizing my notebook when Dr. Hartley appears at my shoulder.
"Marianna." His voice is quiet now. Just for me. "Do you have a few minutes?"
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







