Mag-log inThe October night clung to Manhattan’s Upper East Side like a velvet shroud. The rain had stopped hours ago, leaving the streets slick and shining beneath the city’s restless hum. When I stepped out of the cab, my boots hit the wet pavement with a dull, echoing thud. The cold bit through my jacket — Cara’s gift — its once-sweet scent of jasmine long gone, replaced by leather and time. Still, its weight sat heavy on my shoulders, as if her memory refused to let go.
The penthouse loomed ahead, a tower of glass and steel slicing through the dark skyline. Its upper floors glowed like a beacon, daring me to come closer. My old Brooklyn studio — the cluttered mess of paint, turpentine, and half-finished canvases — felt like another lifetime now. I’d left it behind, along with Lana’s ring, her shattered trust, and the wreckage of every lie I ever told her. Cara’s last envelope was already spent. My account was nearly empty, and all that kept me standing was the card burning a hole in my pocket — Mr. Vanderbilt’s card. Her father’s. My last chance, or maybe my final mistake. Inside, the lobby gleamed like a palace. Marble floors reflected golden light from chandeliers too grand for someone like me. The elevator doors opened with a whisper, and I stepped in, my reflection staring back at me from all sides. A stranger. Hollow-eyed. Stubbled jaw. Shoulders slumped from too many sleepless nights and skipped meals. The jacket hung loose; even my posture betrayed my exhaustion. When the elevator finally opened, the world beyond felt unreal. The penthouse was vast, empty, almost sterile. White leather, glass, and chrome stretched across the room, the kind of wealth that made the air feel colder. Floor-to-ceiling windows revealed Manhattan below — a glittering maze of lights and motion — while the faint scent of sandalwood replaced the jasmine I’d once known so well. It was sharp, masculine, heavy. And then I saw him. Mr. Vanderbilt stood near the window, tall, perfectly groomed, his silver hair as deliberate as his tailored suit. His eyes — the same piercing green as Cara’s, but colder — caught me like hooks. “Cole,” he said, his tone smooth and deliberate, every syllable steeped in control. “Sit. We have much to discuss.” I obeyed, the chair’s chill seeping through my jeans, my pulse a frantic drum as he poured two glasses of amber liquid from a crystal decanter on a side table. The clink of glass was deliberate, his fingers brushing mine as he handed me one, the contact lingering a fraction too long. “Cara speaks highly of your… talents,” he said, a smile curling his lips—not warm, but calculated, a chess master sizing up a pawn. “She’s impulsive, my daughter, but she sees potential where others see ruin. I see opportunity.” The scotch burned down my throat, its smoky heat a faint echo of Cara’s touch in the villa, her moans still haunting the edges of my mind. “What kind of opportunity?” I asked, my voice steadier than the tremor in my hands, the glass catching the city’s glow. The penthouse felt like a vault, its silence heavier than the studio’s cluttered chaos, every surface screaming control. He leaned against the window, the city a jeweled crown behind him, his silhouette framed by the sprawl. “Your art has promise, Cole—raw, unpolished, but alive. I can polish it. Galleries in SoHo, London, Tokyo. Patrons who’ll pay millions for your name. A life beyond that… hovel you call a studio.” His gaze flicked over me, stripping me to the bone. “In return, you’ll be available. For me, for my associates. Discretion, pleasure, loyalty. You’ll want for nothing—except, perhaps, your freedom.” My cock stirred, traitorously, the memory of Cara’s silk restraints and commanding thighs blending with this new, colder power. Vanderbilt’s presence was a tide, pulling me under, his sandalwood scent closing the distance as he stepped closer. But Lana’s face flashed—her loft’s vanilla warmth, the skylight’s golden patterns, the ring I still carried, its diamond cutting into my palm through my pocket. Her scream in the studio, her tears, Victor’s fist—they anchored me, a lifeline against the current. “I’m not for sale,” I said, the words scraping out, weak but defiant, the scotch glass trembling as I set it down. Vanderbilt’s laugh was low, resonant, filling the vast space like a verdict. “Everyone has a price, Cole. Yours is painted on that canvas you left behind—desperation, hunger, the need to be seen.” He moved to a chrome desk, sliding a thick folder across its surface, contracts spilling out, a check peeking from the edge—six figures, more than Cara’s wildest envelope, enough to erase my debts, my failures, my name in Williamsburg’s fading art scene. “Sign, and your world changes. Refuse, and Victor’s lawyers will bury you. Cara’s told me everything—your marriage, your betrayal, your greed.” The room spun, the city’s lights blurring into streaks beyond the glass. I saw Lana’s loft, her soft gasps as I tasted her on the kitchen counter; Cara’s villa, her nails raking my back by the fire; the studio, its turpentine choking me as Lana’s ring hit the floor. My dreams—canvases in SoHo, my name in lights—teetered against the abyss of Victor’s threats, Cara’s hooks, and this new cage. Vanderbilt’s hand settled on my shoulder, firm, possessive, his touch a promise and a chain, sandalwood overwhelming as he leaned in, his breath warm against my ear. “Think of the galleries, Cole. The power. The pleasure.” I stood, the chair scraping, the scotch glass tipping, amber liquid spilling across the marble like blood on snow. “No,” I said, voice cracking but rising, the ring’s edge biting deeper into my palm. “I’m done being owned.” I dropped the card, the check untouched, its promise curling like smoke. His eyes narrowed, amused, as if my defiance were a move he’d anticipated, a game he’d already won. I backed toward the elevator, my boots echoing, the penthouse’s cold expanse shrinking behind me. The elevator’s descent was a freefall, my reflection fracturing in the mirrors, the lobby’s marble a cold slap underfoot as I stumbled into the night. The city’s pulse hit hard—taxis honking, neon signs flickering, leaves skittering across sidewalks in the October chill. I hailed a cab to Brooklyn, the driver’s radio droning jazz as the skyline receded, Vanderbilt’s tower a fading glint. The studio waited, its door creaking open to reveal the familiar chaos—peeling walls, the futon sagging under its threadbare blanket, the ruined canvas a monument to my fall, crimson streaks dried like scars. I collapsed onto the futon, its groan a lament, the turpentine stench stinging my eyes. Lana’s ring lay where it fell, the cufflinks glinting nearby, Cara’s envelope a ghost in my memory. I grabbed a brush, painting through the night—fierce, desperate strokes of black, gold, and crimson, a woman’s form emerging, neither Lana nor Cara but a fusion of their power, their pain, and my own defiance. The canvas bled, raw and unfinished, the skylight above pale with dawn’s first light. My phone buzzed on the table, its screen cracked from a drunken drop weeks ago. One last message, unknown number: You’ll be back. They always do. –V. I deleted it, the ring joining the paint-splattered floor, its diamond dull against the chaos. The city woke beyond the fire escape, its roar a challenge. I painted on, the brush my only master, each stroke a reclaiming of the soul I’d nearly sold. The cost of my desires had stripped me bare—Lana gone, Cara’s hook severed, Victor’s threat a shadow, Vanderbilt’s offer a temptation I’d refused. In the studio’s grit, amid turpentine and dawn’s fragile light, I found a spark—not love, not power, but something rawer, truer: myself, unowned, alive, and painting. The canvas grew, colors clashing and melding, the city’s hum my only witness. The echoes of control faded, replaced by the scrape of the brush, the beat of my heart, the promise of a name I’d carve alone. THE END.The crypt was a furnace of wax and cunt-heat.I woke tied to the crimson chaise, wrists and ankles raw from silk rope now soaked with sweat and my own slick. The candle holder had burned low, flames licking black candles down to stubs, and dripping wax like cum onto the stone. Five cameras—four Bolex and one digital—blinked red, live, and feeding 73,912 viewers on the dark web. Title pulsing: “JOURNALIST’S CUNT: CONFESSION & CONQUEST – LIVE”.Luca stood over me, shirt gone, cross swinging between carved abs.Mara knelt at his feet, silver collar shining, and mouth wrapped around his cock—thick, veined, angry—sucking slow and sloppy, spit dripping down her chin onto the floor.She pulled off with a wet pop.“Time to wake the slut,” she purred, crawling up my body, fingers digging into my thighs, and spreading me wider.Luca grabbed the handheld 8K.“Tell them who you are, Elara.”I spat.“Fuck you.”He laughed, low and filthy.“Wrong answer.”He dropped to his knees between my legs and
Midnight Midnight tasted of damp stone, candle smoke, and the copper tang of old blood.I went down the service tunnel behind the holy room, recorder in one hand and brass key in the other, the black slip dress I’d picked clinging to every curve like a whispered sin. The stairs spiraled down in a tight twist, iron rail ice-cold under my palm, and each step echoed like a heartbeat in a grave. The air grew heavier with every level—older and thicker, laced with myrrh, melted wax, and something metallic that curled in my nose: blood, or memory, or both. The walls wept moisture, centuries of water beading on the rough stone, and dripping in slow, steady beats that matched the pulse between my thighs.Crypt 7 waited at the bottom.The brass key—engraved in fancy script and heavy as guilt—slid home with a click that felt final and irreversible.The door groaned open on hinges that hadn’t moved since the rich old days, the sound scraping along my spine like nails on a board.Inside: a high ro
The church was empty at 23:11, and only my heartbeat echoed loud.St. Augustine’s, Lower East Side, once a home for Irish newcomers, now stood as an old relic of stone and colored glass, with moonlight bleeding across the main area. The air hung thick with incense and old candle wax, and it clung to your skin like guilt. I knelt in the left confession box, where the seat was cracked and the screen thin enough to see shadows move, and my black wool skirt, high on the waist, was already pulled up to my thighs. I’m Elara Quinn, 33, an investigative journalist with three big awards, but I had one secret I’d never print: I came here to record, not to confess.The screen slid open with a quiet scrape of wood on wood.A shadow filled the other side.He was male, with broad shoulders straining the black priest clothes.His cologne was faint—oud and smoke, expensive, and forbidden.His voice came low, familiar, and dangerous.“Bless me, Father, for I have sinned.”I froze.That voice.It was F
The island woke to a dark dawn—sky like dried blood, sun a flat coin behind smoke. SILKEN COMMAND sat half-sunk in the calm water, white side broken open, drinks bubbling in the shallows with fuel and coral bits. The reef had cut it deep overnight: sharp rock tearing metal, water filling lower areas where fancy food and drugs floated in mess. I watched from the boat’s front, engine low, Leica camera across my chest, salt on the lens. The dark-web show—now 92,000 watchers and growing—showed Damian and Seraphina tied to the metal frame on the stage. Their gold masks cracked, silk clothes ripped and dirty with ash and blood. The red ribbon hung loose between them, untied noose moving in the hot wind like a white flag.Bids stopped at $15.2M – SOLD.Buyer: ANON-7FIG (hidden through many secret paths, last signal in Liechtenstein).Terms: 48 hours, alive, no marks, no questions.I ended the show with one touch. Quiet came—waves, birds, the yacht creaking deeper into sand.The island’s dock
The small plane dropped like a tired bird, engines rough over bright blue water that looked fake. Nassau airport smelled of fuel, fried food, and sun cream. I went through customs as Élise Gagnon—hoodie changed to a light shirt, Leica camera in a bag, fake passport against my leg. No bags. No mark.R’s last message: coordinates and time.25.0761° N, 77.3205° W – 02:14 local. Bring camera. Quiet entry.The island was a hidden strip of sand and rock south of Exuma, not on maps, surrounded by sharp reef. Locals called it Devil’s Teardrop. I paid $1,200 cash for a 22-foot boat from a fisherman who asked nothing. The boat moved through dark water under half moon, engine quiet with a wet cloth. Salt hit the cuts on my face from the tree escape weeks back.I stopped the motor 200 yards away. The island glowed—low houses over the reef, underwater lights making the water bright. A big yacht—SILKEN COMMAND—sat in the calm area, white and clean, name in gold. Music came over the water: low beats
Montréal’s first snow fell like gray ash. I was in a third-floor apartment above a corner store on Rue Saint-Denis, hood up, cap low, breath showing in the cold room. The radiator banged like a broken machine; the one window looked over an alley with melting ice dripping into trash bins that smelled of old fries and smoke. R paid six months’ rent under Jean-Marc Lefèvre—a name from an old death notice. The landlord, Madame Duval, took the cash, gave me a key on a bent nail, and disappeared behind a curtain that smelled of spice and cleaner.The CARTER ARCHIVE – FULL was out.47 terabytes.200 shares.A huge bomb online.I watched it spread.• 00:03 EST – First share hit 100 people.• 00:17 – #SilkenCommands topped world trends, beating elections and star deaths.• 00:41 – A Swiss address linked to a fake company tried to crash it. It bounced to Russian computers and broke their own system.• 01:12 – Interpol sent an alert for unknown people tied to Carter company, Vantage Capital, and







