เข้าสู่ระบบMarianna.
Sleep, when it finally comes, is not the polite kind.
This is the kind of sleep that tackles you. Grabs you by the ankles and drags you under like a riptide with a personal vendetta. The kind where your body says I'm done, we're shutting down now, you don't get a vote and your consciousness just... surrenders.
My body has never felt this heavy. Since I was—
The thought dissolves before it forms. Sinks into the dark warm space where I'm falling, falling, wrapped in something solid and real. His arm is across my waist. His chest is against my back. His heartbeat is slow and steady against my spine,
I sink deeper.
Somewhere in the dark—minutes later? Hours?—there's a voice. Low.
He's saying something. Words I can't parse because I'm too far under, too deep in whatever dreamless canyon my brain has finally let me fall into. His mouth is near my ear—I can feel the warmth of his breath against the shell of it—and the words are just... sound.
What did you say?
I need more sleep.
Whatever it is, I'm hoarding it. Rationing it. Filling every empty reservoir in my nervous system. And for the first time in as long as I can remember, nothing follows me down.
"MARIANNA!"
The voice detonates like a flashbang inside my skull.
I jackknife upright so fast I nearly dislocate something—cervical vertebrae, probably, or maybe just my grip on reality—and my arms fly up in that instinctive defensive posture that my body defaults to when startled awake. Hands in front of face. Elbows tucked. The fetal position's aggressive older sister.
My heart is hammering. Four hundred beats per minute. Maybe five hundred. I'm a hummingbird. I'm a cardiac event with legs.
Fuck fuck fuck fuck fuck—
That voice. I know that voice.
Marco.
Standing in the doorway of my room—the guest room, Duane's guest room, the room where approximately four hours ago I experienced a sexual and emotional revelation that rewrote my entire understanding of my own body—wearing gym shorts and a Georgetown Law t-shirt that's so old it's basically tissue paper, grinning like a jack-o'-lantern with a law degree.
My hand claws at the sheets. Yanking them up to my collarbone. A reflex so violent it's practically military.
Am I wearing clothes?
The question fires through my neural pathways with the urgency of a five-alarm fire. Because if I'm not—if Marco just walked in on his naked sister in his best friend's guest bed, sheets that almost certainly smell like—
I'm wearing clothes.
A t-shirt—Duane's, black, obviously—and underwear. The underwear I was definitely not wearing when I fell asleep, because I was definitely not wearing anything when I fell asleep, because—
He dressed me.
"What the fuck, Marco!" I grab the nearest pillow and hurl it at his head with the aim of someone who played JV softball for exactly one season before quitting because the coach yelled too much. The pillow sails wide by approximately three feet and hits the doorframe with a pathetic fwump. "You can't just—you don't just walk into someone's room without knocking!"
"I did knock." He's still grinning. Leaning against the doorframe now, arms crossed, the very picture of a man who's enjoying himself far too much at 8 AM. "Three times. You were dead to the world. I thought you'd slipped into a coma."
"So your solution was to scream my name like the apartment was on fire?"
"My solution was to wake you up before noon, which—" He checks his phone. "—it's 8:15, so you're welcome." His eyes narrow slightly. That micro-expression I know from a lifetime of being his sister: the precursor to teasing. "You were really out, though. Like, clinically. Like someone slipped you a horse tranquilizer." His grin widens. "Or you were having a really good dream."
My face catches fire.
"I was not—"
"You were smiling," Marco says. He's enjoying this. He's savoring this. "In your sleep. Like a creepy little cherub. I haven't seen you smile in your sleep since you were twelve and dreamed you married that guy from—what was that boy band? The one with the hair?"
"Get. Out."
"Was it a sex dream? It was a sex dream, wasn't it? You have the sex dream face." He points at me. "I recognize it from that time I accidentally walked in on you watching—"
"MARCO ANTONIO REYES, IF YOU DON'T LEAVE THIS ROOM IN THE NEXT THREE SECONDS I WILL TELL MAMI ABOUT THE SPRING BREAK INCIDENT."
His grin vanishes like someone pulled a plug.
"You wouldn't."
"Try me."
He retreats—one step, two steps—but not without a parting shot: "For the record, the Spring Break Incident was a misunderstanding, and that yacht was already on fire when we got there."
"OUT."
The door closes.
I fall back against the pillows. Press my hands over my face. Try to convince my heart rate to return to a number compatible with human survival.
Where is Duane?
I check the bed. His side—when did I start thinking of it as his side?—is empty. Not just empty: neat. The covers have been smoothed. The pillow is fluffed. Like he was never there at all.
When did he leave? It must have been before Marco woke up—which, knowing Marco and his jetlag from the red-eye, probably means Duane left at six, maybe earlier. Got up, dressed me without waking me.
I check the nightstand.
The condom wrapper is gone. So is the tissue box. The water glass—which I don't remember using but which is half-empty—has been placed on a coaster.
He cleaned up. Dressed me. Smoothed the evidence. Disappeared.
I don't know how to feel about this.
I shower. Then I get dressed and emerge from the bathroom to find Marco sitting on my bed.
Not just sitting. Sprawled. Like he owns the place. Which, technically, his best friend does, but still.
"So," he says.
"So."
"I have news."
"If it's about my sex dream face, I will end your bloodline."
"Tempting, but no.I talked to my landlord this morning. The apartment's been sitting empty since I left for Monaco. Everything's still there. Furniture, Wi-Fi, the works."
I stare at him. "Your apartment."
"My apartment." He grins. "In Wynwood. Twenty minutes from your fancy new workplace. Two bedrooms, one bathroom, a kitchen that technically qualifies as a kitchen if you squint."
"Marco—"
"You're moving in."
The words land like a verdict. Not unkind—not at all unkind—but final in a way that makes my chest do something complicated.
"Today," he adds. "I figured we could pack up your... uh..." He looks around the guest room. At the plastic Target bag that still constitutes the entirety of my worldly possessions. "...stuff. And be over there by this afternoon."
"That's—" I swallow. "That's great, Marco. Really. Thank you."
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







