Mag-log inThey reconvene the council at dusk, as if waiting for the last drop of light will lend authority to what comes next. The wolves are already half-shifted, the masks of civilization slipping as tempers climb. The noise is thicker, less words than snarl, and the stink of adrenalized sweat rises even above the pitch of old blood on stone.
Soren is first out of his seat. His face is a ruin—three scars run from brow to lip, proof that tradition is enforced here with more than memory. He slaps his palm to the railing, pointing directly at Wren. “We’ve never let a turned wolf live,” he spits. “Not in my grandfather’s time, nor his, nor the Alpha before you, Lucian. They’re a vector. They rot the pack from inside—turn every pup soft and every bitch into a traitor.” He glares at Mira, who gives him nothing in return.
“You forget the seer’s warning,” Mira says, voice calm but sharp as a scalpel. “We break prophecy at our peril. Nightwind’s strength is not in blood, but in survival. Only fools invite extinction to preserve their pride.”
Soren laughs, the sound like gravel in a woodchipper. “Your kind always preferred words to action. But when the feral comes, it’ll be your throat they tear first.”
The insult lands; Mira’s knuckles turn white on the edge of her seat, but she holds her tongue. There’s nothing to say to men like Soren—their brains stopped growing the day their teeth came in.
The rest of the council barks agreement or protest, and for a moment the chamber feels as if it might tip over, a riot in the making. The guards on the floor shift their weight, one hand on the stun batons, the other on nothing at all. They know a killing can happen in these walls, and that’s part of what keeps order.
Wren sits at the center, statue-still. I want to believe she’s not listening, but I can see from the way her shoulders rise and fall that every word lands. If it hurts, she never lets it show.
I let the argument crest, then kill it with the only weapon that matters: my voice.
“She stays.” The words come out low, but the effect is immediate—every head snaps my direction, even the ones that spent the last hour pretending not to notice I was in the room.
Soren’s mouth hangs open, then clamps shut so hard I hear his teeth click. He looks ready to lunge, but the way Jace steps up beside me—subtle, not showy—is enough to remind the old man who leads the pack now.
“Under guard,” I continue. “Within these walls. Not as pack, not as prisoner, and not—” I hesitate, feel the eyes of the council, the ghost of the bond. “Not as mate.”
Wren’s expression doesn’t change, but I see the flick of her pupils, the way her jaw tenses. She knows the omission for what it is: a mercy, or maybe just a coward’s brand of hope.
Elowen leans forward from the gallery, her mouth curving into a smile so thin it could slice stone. She’s seen this play out before, maybe a thousand times. Or maybe just once, and it was enough.
The rest of the council goes quiet. Soren slumps back into his seat, glowering, but I see the calculation in his eyes. Mira breathes out, relief almost invisible, but I know the tells. The guards relax, just a fraction, and the room’s temperature drops back into something less than fever.
I motion to the guards at Wren’s side. “Take her to the east wing. The old archives. Seal it, and no one enters without my word. Not even you, Soren.” I don’t have to say the threat out loud; the way his nostrils flare tells me he heard it all the same.
They unlock her chain, re-cuff her wrists, and lift her to her feet. She stands on her own, even after twelve hours in the same position. If the silver burned, she’ll never let them see the scars.
As they guide her from the chamber, I see her glance over her shoulder—not at me, but at Elowen, who waits at the edge of the circle. For a split second, the two share a look, an understanding built on the same raw material: survival at any cost.
The council empties out, the elders limping or swaggering back to their dens. The verdict will be gossiped to every house by midnight, and by dawn, half the pack will have chosen sides. That’s the point of these meetings. You don’t win, you just outlast.
I stand alone by the dais, staring at the empty chain still bolted to the floor. It would be easier if the law had teeth for this. Instead, it’s all compromise, all bloodless wounds.
Elowen appears at my side, silent as a shadow. “You did well,” she says, voice cool as the moon. “For a man who’s never doubted before, you hide it almost perfectly.”
I don’t look at her. “Is this the part where you tell me it gets easier?”
She tilts her head, considering. “It never does. But you know that already.”
The silence stretches, comfortable in its own discomfort.
“I don’t trust her,” I say, not sure if I mean Wren or Elowen.
“Good,” she replies. “Neither do I. But trust is for prey, Lucian. You’re not prey, are you?”
It’s a test. Everything with Elowen is.
I shake my head. “Never.”
She smiles, then leans in, whispering so low only I could possibly hear it: “Nightwind falls only if you let it.”
Then she’s gone, her footsteps lost in the echo of the room.
Outside, the air has grown colder, the wind sharper. The moon is high, bright enough to erase every shadow. I find myself wanting to run, to shed the trappings of Alpha and let the wolf have its way, if only for a night. But the job is to watch, and to wait, and to never, ever look away.
I take one last look at the empty chamber, at the benches where ghosts now sit. Then I follow the corridor to where Wren waits, her fate suspended, the future a blade balanced on the edge of prophecy and will.
We are what the law says, and we are what the law cannot say. The rest is just waiting for the next full moon.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







