เข้าสู่ระบบMarianna
*This is what you want*, a voice whispers.
No, I don't want this. I don't want—
I'm trapped in this frozen flesh-prison and someone else is driving.
I try to wake up. Try to force my eyes open, my limbs to move, my mouth to form the word *stop*. For one fraction of a second, I think I succeed—I see the ceiling, grey and familiar, Duane's guest room ceiling that I've memorized from all those nights of not-sleeping.
But I can't move. My body is lead. My arms are pinned. My legs won't respond no matter how hard I scream inside my own skull.
The hands keep moving.
I'm trapped in my own body, watching from somewhere above as it responds to things it shouldn't respond to, drowning in sensation that I never asked for and can't escape.
I wake up gasping.
The sheets are soaked with sweat. My heart is pounding so hard I can feel it in my throat, in my fingertips, in the places where dream-hands were touching me seconds ago.
It takes me a full minute to remember where I am. Duane's apartment. *
I check my phone. 3:47 AM. I'm not going back to sleep. I know this the way I know my own heartbeat. The dreams will come back if I close my eyes. They always come back. So I lie there in the dark, staring at the grey ceiling, and count the hours until I have to pretend to be a functional human again.
I'm dragging myself into Kinetic at 7:30 AM on approximately zero hours of real sleep, held together by coffee and mascara and the bone-deep .
The lie I whisper as I prep Recovery Suite 2 for Oliver's session. *You're fine. Nothing happened. Everything is normal.*
"Morning!"
Oliver's voice cuts through my spiral like sunshine through clouds. He bounces into the room, because apparently his legs have springs.
"Hey, Ollie." My voice comes out normal. A minor miracle.
"How are we feeling today?" He hops onto Table 1 with practiced ease. "Ready to work some magic on my tragically abused lower back?"
"Your lower back has been described as many things. 'Tragic' is a new one."
"It's very dramatic. Gets it from my mother's side."
"Let's start with some mobility assessment," I say, falling into the script of professionalism. "Any changes since Monaco?"
"Bit stiff from the flight. Nothing major." He's already moving into position, face-down on the table. "Got some sim work coming up—gotta stay fresh for Canada."
Canada. Right. The next race. I start working on his thoracolumbar fascia, using the techniques I've practiced a thousand times. My hands know what to do even when my brain feels like static.
Press. Release. Glide. Repeat.
The rhythm is soothing. Mechanical.
"You're quiet today."
Oliver's voice snaps me back. I realize I've been working in silence for at least five minutes, which is unprecedented. Usually I'm matching his energy, trading jokes, filling the space with the kind of easy banter that makes sessions fly by.
"Just tired," I say. "Didn't sleep well."
"Yeah, you look—" He stops himself. "Subdued."
Subdued.
"I'm fine."
"Are you, though?" He shifts slightly, trying to look at me over his shoulder. "Because 'fine' is what people say when they're definitely not fine. .'"
"I had a... weird day yesterday."
"Weird how?"
"There was this training session," I hear myself say. "With Dr. Hartley."
"Oh, Kevin Hartley? The textbook guy?"
I nod. My throat feels tight.
"I've heard he's brilliant," Oliver continues, oblivious to the war happening inside my skull. "Super knowledgeable. Though apparently his teaching style can be intense? Like, really hands-on. The Alpine physio did a workshop with him last year—said it was challenging but worth it."
Hands-on. The word echoes in my head like a gunshot.
"One of those types who pushes you out of your comfort zone, you know?" Oliver is still talking, still cheerful, still completely unaware. "Growing pains and all that. Is that what happened? Did he push you too hard?"
I should tell him.
I should open my mouth and say *actually, Oliver, I think something happened that wasn't okay* and let the words exist in the air between us and watch his face change from sunshine to storm.
But I look at him, at his earnest blue eyes, and I can't.
"Yeah," I say. "That's what it was. Growing pains."
Oliver nods. "It gets easier. Trust me. First time someone really challenged me on track, I thought I was going to cry. Now I thrive on it."
"Right." I return to his lower back, pressing into the QL with mechanical precision. "I'm sure you're right."
He keeps talking—about Canada, about the upgraded car, about some N*****x documentary they're filming on the team—and I make appropriate sounds at appropriate intervals.
But I'm not really there. I'm somewhere else entirely, watching myself from above.
*This is completely normal*, Dr. Hartley's voice whispers. *The body stores emotions.*
Shut up.
*If you ever want to talk about it—process what came up—my door is always open.*
Shut up shut up shut up—
"Marianna?"
I blink. Oliver is looking at me again, his session apparently over, sitting up on the table with an expression of gentle concern.
"You totally zoned out there," he says. "For like, a solid minute. Are you sure you're okay?"
"Just tired," I say again. "I'll get more sleep tonight."
Oliver studies me for a long moment. Then he nods. "Take care of yourself, yeah?" He hops off the table, rolling his shoulders. "Can't have my good luck charm burning out on me."
Good luck charm.
"I'll try," I say.
He leaves. The door closes behind him.
And I stand there in the recovery suite, surrounded by expensive equipment and soft lighting and the eucalyptus smell of professional wellness, and I feel myself dissolving at the edges.
I don't know what to do with any of it.
So I just stand there, frozen, until my next client arrives.
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







