Mag-log inThe last half-mile is pure instinct—every footfall calculated, every breath measured. The team stops using words; we move on hand signals and the occasional rumble in the throat, a language older than speech. The scent grows stronger, rich with sweat and terror and the sharp note of fresh blood. She’s close. I can feel it, a tension in the air that sets my molars on edge.
We fan out, everyone taking their prescribed position. Tessa to my right, Luka to my left, the scouts already vanishing up the low ridge that fences the gully. Erik, to his credit, manages not to trip. I give a silent count—three, two, one—and they begin to close the circle.
The forest is blue with moonlight, everything else drowned in shadow. I catch a glimpse of movement up ahead: a flick of gray against the dark, a vibration in the snow as something heavy skids, then rights itself. She’s lost control, no rhythm to her movement, just raw need to run or hide or kill. I raise a fist—universal sign for freeze—and the patrol stops as one.
I move forward, not fast. I want her to know I’m coming.
A tangle of downed birch marks the edge of a shallow depression, and there, wedged beneath a fallen trunk, is the wolf. She’s half-curled, back legs tucked under, forelegs braced against the icy dirt. Her fur is matted and streaked dark with blood, ribs flaring with every panicked breath. The eyes—still rimmed with too much white, still too human—fix on me with a wild, desperate clarity.
I crouch. My own breath fogs out, slow and deliberate, a sign of peace in the language of predators.
She bares her teeth. A low, rattling growl leaks out. But she doesn’t lunge. Not yet.
“Wren,” I say, softly. It’s stupid; she doesn’t know her own name right now. But it feels like the right thing to do, or maybe the only thing.
The others keep their distance. Tessa’s eyes are locked on me, waiting for the sign. Luka hovers at the edge of the tree line, one hand resting on the silver-tipped baton at his hip. The scouts above hold their arrows nocked but not drawn, the tips gleaming even in the dim.
I step closer, slow, keeping my movements small. The wolf’s hackles lift, tail lashing side to side. I can hear the click of her jaw as she works the air, tasting the scent I throw off—dominance, challenge, maybe something else.
The fated bond is supposed to be rare. A myth, my father called it, useful only for keeping pups in line. But as I draw nearer, the air between us thickens, electric. My pulse kicks up, heart hammering so hard I think she can hear it. There’s a tug at my core, an urge to reach out, not to kill but to… something. The word doesn’t come.
She barks, a sudden, sharp yelp, then scrambles backward, twisting in the mud and snow. The movement rips the wound in her flank wider—blood wells out, hot and steaming. She tries to rise but the back leg drags uselessly. The pain should slow her. It doesn’t.
She lunges, teeth aimed at my throat, and I react without thinking—pivot, grab, twist. The impact jars my arm but I hold on, bracing her neck just behind the skull, the way you do with wild things that can’t be reasoned with. She thrashes, claws raking my forearm, tearing through the coat to leave hot, stinging lines. The smell of blood is overwhelming.
Tessa is there in an instant, grabbing the hind legs, pinning her to the ground. Luka circles in, flanking. The scouts above drop from the ridge, bounding through the snow, and we have her surrounded.
She snaps and snarls, snapping at anyone who gets close. The power in her jaws is obscene, but she can’t get the leverage. Erik hesitates at the edge of the circle, unsure whether to help or stand back. I don’t blame him. It’s not every night you get to see a legend made real.
“Restraints,” I bark, and Tessa is on it, pulling the reinforced cuffs from her belt. It takes all three of us to get them on—the wolf twists and bucks, froth spraying from her mouth, but finally the click of the locking mechanism snaps through the air, final and satisfying.
The wolf sags, spent. Her sides heave, and the eyes, wild a moment ago, now look dull, almost pleading. Something in me knots at the sight.
I let go, stand, and wipe the blood from my palm onto the inside of my jacket. The wound stings, but I’ve had worse.
“Shift her,” I order, voice low. “Now.”
Tessa nods. She kneels, grips the wolf by the muzzle, and whispers the old words, the incantation that forces the transformation back. The words are nonsense, really—just a script passed down through the generations—but the voice, the intent, is what matters. The wolf stiffens, whimpers, then begins to convulse, body shuddering in ways no human body should.
Bones crack. Limbs shorten. The fur thins and falls away in clumps, drifting on the wind like ash. The scream that rises up is neither human nor animal, but it’s agony either way.
And then, just like that, she’s there—Wren Cade, naked and shivering in the snow, hands curled into claws, face streaked with blood and snot and tears. The cuffs bite into her wrists, pinning her arms behind her back.
She looks up at me, and for a second, she knows who I am.
I draw the silver dagger from my belt, let the moon catch on its blade. The air grows still. The others watch, breathless, waiting for the law to be fulfilled.
I walk over, kneel in the snow, and place the tip against her chest, just above the heart. She doesn’t flinch. She just stares, eyes wide and wet and impossibly alive.
My hand shakes. It shouldn’t, but it does.
“Do it,” Tessa whispers, voice urgent.
But I don’t.
Instead, I look at Wren, really look, and see not the beast, but the woman inside—terrified, but unbroken.
For a moment, the moon vanishes behind a cloud, and the world goes dark.
I lower the dagger. My voice is a rasp. “No.”
The pack stands in shocked silence. The law is absolute, but for the first time, I question if it’s right.
Wren sags against the restraints, breathing ragged but still breathing.
I stand, dagger loose in my hand, and turn to the team.
“We take her back,” I say, voice steel. “Alive.”
Nobody argues. Not even the moon.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







