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PAINT OF PASSION 8

CLARE STARTED WORK on Steve's portrait the very next day. She chose to work from the picture of him sitting on his car outside the ivy-clad house, his family home. She chose it because he was wearing a forced, for-the-camera smile. It wasn’t an expression Clare had seen on his face in the flesh and thus it was the nearest she could come to finding a picture which didn’t remind her of his naked flesh every time she referred to it for her preliminary sketches.

After an hour or so Clare had produced a vague, compositional outline. She stood back and appraised her work. She felt no urge to slip her hand inside her blouse today. The picture wasn’t working. It wasn’t Steve. But so what? Francesca would think it was him, Francesca would see the jumper and the car and remember snapping the shutter on that strained smile and for her it would be Steven. Daniel wandered in and out of the studio with cups of coffee as Clare painted. He wasn’t painting. He was having another off day.

‘Mmm, nice
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