LOGIN
"Sera."
Silence.
"Seri."
I do not look up.
"Seraphina."
I turn a length of silk between my fingers.
"Serafina."
I move along the rack.
"Serpentina."
"Seraphew."
That last one does it. I snap my head up from the blouses and turn the full force of my glare on Caspian, who is leaning against the clothing display with his arms crossed and an expression belonging on a man enduring slow torture rather than a man standing inside the most beautiful store in Manhattan on a perfectly functional Tuesday.
"What," I say. Not a question. A warning.
He gestures broadly at the store around us, the pristine shelves, the spotlit shoes, the saleswomen moving between clients like unhurried swans. "I'm dying," he announces. "I need ice cream. Can we please just go get ice cream?"
The attendant nearest to him, a woman in a sharply pressed blazer, gives him a look that begins at his shoes and ends somewhere around his hairline, slow and measured and full of quiet professional judgment.
Caspian is six foot three, arms like structural timber, armed on his left side, a man who has made grown men weep just by entering the same room they were in. Under the blazer woman's gaze, he straightens his spine like a scolded schoolboy. Highkey the funniest thing I have witnessed all month. A man who is supposed to be terrifying, playing simp to a saleswoman who does not even know his name. The absolute flop era.
I press my lips together to keep from laughing. "You are," I say under my breath, angling just away from the attendant, "such a pussy."
Caspian fires back in Greek, fast and quiet. "Ilíthia. Why am I even here with you?"
"Because," I say sweetly, pulling a black dress from the rack and holding it up to the light, "it is my birthday party tonight and you have exactly zero say in the matter. Naí?"
He opens his mouth. Closes it. The attendant is watching. He closes it again.
I turn back to the dress. Classic black Prada, fitted at the waist, with a neckline that is elegant and genuinely interesting without trying. I am entering my mid-twenties and I have decided this is my glow-up era. The era of knowing what I want and taking it without apology. Classic black Prada is always the correct answer. That is not an opinion. That is a fact.
"This one," I say, mostly to myself, because myself is the only one whose taste I fully trust here.
I turn and shove the dress into Caspian's arms.
He looks down at it. Up at me. Back down.
I deploy the glare. The one I have been developing since I was seven. Chin slightly lowered, eyes slightly narrowed, the expression that suggests I am three seconds from becoming someone's most significant problem. Deadass a complete waste of facial energy on my part every time. But I deploy it on principle.
"Pay for it," I say.
"No." He shoves the dress back harder. "Get your own damn dress, Serpentina."
"Maláka."
"Cagna," he fires back. Italian, not Greek, but certain words migrate across these worlds and stay permanently. He is calling me a bitch in two languages by proxy and I respect the commitment even while I reject the sentiment.
I smile at him with all my teeth, mouth something in Greek that I will not repeat in polite or impolite company, and turn toward the sales counter. I am not going to stand here trading insults in a Prada store. That would be cringe. I have standards.
The saleswoman at the counter does not look up.
I stand with the dress over my arm and my card in hand. In ninety percent of stores I enter, someone materialises at my elbow before I fully clear the entrance. The Sorano name carries what polite people call significant clout. What it actually carries is the kind of weight that makes people nervous and extra in their attention, and I find it exhausting every single time.
But this woman is folding a cashmere sweater with the focus of someone defusing a delicate situation, and she does not look up. I find this genuinely refreshing. Lowkey one of the best things to happen to me all week. Not an NPC response. Not fangirling the moment she registers my last name. Just a person doing her actual job.
I wait. And while I wait, I look at her properly.
She is, without exaggeration, absolutely snatched. Gyat, honestly. Her bone structure alone could stop a room. Clothing too fine for any retail floor, jewellery the kind you inherit, and on her left hand a diamond engagement ring that is not small. That ring is serving an entire speech. The drip on it announces to everyone within fifty feet that someone is very much whipped for this woman. Sus. Why is someone this boujee working a cash register? Intriguing in the very best way.
She finishes folding, places the sweater precisely on its shelf, turns to me, scans the dress without ceremony, and waits. She does not begin wrapping until my card actually clears. Only when the receipt prints does she begin, and only then.
I grin. Wide and probably slightly unhinged, because this interaction is so normal it almost hurts.
"I love your ring," I say.
She glances up. Eyes sharp and warm at once. "Thank you."
"What's your name?"
"Amara." She folds the dress in tissue paper. "Yours?"
"Sera." I lean one elbow on the counter. "I want to say, genuinely and not in a weird way, that you are an absolute baddie and I am completely obsessed with you. You slay just standing there."
She stops folding. One perfectly sculpted eyebrow lifts. "Are you rizzing me up right now?"
I burst out laughing. Real, slightly too loud. "No. Just admiring. Not flirting."
She resumes folding, but the corner of her mouth pulls upward. "Sure."
"Why are you working here? That ring costs more than this entire section."
Amara slides the bag across the counter with the expression of someone who has a very good story and a specific reason for sharing it. "My fiancé does not want me to work."
"Okay."
"So I work here."
"That," I say, "is the most based thing I have ever heard."
"He comes to check on me at least twice a day. Stands outside the window for ten minutes and pretends he was just passing." The satisfaction in her voice belongs to someone who has won every round of an ongoing argument.
Something moves through my chest. The overprotective, completely whipped, lowkey down bad for his woman combination is the biggest green flag I have ever had described to me. Zero red flag energy anywhere in that story. I want a man who would stand outside a store window for ten minutes just to know I am safe. I also need him to tolerate my personality, which is, iykyk, a considerably more complicated ask.
"Come to my party tonight. It's my birthday. Bring your fiancé. You can spill all the tea about him later."
She takes my phone, types her number in, hands it back.
"It's my birthday," I add at the exit, because it bears repeating. "A gift is technically required."
Amara tilts her head. She ate with that look before she even spoke. "My fiancé will handle that."
I point at her. "You are my dream best friend. You understood the assignment before it was even issued. That rizz is rare and I respect it completely."
Caspian is waiting by the door. He takes the bag from my hand without comment, drapes an arm around my shoulders as we push into the afternoon, and our security team closes around us immediately.
"You were flirting with her," Caspian says.
"When you flirt, Caspian, establishments ask us to leave." I tilt my head up at him. "When I flirt, I make new friends. These are very different outcomes and you know it."
He says nothing. He keeps his arm around me and steers us toward the car, and the afternoon light falls gold and long across the pavement, and for one moment I let myself simply exist inside it.
Buckle up, because this is going to be one WILD ride and I am so excited for you to experience it! 🎉 💕 💕 This story is ALL about Sera and Dorian. Their relationship is the heart of everything — slow burn, messy, complicated, and absolutely worth it. Trust the process! Character development is a HUGE part of this book, so if you see them being horrible to each other… good. That's the point. It's enemies to lovers, people — we have to earn the lovers part! 😅 AND YES — THIS IS A MAFIA STORY. ⚠️ These are criminals. Okay. Let's do this. I hope you LOVE it! 🖤
Chapter 54 (Sera)"You are acting like a child," he says."I am twenty-five years old.""Then conduct yourself like it."I look out the window at the Sicilian coastline moving past and decide that the view deserves my attention considerably more than he does. I am not, I will note privately, entirely unaware that my own internal running commentary on various aspects of this situation is not exactly the most mature contribution either. But I am keeping that to myself.He is still looking at his phone."During the ceremony," he says, without looking up, "you were distracted for the first four minutes, you were visibly shaking throughout, and you spent the vows looking everywhere except where you were supposed to be looking."I absorb each item on his list with the private acknowledgment that all three are accurate."Being married to you," I say pleasantly, "is somewhat equivalent to a death sentence. So the shaking was proportionate."He shakes his head once, returns his eyes to the scr
"I am going to kill him," I tell Caspian, coming down the altar steps. Quietly. With complete conviction."Not right now," he says."Specifically today.""Sera —""He planned it." I say it through my teeth, keeping my voice below the ambient noise of two hundred guests filing out around me. "He knew the dress would slow me down. He calculated the exit. He anticipated every variable and executed it in front of both families and a full photography team and then had the nerve to smirk at me on his way out." I pause. "He is dying today.""That is a very murdery energy for someone who has been married for four minutes."Leander appears at my other side. He surveys my expression and apparently decides to try a different approach."At least he showed up," he offers.I stare at him."Some people get stood up entirely," he continues. "He was there. He said the words. Technically —""I would have preferred to be stood up," I say. "I would have taken being stood up. Standing at that altar alone
"Seraphina."My name in his voice brings me back.The priest has his book open and his eyes on me with the expression of a man who has repeated himself at least once already. Dorian is looking at me with the specific flatness of someone who has just been required to summon another person's attention at their own wedding, which I suspect is not a sentence that appears in many ceremony memory books.I missed the instruction to take his hands.I look at my hands. Then at his. Then, with a private plummet in composure that I will not be narrating to anyone, I wipe both my clammy palms on the side of my dress before extending them.This is the lowest I have ever sunk. I want the record to reflect that.His grip closes around my hands, gentle and firm and steady in a way I did not expect, and the shaking that had been working its way toward something resembling full panic in front of two hundred people slows in response to the simple fact of being held. My heart is still pounding. My palms
"I love you," Leander whispers, the moment before we take the first step."I love you both," I say, and I mean it for both of them equally, linked on either side of me, their arms solid under my hands. Then the violins begin, and the aisle opens in front of us, and we move.The church is full. Two hundred faces turn toward us in the particular way of people who have been waiting and are now watching, and I look straight ahead and I walk.I think, as I walk, about what the two of them have actually been. Not in the abstract, not in the way you think of family when someone asks you to describe them, but in the specific accumulated weight of twenty-five years. Every school difficulty navigated in the back of a car. Every family tension managed between the three of us with the shorthand of people who do not need full sentences. Every milestone, every argument, every ordinary evening that did not feel significant at the time and now, on this particular walk down this particular aisle, feel
"If I step on this train even once," I say, lifting the hem with one hand and navigating the excessive number of sun-baked stone steps that apparently every Sicilian church considers a reasonable entrance, "I am holding you personally responsible. Regardless of where in the world you are at the time.""You no longer have anyone to do your threatening for you," Caspian says from beside me, barely helping. "That era is behind you.""I have always done my own threatening," I say. "That was never outsourced."From the shaded top of the steps, Leander is watching both of us with his arms crossed and the particular expression of a man who has decided that commentary is more interesting than assistance."Seraphicent," he calls down pleasantly."You are thirty years old," I call back, still climbing, "and you are still calling your sister a villain name.""A very accurate villain name.""Bring up the spiders and I will name you specifically in my first interview as a married woman."He grins.
"It is time," Leander says, and presses a kiss to my temple before stepping back.The word lands differently than I expected. Not like a scheduling note. Like a door closing.I turn back to the mirror one final time.The bun is deliberately undone, loose curls pulled out around the face, the rest gathered and pinned with the specific imprecision that takes considerably more effort than anything actually neat. Minimal makeup, glowing rather than heavy. And the lipstick, matte, specifically matte, chosen over every gloss option in the case for a reason I have not said aloud to anyone in this room.There will be a kiss. In front of hundreds of people, at some point during the ceremony, there will be a brief and public and entirely performative kiss, and I am, in every meaningful romantic sense, still entirely a virgin in that department, and the thought of leaving a gloss print on Dorian Valenti's mouth in front of two hundred witnesses is the specific form of mortification that kept me
Leander opens the car door and his eyes drop to my dress before I have both feet on the pavement.The glare is instantaneous. Full voltage. The kind that would make a lesser woman get back into the vehicle."Before you say anything," I tell him, stepping out and smoothing my skirt with one hand, "I
Enzo speaks first, which means he drew the short straw."Is the reworked plan acceptable?" He shifts forward on the couch, elbows on his knees, trying to look composed and failing. "And can Dante and I come to New York?"Dante adds quickly, "We need to be there by Saturday. The next gala. Orlov and
My office smells like cleaning product and order again. I notice this the moment I push the door open and step inside, the way a man notices the absence of something that was irritating him without his full awareness. Mina has already claimed the windowsill. Marco pours four glasses without being as
"They are dying today," I tell Mina quietly as I carry her down the hallway toward my father's office. "I want you to know that. I simply cannot continue."She purrs against my forearm. I choose to interpret this as agreement and spend the next thirty seconds privately constructing a scenario in whi







