LOGINThe October dawn came gray through my dirty studio window, fire escape throwing skinny shadows on the peeling walls. Air was thick with turpentine and last night’s mess—smeared paint on the trashed canvas, Lana’s ring shining on the floor by the cufflinks, Cara’s envelope heavy on the futon. My body hurt, not just from fucks but from my lies crashing everything, studio like a grave for what I lost. City noise outside felt far and mean as I sat hunched, letter from Cara’s dad shaking in my hands.
I didn’t sleep. Lana’s scream still rang, her ring cold in my pocket. Victor’s text—Lawyers tomorrow. Done—burned worse than Cara’s last kiss, her jasmine stuck on my skin like a bad spell. Studio junk mocked me: half-done paintings, chipped mug, futon sagging under my screw-ups. I stumbled to the hot plate, made coffee that tasted like dirt, burn doing nothing for the hurt in my chest. By noon, annulment papers showed up, cold and plain on my messy table. Lana’s name signed messy, her gone twisting like a knife. I signed fast, pen scratching loud. Phone stayed dark—no Lana, just Cara’s taunt: You’ll crawl back. And the new letter, thick paper promising a penthouse meet with her dad, name that opened big doors. Temptation bit, but I pushed it, grabbed my leather jacket—Cara’s gift, now a chain—and went out. Williamsburg streets bit with October cold, leaves blowing as hipsters rushed by bars and murals. My gallery guy Marco ghosted after hearing my “patron” drama—Cara or Victor’s doing. Tried a rough SoHo gallery, brick walls and pricey coffee. Owner, skinny with nose ring, barely looked at my stuff. “Heard you’re trouble,” she said cold. “No scandals here.” Door slammed, city turning on me. Back in studio, futon called, creaked as I fell on it. Jerked off to old times—Lana’s soft moans in her loft, Cara’s bossy yells in the villa—but cum was empty, guilt sour. Envelope’s fifteen grand sat there, bribe I couldn’t touch. My paintings, once my out, now felt fake, colors too bright for the gray in me. Evening dropped, skylight over neighbor’s place glowing with life I didn’t have. Knock—hard, pushy—jolted me. Heart jumped, dumb hope for Lana, but Victor filled the door, suit sharp late at night. “We talk,” he said, stepped in no ask, eyes scanning mess with hate. “Victor, I—” I started, he cut me. “You broke her, Cole. My girl trusted you.” Loomed over easel, grabbed a brush, spun it like a knife. “Cara’s poison, you drank deep. Annulment ain’t enough. I’ll crush you—name, art, all.” I stood, legs wobbly, futon creaking. “I loved her,” I said weak. “Fucked up, but—” “Love?” He laughed mean, tossed brush. “You sold for cash. Lana’s gone—crashing with a friend, won’t answer me. You shattered her.” Stepped close, cologne sharp, fist tight. “Stay from my family. Or no more painting.” He left fast, door slammed, studio colder. I hit the floor, Lana’s ring digging my palm. City neon blinked through window, didn’t care. Phone buzzed—unknown: Cole, Lana. Need space. Don’t look. My sorry text went nowhere, screen black. Days blurred. Studio my jail, paint hard on brushes I couldn’t use. Cara’s dad letter sat closed, call I fought, but bank low—rent due, no jobs, no cash drops. Sold a canvas cheap at flea market, buyer’s pity hurt worse. Nights sucked—Lana’s loft vanilla warm vs Cara’s villa jasmine boss. Woke hard, futon cold for regrets. Week later, last hit: email from freelance guy, bailing. Heard your mess. Can’t risk. Word spread—Victor’s pull, Cara’s shadow. Phone had Cara’s text: Dad’s offer open. Find me. Deleted, but hook stayed, her taste like a hit. Rainy October night, I stood at window, city lights smeared in glass. Envelope’s fifteen gone—rent, cheap booze, trying to feel. Lana’s ring in pocket, weight I kept. Studio walls closed, turpentine and sad my only friends. Grabbed brush, painted wild—woman shape, not Lana or Cara, mix of their strong and hurt. Canvas bled, raw and not done, like me. Knock—soft. Opened, expected nothing, but young woman, sharp eyes, card. “Mr. Vanderbilt sent me,” handed it. Cara’s dad. New penthouse spot, invite for your future. Card heavy like envelope, temptation back.The crypt was a furnace of wax and cunt-heat.I woke tied to the crimson chaise, wrists and ankles raw from silk rope now soaked with sweat and my own slick. The candle holder had burned low, flames licking black candles down to stubs, and dripping wax like cum onto the stone. Five cameras—four Bolex and one digital—blinked red, live, and feeding 73,912 viewers on the dark web. Title pulsing: “JOURNALIST’S CUNT: CONFESSION & CONQUEST – LIVE”.Luca stood over me, shirt gone, cross swinging between carved abs.Mara knelt at his feet, silver collar shining, and mouth wrapped around his cock—thick, veined, angry—sucking slow and sloppy, spit dripping down her chin onto the floor.She pulled off with a wet pop.“Time to wake the slut,” she purred, crawling up my body, fingers digging into my thighs, and spreading me wider.Luca grabbed the handheld 8K.“Tell them who you are, Elara.”I spat.“Fuck you.”He laughed, low and filthy.“Wrong answer.”He dropped to his knees between my legs and
Midnight Midnight tasted of damp stone, candle smoke, and the copper tang of old blood.I went down the service tunnel behind the holy room, recorder in one hand and brass key in the other, the black slip dress I’d picked clinging to every curve like a whispered sin. The stairs spiraled down in a tight twist, iron rail ice-cold under my palm, and each step echoed like a heartbeat in a grave. The air grew heavier with every level—older and thicker, laced with myrrh, melted wax, and something metallic that curled in my nose: blood, or memory, or both. The walls wept moisture, centuries of water beading on the rough stone, and dripping in slow, steady beats that matched the pulse between my thighs.Crypt 7 waited at the bottom.The brass key—engraved in fancy script and heavy as guilt—slid home with a click that felt final and irreversible.The door groaned open on hinges that hadn’t moved since the rich old days, the sound scraping along my spine like nails on a board.Inside: a high ro
The church was empty at 23:11, and only my heartbeat echoed loud.St. Augustine’s, Lower East Side, once a home for Irish newcomers, now stood as an old relic of stone and colored glass, with moonlight bleeding across the main area. The air hung thick with incense and old candle wax, and it clung to your skin like guilt. I knelt in the left confession box, where the seat was cracked and the screen thin enough to see shadows move, and my black wool skirt, high on the waist, was already pulled up to my thighs. I’m Elara Quinn, 33, an investigative journalist with three big awards, but I had one secret I’d never print: I came here to record, not to confess.The screen slid open with a quiet scrape of wood on wood.A shadow filled the other side.He was male, with broad shoulders straining the black priest clothes.His cologne was faint—oud and smoke, expensive, and forbidden.His voice came low, familiar, and dangerous.“Bless me, Father, for I have sinned.”I froze.That voice.It was F
The island woke to a dark dawn—sky like dried blood, sun a flat coin behind smoke. SILKEN COMMAND sat half-sunk in the calm water, white side broken open, drinks bubbling in the shallows with fuel and coral bits. The reef had cut it deep overnight: sharp rock tearing metal, water filling lower areas where fancy food and drugs floated in mess. I watched from the boat’s front, engine low, Leica camera across my chest, salt on the lens. The dark-web show—now 92,000 watchers and growing—showed Damian and Seraphina tied to the metal frame on the stage. Their gold masks cracked, silk clothes ripped and dirty with ash and blood. The red ribbon hung loose between them, untied noose moving in the hot wind like a white flag.Bids stopped at $15.2M – SOLD.Buyer: ANON-7FIG (hidden through many secret paths, last signal in Liechtenstein).Terms: 48 hours, alive, no marks, no questions.I ended the show with one touch. Quiet came—waves, birds, the yacht creaking deeper into sand.The island’s dock
The small plane dropped like a tired bird, engines rough over bright blue water that looked fake. Nassau airport smelled of fuel, fried food, and sun cream. I went through customs as Élise Gagnon—hoodie changed to a light shirt, Leica camera in a bag, fake passport against my leg. No bags. No mark.R’s last message: coordinates and time.25.0761° N, 77.3205° W – 02:14 local. Bring camera. Quiet entry.The island was a hidden strip of sand and rock south of Exuma, not on maps, surrounded by sharp reef. Locals called it Devil’s Teardrop. I paid $1,200 cash for a 22-foot boat from a fisherman who asked nothing. The boat moved through dark water under half moon, engine quiet with a wet cloth. Salt hit the cuts on my face from the tree escape weeks back.I stopped the motor 200 yards away. The island glowed—low houses over the reef, underwater lights making the water bright. A big yacht—SILKEN COMMAND—sat in the calm area, white and clean, name in gold. Music came over the water: low beats
Montréal’s first snow fell like gray ash. I was in a third-floor apartment above a corner store on Rue Saint-Denis, hood up, cap low, breath showing in the cold room. The radiator banged like a broken machine; the one window looked over an alley with melting ice dripping into trash bins that smelled of old fries and smoke. R paid six months’ rent under Jean-Marc Lefèvre—a name from an old death notice. The landlord, Madame Duval, took the cash, gave me a key on a bent nail, and disappeared behind a curtain that smelled of spice and cleaner.The CARTER ARCHIVE – FULL was out.47 terabytes.200 shares.A huge bomb online.I watched it spread.• 00:03 EST – First share hit 100 people.• 00:17 – #SilkenCommands topped world trends, beating elections and star deaths.• 00:41 – A Swiss address linked to a fake company tried to crash it. It bounced to Russian computers and broke their own system.• 01:12 – Interpol sent an alert for unknown people tied to Carter company, Vantage Capital, and







