MasukI run.
The world is white and silver and cold, and every part of me is made for it. Wind razors through my coat, dense and electric, each flake of rime like a pinprick. My lungs are black bellows—draw, empty, draw again, tighter and tighter. Each inhale is so sharp it should cut, but it fuels me, kicks me harder. Every breath is purpose. Every step is terror.
Beneath me, the ground is a slick of needle-thin ice, topped by last year’s mulch, every footfall stinging with memory: the time I split my knee on the root behind the old diner; the splintering pain when the bouncer at Wayward Pine cracked my hand over a barstool; the cold, sticky echo of my own blood in the alleyway. The wolf remembers none of these, but I do, and the memory is acid, spurring me to keep moving.
The forest is a blizzard of information—scents tripping over each other, urgent and intimate. Rabbit, faint and old. Fox, fresher. Human, everywhere, each trace so thick it’s like wading through river silt. But above all, higher and hotter and closer, is the scent of them: the others. My pursuers. The pack.
They are close. Too close.
They move together, not in a panic, but with the patience of things that have all night to finish the job. I can hear them, even now: the heavy thump of weight compressing snow, the hollow snap of twigs, the low, almost musical rhythm of their breathing. I double back, veer left, try to cross my own path, but their formation is perfect—a living net, woven tighter with every stride.
Panic ricochets through my body. My heart is a stone, slamming itself against my ribs, faster than the wolf wants, faster than anything should. My tongue is numb, mouth flooded with the taste of copper and heat. Somewhere in the confusion, I can feel my own mind trying to surface—human logic, weak and soft, screaming that this isn’t possible, that I am hallucinating, dying, dead.
But the wolf doesn’t stop for impossible. It stops for nothing.
A ravine opens up ahead, shallow but wide, the edges iced in a rictus of shattered branches. I leap, and for one perfect second I am airborne, the world falling away underneath. The landing is ugly—paws slip on hard-pack, claws bite too late, and I tumble sideways, rolling through frost and pain and the stink of my own sweat. The wolf wants to yelp, to whine, but I clamp it down and keep running, even as something wet and hot opens along my flank.
Behind me, the pack flows over the ravine as if it’s nothing. They don’t stumble. They don’t break stride. They are machine-perfect, almost beautiful. My muscles burn with envy.
I try to cut right, toward the river. The air there is dense with water and the bite of old iron—someone’s left a rusted oil drum to rot on the bank, and the stink of it is so loud I nearly gag. I skirt the shore, ice slapping against my legs, and for a moment I think maybe, just maybe, I can lose them in the reeds.
It doesn’t work. The reeds hide nothing. The reeds are a trap.
They close the gap—six of them, moving like they share a single mind. I catch flashes of color, shapes blurred by speed: one is dark as midnight, another mottled brown, the rest a grim parade of grays and silvers, each coat glossy and hard. Their eyes burn with reflected moon, and when they look at me, I see not hatred, but inevitability.
They are not angry. They are not kind. They are doing what must be done.
I run.
The ground here is a minefield of rocks and trash, every footstep a gamble. I push through anyway, crashing through a tangle of blackberry vines that slash at my legs and belly. The pain is less than nothing. There’s only forward, only outpace, only get away. The path narrows, closes in, and I realize too late what they have done: they’ve funneled me.
Ahead, the trees break, and there’s a clearing—a wide circle, stamped flat by old logging equipment, the grass dead and brittle. The moon is so bright here that it hurts to look up, so I keep my eyes on the ground, ears up, senses exploding.
Behind, they emerge from the undergrowth, fanning out in a semicircle. Each one is different: one limps, a ghost of old injury; one wears a white slash across her muzzle, like war paint; another—bigger than the rest—hangs back, shoulders high, tail low, watching with the patience of someone who’s done this a hundred times.
I double back. The way is closed. I try left, then right—nothing but bodies and breath and the ever-narrowing circle.
I turn to face them, and for the first time, I understand the point of bar fights: sometimes it’s not about winning, just not backing down.
I bare my teeth, hackles up, tail out. My lips peel back from my jaw—an ugly, jagged snarl, all fang and spit. The sound I make is nothing like a human scream, but it is just as furious. The wolf at the center steps forward, matching my posture, her own lips curling in a silent, clinical challenge.
We hold there, frozen. In another life, I would have said it was a standoff. But here, in this body, in this night, I know it’s just the pause before the killing blow.
The others start to move, slow and deliberate, closing the arc. Their eyes reflect the world in shards of ice and flame. Their ears flick, tails flick, and I can see the silent communication—each gesture a word, each shift a sentence. I am the only one who doesn’t know the language, and it feels like a joke I was never meant to get.
I refuse to give ground.
They come closer, muscles sliding under their coats, mouths open just enough to show the tools they will use. The big one is still behind, holding back, waiting for the perfect moment.
A gust of wind rattles through the clearing, bringing with it a hundred new smells: old blood, fresh sap, the ozone tang of oncoming snow. For a moment, I want to drop to my belly, surrender, let it happen. But the thought is cancer, and I rip it out.
The wolf with the war-paint muzzle closes the gap, two steps away now. I lunge at her, snapping, catching nothing but fur and frost. She dodges, not even phased, and the others ripple in response, the formation tightening.
Another tries from the right. I twist, claw out, rake her shoulder. She recoils, but not far, and the wound is already clotting, thick and dark. They are testing me, wearing me down.
I growl, deep and guttural. I have never made a sound like this. It vibrates my whole skeleton, rattles my teeth in my head. For a second, it seems to work—the nearest wolves hesitate, re-calibrating.
And then, all at once, they press in.
I fight.
It is ugly, savage, nothing like the old bar fights. I throw myself at them, jaws wide, claws scraping bone. They meet me with equal violence, but never lose control—they are careful, measured, never reckless. I take a chunk out of one, and the next one is already on me, pinning my shoulder to the ground. I twist, bite, kick, but their weight is overwhelming, a tide that pulls me under.
My mind fractures—wolf and human both screaming, both refusing to yield. I taste my own blood, hot and electric, and the pain is a fireworks display behind my eyes. The pack is silent now, not a sound but the hiss of breath and the crunch of bodies hitting snow.
Then, as fast as it started, it stops.
I am flat on my side, three bodies holding me down—one at the throat, one at the ribs, one anchoring my back legs. The pressure is enormous, but not enough to kill, just enough to make the point.
In the sudden quiet, I hear it: a single footstep, heavier than the others, deliberate. The big one steps forward at last, breaking the ring. His eyes are not just reflective, but alive—burning with something that I almost recognize.
He doesn’t speak. He doesn’t need to.
He approaches, slow and sure, and for the first time, the wolf inside me doesn’t know what to do. I want to fight, but I can’t move. I want to run, but there’s nowhere left to go.
He lowers his head, and his breath is fire in my face.
I wait for the killing blow.
But it doesn’t come.
He holds there, just long enough for the fear to settle in my bones, then looks away, a flick of the ears sending the message down the line.
The bodies ease up, just a hair, but it’s enough. I gasp, air filling my chest in a way that feels obscene after so much panic. The big one circles, inspects, then sits back on his haunches, watching me.
He is in charge. There’s no question.
But he doesn’t hate me. He doesn’t even care. I am just another problem to be solved, another line in the ledger.
The others back off, forming a new circle—this one looser, but no less effective.
I roll onto my stomach, legs shaking, and glare at them all. If they want me, they’ll have to take me alive.
For a moment, no one moves.
Then, from the trees, a sound—an echo of my own howl, but lower, colder, ancient.
The pack stands, as one, and waits for what comes next.
So do I.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







