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Out of Field Theory

OUT OF FIELD THEORY

Brian Palmer shivered in spite of the warm noonday sun. “This is it,” he muttered, staring at the picture he’d taken. “This is it. This picture is going to change my life. This. Is. It.”

It was about time. All the other pictures he’d taken with his Nikon hadn’t been worth a damn. The first was out of focus. Couldn’t see the barn on Bassler Road for shit. Another was framed wrong, cutting the top off the old gazebo in the abandoned koi garden down the road. As for the brilliant yellow and orange koi swimming in the old pond next to the gazebo? Red and yellow blobs.

Some of the other shots? Of Bassler Road curving into the distance? Of an abandoned old truck sitting by the railroad tracks? They were okay, but he knew what Professor Spinella would say: They looked like stock photos in Adirondack guidebooks found in tourist novelty stores everywhere.

Which wouldn’t cut it if he wanted his final project for Philosophy of Photography to pass. He needed something uniqu
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