로그인Enzo Ferri - Year TwoThe first thing I tell myself is that I’m imagining it.That’s been my strategy for two years now—disbelief as discipline. If I don’t trust my instincts, I don’t have to answer to them. And for the most part, it works. I execute orders. I manage people. I keep my voice even and my presence unobtrusive.I do not look for Elena Moretti.Not anymore.So when I notice her across the room with Luca De Santis, my instinctive reaction—to catalogue the way she’s standing, the angle of her shoulders, the tilt of her head—is a reflex I immediately resent.They’re close.Not intimately. Not yet. But close enough that it’s intentional. Close enough that it’s meant to be seen.Luca’s hand rests lightly at the small of her back. Familiar. Comfortable. The kind of touch you don’t earn in a single evening.She doesn’t move away.The thought settles in my chest like a weight.So this is how it ends.I turn my attention back to the conversation in front of me, nodding at intervals
Elena Moretti - Year TwoI told myself I had put it behind me.That was the sentence I used when people asked how I was doing. When my brother glanced at me too closely across a table. When I caught my own reflection late at night, and didn’t like the questions in my eyes.I’m fine.It was efficient. Convincing. It required no explanation.And for most of the year, I believed it.Life moved forward in clean, orderly lines. The family expanded its influence, secured new routes, and eliminated inefficiencies. I worked longer hours than ever before, not because I needed to—but because I wanted to. Structure was easier than reflection. Strategy quieter than memory.If I kept my days full, my nights passed without incident.And Enzo Ferri stayed exactly where I had placed him.At a distance.Not deliberately at first. The space grew naturally, the way it often does between people who choose restraint over risk. He remained professional, respectful, and precise. He followed orders without q
Enzo- Year OneThere are moments that change the shape of a man’s life without ever becoming a story he’s allowed to tell.The terrace was one of mine.I replayed it more times than I care to admit—not the nearly-kiss itself, but the second before it. The instant when instinct screamed yes and something older, heavier, far more dangerous forced my body to stop.I told myself it was discipline.I told myself it was loyalty.I told myself it was survival.But none of those explanations dulled the ache that followed.The morning after, I rose before the bells, before the guards rotated, before the estate fully woke. Training was the only place I could take the tension without letting it show. The weights didn’t ask questions. The sparring floor didn’t judge hesitation. Pain made sense. Desire didn’t.I fought harder than necessary that morning. The younger men noticed. They always did.They mistook it for intensity.They didn’t know it was restraint curdling into frustration.When I fina
Elena- Year OneThe morning after the terrace, I learned how loud silence could be.It followed me down the corridors of the estate, settled into the stone walls, lingered in every space where something had nearly happened and then hadn’t. The kind of silence that presses against your ribs until breathing becomes an act of will.I woke before dawn, the sea outside my windows still ink-dark, the horizon barely beginning to soften. For a few suspended seconds, I lay still, caught between sleep and memory.Enzo’s breath at my cheek. His hand at my waist. The tension in his body as he stopped.I can’t.The words hadn’t been sharp. They hadn’t been cruel. That almost made them worse.I pushed myself upright and swung my feet onto the cold stone floor, grounding myself in sensation before memory could take over. The estate was quiet at this hour—guards rotating shifts, servants still asleep, the world momentarily holding its breath.I dressed quickly. No indulgence, no unnecessary softnes
Elena MorettiGrief doesn’t announce itself.It doesn’t always crash through the door or scream its way into the room. Sometimes it arrives quietly, settles into your bones, and refuses to leave. It becomes the way you breathe. The way you stand. The way you learn to keep moving even when something essential has gone missing.The night my mother died, the Moretti estate felt hollow.Not empty — hollow. Completely hollow.The house still hummed with the sounds of guards. Whispered conversations, radios crackling somewhere deep in the corridors, doors opening and closing softly as people tried to be useful. But the sound had changed. It echoed too much, like the walls themselves had lost something they couldn’t replace.I couldn’t stay in my room. I had to get out.Every surface smelled like her. Lavender and bergamot. Ink and old paper. The faint sweetness of the tea she drank every night before bed. I stripped off the dress I’d worn through the endless hours of condolences and closed
BellaSunlight spilled over the Hudson Valley estate, gilding the perfectly manicured lawns and the flower-laden aisle that led to the small, elegant ceremony we had gathered for today. The air smelled faintly of jasmine and roses, drifting through the open windows of the main hall where we’d spent so many sleepless nights planning, fighting, and surviving. I stood near the entrance, Viviana tucked snugly in my arms, her dark eyes blinking sleepily at the commotion. She was eight months old now—curious, strong, and impossibly beautiful, her tiny fingers curling around mine.The last year had been surreal. Every day since the end of Chiper’s war, since we had finally closed the chapter on that endless darkness, had felt like a gift we were learning to unwrap carefully. The estate had changed hands in a way it never had before. Aristide and I had moved into the main part of the house, the one that had once belonged to his father, Matteo, and to Elena. Elena and Enzo now lived in Aristid







