FAZER LOGINThe leather rear seat of the SUV smelled of stale cigarettes and gun oil. Two guards sat in front, shoulders rigid, eyes fixed on the rain-slicked highway winding into the Catskills. Neither spoke since we cleared the city limits.
When the iron gates rolled back, revealing a gray stone mansion behind high brick walls and armed patrols, my stomach churned. The guards shoved me into a cold study. The oak doors clicked shut, the lock turning from outside. I stood shivering in my thin red satin dress. The fireplace was dark, filled with ash. Rain lashed against tall arched windows, casting shadows across the floorboards. A glass cabinet held leather-bound books and ancient pocket knives. I picked up a heavy bronze paperweight shaped like a bull. If Vincent Moretti was going to end my life, I refused to go down without giving him a scar to remember me by. The door handles rattled. I hid the bronze weight behind my back. Vincent stepped in wearing a dark dress shirt, top buttons undone, sleeves rolled up to show dark red stains on his cuffs. Fresh blood. He brought the smell of rain and copper into the room. He walked behind his mahogany desk, unclipped his holster, and set his gun down with a dull clack. "Put the paperweight back, Sienna," he said. His voice was deep, gravelly, stripped of warmth. "How did you know?" "You're standing like a soldier holding a grenade," Vincent said, wiping his hands with a handkerchief. "You lack the discipline to hide the tension in your shoulders. Drop it." I slammed the bronze bull onto the mahogany. "You think I'm going to stand here like a sheep in a butcher shop?" Vincent looked up. His eyes were cold, stormy grey, that pale scar slicing down his jaw. He looked exhausted, not angry. "If I wanted you dead, we wouldn't be having this conversation," he said, throwing the bloody cloth into a wastebasket. "You'd still be in the trunk." "Your nephew set me up," I barked. "Julian lied to the entire family. I never spoke to any federal agent. I bought insulin for my mother, and Julian turned it into a circus to throw me away!" "I know." The word hung between us. My hands began to shake. "You know?" I whispered. "You watched Carmine drag my name through the mud! You let Julian hand me to you like a dog!" "Carmine wanted an excuse to eliminate the Rossi leverage," Vincent said, pouring whiskey into a glass. "Julian wanted your half sister in his bed without looking like an oath-breaker. You were the casualty they both agreed on." "And what do you want?" I demanded. "Why take me?" "Because my brother needed a warden he trusted, and Julian needed a victim he feared," Vincent said, taking a slow sip. "And I don't allow cowards like my nephew to dictate how this family handles business." "So I'm just a trophy?" I laughed bitterly. "I'd rather go to prison." "Prison is where Julian planned to send you," Vincent said, stepping around the desk. "You think raising your voice makes you dangerous. But you have no idea how small you are here." "I'm not afraid of you," I lied, backing up until my spine hit the bookcase. "You should be," Vincent said, closing the distance until I could smell whiskey on his breath. "Everyone else in this city is." "Then do it," I choked out. "Do whatever you brought me here to do." Vincent reached into his coat. My heart hammered. He pulled out a slim, black-handled dagger. Before I could react, he pressed his torso against mine and laid the cold, flat blade against my jawline. My breath caught. The steel burned cold. Rain pounded the windows like a second heartbeat. "Do you know what this is?" he asked, his mouth close to my ear. I couldn't answer. Every nerve focused on that blade. "It belonged to my grandfather," Vincent said, tilting the dagger so the edge pressed firmer against my skin, not breaking it but making me aware of how easily it could. "He used it to carve loyalty into men who lied to this family." I swallowed, pressing my throat against the steel. "You think I brought you here to hurt you." His grey eyes traced my face, lingering on my pulse at my neck. "You think this is punishment." "Isn't it?" I hated how small my voice sounded. Vincent pulled the knife away but didn't step back. He turned it and pressed the handle into my trembling fingers. "Julian convinced Carmine you were a rat," he said. "He forged phone records. Paid a pharmacist to claim you asked about federal warrants. Built a paper trail while you sat at your mother's bedside." "And you knew all along." "I suspected," Vincent corrected. "But suspicion isn't proof, and proof is the only currency Carmine respects." "Then why tell me now? Why give me a weapon?" Vincent wrapped his hand around mine over the dagger. He lifted my hand until the point rested over his heart. I could feel the steady thump through the steel. "Because if you truly believe I'm your enemy," he said softly, "then drive it in. I won't stop you." The room shrank. I heard the house settling, rain slashing glass, guards murmuring outside. Over it all, my ragged breathing. My hand shook. The knife point wavered against his chest, dipping into fabric but not skin. I thought of Julian's sneer when he handed me over like garbage. I thought of my mother, alone in a hospital room. And Vincent, with a blade at his heart, asking me to choose. "I don't want to kill you," I whispered. Vincent's grip loosened. "No," he agreed. "You want to survive. So do I." He curled his fingers around my wrist, not hurting me. Just holding me steady. His thumb traced a circle over my pulse point. "Sienna," he said, and the way he said my name made my stomach twist. "I didn't bring you here to make you a prisoner." "Then what?" Vincent took the dagger and set it on the bookshelf. He stepped back, letting cold air rush between us. "I brought you here to keep you alive until I can prove Julian's betrayal," he said. "And then I'll watch Carmine strip him of everything." I searched his face for a lie. His expression was carved from stone. "And if I refuse to stay?" Vincent's mouth twitched. "Then walk out that door and test how far Julian's reach extends." I looked at the oak doors. The lock was still turned from outside. A clock chimed somewhere. I thought about running, disappearing into the rain. But I knew what waited out there. "I don't trust you," I said. Vincent picked up his whiskey and took a slow drink. "Good. Trust will come later. For now, I only need you to stay." I folded my arms, still shaking, still cold. But fear had curdled into something sharper. Anger with a purpose. "Fine," I said, lifting my chin. "But if you lie to me, I'll find that dagger again. And I won't hesitate." Vincent set his glass down. He crossed the room, opened a drawer, and pulled out a folded wool blanket. He walked back and draped it over my shoulders with a gesture that was almost gentle. "I would expect nothing less."The chapel was a box off the east hall I had walked past the night of the dinner without seeing. Carmine had not been a man for saints unless they were on a wall to hide a safe. DeLuca stood outside it like he might catch religion by accident. “I did not let anyone in after the wax,” he said. “Book is on the rail. Candles still breathing. It looks like a play for two people who never showed.” Alvarez went first. I went second. Vincent had to turn sideways in the door. The register was cheap. The ink was blue. My name looked like my R when I was twenty two and trying to be chosen. Julian’s name looked like itself, sure, expensive even on a poor page. Dated last year. A third line, blank, where a witness might sit. Elena, behind us, made a sound. “That is my writing on your R. I used to practice you too. Not for a farm. For invitations. I did this. I mean I did this kind of thing. I do not remember this book. I am telling you the hand before someone else does.” Alvarez l
DeLuca called from the compound drive at 12:05. “Kitchen door is closed,” he said. “No smell from here. Staff is out. I pulled the two boys who were sleeping in the garage. They are coughing on purpose because they are scared, not because of air. Alvarez’s people are walking the side. I have not touched a lock.” Alvarez, on the same pile, said, “No one touches a knob. If this is theater I will arrest a stove. If it is not I will not have a Moretti wife on a gas bill.” I stood in our hall with the cheap ring still not on my hand. Vincent watched my fingers as if they might betray me and pick it up. “I am not wearing it,” I said. “I know.” “I want to see the kitchen.” “No.” “I said I would not walk into it. I said I remember it. There is a difference between a step and a window from a drive.” Vincent’s mouth flattened. “A drive is how vans start.” Russo came from the study. “Compound cameras that still work show no bouquet on the inside stone. Outside stone has the c
I did not sleep after the pot. I sat on the kitchen floor with the drowned clock dripping and counted backward to a red dress and a side door and a hand on my arm that had not asked. Vincent sat across from me with his back to the cabinet. “He wants the beginning,” I said. “He wants me on a step in the idea of that dress. He wants you in the frame as the man who stole a dinner.” “Then he does not get a step.” Vincent’s voice was rough from the hour. “He gets a house that does not perform.” “If we give him nothing he lights a drain. He said so.” “He lights what he can anyway.” Vincent looked at my hands. “Do not put a dress on for a wall.” Elena came down at first light and stopped when she saw the floor conference. “I remember the date,” she said. “I wore wine on my knuckles. I opened the door without knocking. If he wants a beginning he should ask for me. I started the walking in.” “He does not want you,” I said. “He wants the girl who dreamed a ring and got a side
Vance met us at a federal garage because he would not take Costa into the annex cafeteria like a souvenir. He looked at the eyebrow and at us and at Alvarez and then at the floor. “You picked him up on a plank after I told you to stay on paper,” Vance said. “Paper bought fuel and a kiss on a pump,” I said. “The plank was where the paper sat down.” Costa, in a chair, smiled at Vance. “Hello, Fish.” The room went still in a way I did not like. Vance did not look at us. “Do not call me that in this garage.” “Carmine called you that in a book,” Costa said. “The girl read it. The uncle read it. You think a cardigan washed the nickname off. It does not wash.” Vincent’s voice was careful. “He said a cutout memory was sold. Five years ago. Your road.” Vance’s jaw worked. “I know the road. I used it. I did not sell it.” “Someone did,” I said. “Glasses had a pin on it. Night crews were waiting. If you want us to keep being witnesses on ridges, you need to say whether your h
My mother sat on the table with her robe wet at the hem and a look that could have cracked the plumber if he had stayed. “I am not drowned,” she said. “I am insulted. There is a difference. Someone tell the tall one to stop looking at me like a pipe.” Vincent stopped looking at her like a pipe. He looked at the window instead. The nurse was crying and talking at once. “The water came from the wall. He had a card. It said building. I thought I was saving the floor.” “You saved a floor and opened a door,” I said. “Next time the house burns a little. Do not open.” Alvarez bagged the lipstick. Same color. No surprise left in it. “He had a scar,” the nurse whispered. “Through the eyebrow. I thought of a saint. I do not know why.” Costa or a copy. The city loved copies. I took my mother’s hand. It was dry. That helped more than I wanted it to. “You will move again,” I said. “I will not. I will sit on this table until the city dries out. If they want me they can learn
The hill at night was a shape. Alvarez got there first because she had started sleeping in her car like a person who had joined a family against her will. The card was already in a bag. The dirt had footprints that could have been ours from afternoon and could have been a crew with our size in mind. “No camera on this slope,” Alvarez said. “You chose a hill that does not face a crane. Pretty. Also blind.” Vincent stood over the ground as if he might ask it a question. “If I put a man here overnight I make a still of a grave. If I do not, they plant more jokes.” “Put a man in a car on the road, not on the dirt,” I said. “The dirt is his. The road is ours.” Alvarez nodded. “I already did. You can go home. You came to see a card you already saw on a phone. That is grief, not work.” She was right. I hated that. We went home. Gio met us with a hammer and a look. “Do I drive to a clinic.” “No,” Vincent said. “You sit on our roof and you listen for walking. I am done giving







