เข้าสู่ระบบMarianna.
Insomnia, I've decided, is God's way of saying "fuck you specifically."
I'm lying in Duane Richter's guest bed, staring at the ceiling like it holds the answers to questions I'm too tired to ask. The city lights filter through the floor-to-ceiling windows, painting shadows that move and shift like living things.
My body is exhausted. Like, bone-deep, cellular-level exhausted. The kind of tired where your eyelids feel like they're made of lead and your limbs might as well be sandbags.
But my brain? Oh, my brain is throwing a fucking rave.
I roll over. Face the window. Count the lights on the buildings across the way. One. Two. Three. Seventeen. Forty-two. It doesn't help.
I try counting backwards from one hundred. Deep breath. In through the nose, out through the mouth.
It doesn't work. I flip onto my back again. The ceiling is still grey. My phone says it's 2:40 AM.
I've been lying here for four hours and thirty-three minutes.
This is fine. Everything is fine. I'm fine.
I close my eyes. Try to summon sleep through sheer force of will.
Nothing. My stomach growls. I ignore it. Food requires getting out of bed, and bed is the only place where I can pretend the world doesn't exist.
There's a sound. Soft. Tentative. A knock on the door.
Nothing about that knock sounds like something Duane Richter would do. Duane doesn't knock gently. Duane exists in the world like a force of nature—you either get out of his way or you get steamrolled.
"Come in," I say.
The door opens. It's Duane. Of course it's Duane. Who else would it be? We're the only two people in this stupid apartment.
He's standing in the doorway, backlit by the hallway lights, and for a second he just... stands there. Like he's forgotten why he came. Like he's a video game character whose AI script has glitched.
He's wearing sweatpants and a t-shirt. His hair is messed up. There's something in his hands.
A mug.
Duane Richter is standing in my doorway at 3 AM holding a mug like he's in a fucking rom-com.
"I made tea," he says.
I blink.
"You... made tea."
"Yes."
"You know how to make tea?"
His jaw tightens. "It's not a complex process, Marianna. You heat water and add a bag."
"I just didn't think you knew where the tea was. I didn't think you knew tea existed in this apartment."
"I bought it."
Oh.
Oh.
He bought tea and brought it to me at 3 AM and I don't know what to do with this information.
"It's chamomile," he continues, still standing in the doorway like he's afraid to come closer. "Do you want the tea or not?"
"Yes." The word comes out. "Yes, thank you."
He walks into the room. Sets the mug on the nightstand with the kind of careful precision that suggests he's never done this before and is worried about fucking it up.
We exist in awkward silence for approximately seventeen years.
Duane clears his throat. Looks at the wall instead of at me. "I need to apologize."
"For what?"
"For earlier. The questions—" He stops. Tries again. "I was out of line."
This is excruciating. Watching Duane Richter try to apologize is like watching someone perform surgery on themselves with a butter knife.
"You were kind of an asshole," I offer.
"I was." He's still looking at the wall. "I am. Generally. It's not specific to you."
"Wow. Such comfort."
"What I mean is—" He finally looks at me. His eyes are dark and tired and something else I can't name. "What happened to you, you're not..."
He trails off.
"I'm not what?" I prompt.
"Broken," he says finally. "You're not broken."
The word hits me.
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l





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