MasukThe stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.
The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.
“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him. He’s close—too close for comfort, far enough that if I made a run for it, he could take me down in a single stride.
“Is that the rule?” I say, as neutral as I can manage. My voice comes out steadier than I expect, edged in something colder than anger.
He bares his teeth—not quite a smile, more the memory of one. “Don’t want you contaminating the rest of us.”
The betas snicker. The omegas at the wall go rigid, eyes big and wet. The woman with the vest from earlier has turned on her bench and is watching, elbows on the table, mouth a thin, hungry line.
I could bow my head, set the bowl down and retreat. It’s what he expects. What the whole room wants. Instead, I stand my ground, shifting my grip on the bowl until my fingers ache with the effort of not trembling.
“If you’re worried about contamination,” I say, “maybe don’t breathe.”
It’s a cheap shot, but it lands. His face goes red, then settles into a look that says he’s already decided how I’ll pay for it later. He leans in, so close I smell the morning’s coffee and the faint, metallic tang of blood on his breath.
“Don’t test me, Stray,” he whispers. “You won’t like the answer.”
I stare him down, not blinking. The wolf in me wants to bare its own teeth, but I clamp down, show nothing but boredom.
Then, out of nowhere, Mira materializes at my side. She’s silent as a rumor, no tray this time, just her hands empty and held low in deference. She steps between us—not fully blocking, just enough to make the warrior shift his weight back a fraction.
“I’ve got it,” she says, eyes on the bowl, not the men. “Protocol says kitchen staff clears for containment cases.”
Scarface makes a show of considering it, then shrugs as if the whole thing bores him. “You hear that, Stray? Even the dish pigs are smarter than you.”
Mira takes the bowl from my hands. As she does, her fingers fold around mine, and for a second, her grip is tight and warm. She slips something between my palm and the bowl—a scrap of paper, folded tiny, the edges softened by much handling. The touch lingers a heartbeat longer than needed.
Scarface sees none of it. He’s already pivoted, dismissing me with a toss of his head, the betas following him out with matching sneers.
Mira turns back to me, voice low and urgent. “Don’t push them. Not yet.”
She’s gone before I can answer, bowl and spoon vanishing into the soapy chaos behind the kitchen door.
The omegas start to breathe again. The woman in the vest gives a snort, like she’s disappointed there wasn’t more blood. I flex my hands, feeling the sweat slick in the grooves of my fingerprints, and step back to my bench, sitting until the guards reappear at the door.
On the walk back to my cell, I keep my fists clenched. Every turn, every stair, every new hallway, I wait for the slip of discipline, the opportunity for someone to “correct” me for my defiance. But nothing comes. The guards are stone-faced, bored, not even looking at me.
Only when the door locks behind do I uncurl my hand and retrieve the scrap of paper.
It’s folded once, then again, then again, until it’s a secret you could hide under a fingernail. I smooth it open, heart racing for no good reason.
The handwriting is small and hurried, but legible:
Not everyone fears what’s different. — Mira
That’s all. No more, no less.
I read it three times, then tuck it into the cuff of my sleeve, near the burn. It doesn’t make the pain stop. But it makes it matter.
For the first time since being caged, I allow myself to believe that something in this place might bend before it breaks.
And I am not the only thing here that knows how to survive.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







