Lahat ng Kabanata ng She Belongs To The Sky: Kabanata 61 - Kabanata 70

Daddy took me to school in the morning, himself. We drove in silence, he staring at the wheel, me staring out the window. When we drove past Elimgbu junction, I thought about the crossroads the four-way junction had created. One time, Dad told me that back then in the village, some people who believe in one deity or the other would go to a junction that doubles as a crossroads and they would make sacrifices there. He told me how he saw cowries and red brown blood on the coal tar when he went out for water—some times even a dead chicken or two in the middle of the road. He told me how he glimpsed that bizzare sight so many times that he became used to it. Still, His face contorted into a grimace when he said it and i knew he was thinking about all those wasted birds that someone could have eaten and been satisfied with. I thought of them, too. Although I had never seen such—i still have not—i was angry at them, whoever they were, for all that wastage. While zooming past t

I am flying. Without wings, with only the air to hold me up. Then suddenly, the air lets me go and gravity snatches me. I drop into the rivulet like a stone, feet first, where I make a splash worthy of an Olympic medal. "Followed somebody who knew." I finish. I splash around in the water and it ripples brown currents from the disturbed soil under. "Are you crazy?" Chideziri bellows, well on his own path to craziness. I turn and spray water at him with my palms cupped together to form a spade. He is wet, through and through, from feet to chest, and is glowering down at me. "Is that really a question?" I snicker. Craziness is a prerequisite for awesomeness. Not everyone you see walking on the road is aware of that. I don't mean crazy-crazy, straitjacket needing kind of crazy. That's a bad kind. I am talking about the good kind of crazy. Okay. Slow down. Rewind. Good kind of crazy? There is no such thin

Afterwards, we sit on the jetty and listen to Teni's Wait on my earphones. One bud is his ear, one in mine. Honestly, I never, ever, enjoyed a song with one earbud. I still don't, but I like the sharing part. I wonder how Patoranking and Lil Kesh's is it because I love you will sound if I listen to it like this. It used to be my favourite song. I wonder about the mangrove tree near the jetty, its thick twisted roots growing into the river bank, I wonder how long it has stood there, watching silently. I wonder about the straight line of black ants marching up its torso carrying fresh green dicot leaves. But I don't let myself drift very far away. I am sitting next to him, being here, whilst wondering about the world. Living it, breathing it, wondering about it. Oddly, it is not so bad to sit and watch for a second, like the tree. I don't know when I start humming, humming to the next song on my playlist. "Please stop," Chideziri begs. "Please."

I close my eyes as I think of the sound of a popular Nigerian music in my head. The beat is steady and I can feel my eardrums vibrate to the sound of its intensity which tries to draw me apart. I try not to think of the music but I can't stop myself from enjoying its lovely taste. It takes a while before I realize that the sound I hear in my ears is not the sound of a popular Nigerian music but the sound of my own voice, warning me to pay attention carefully and always follow my heart. I rest my head on the bed and before I can recognize the sound in my head, I fall asleep.  

 Tobi wakes me up Sunday afternoon with a toe in my side. It's barely still bright outside and there's a small drizzle falling. NEPA finally decided to show up after going AWOL on Friday night, when this three-day long drizzle started. That's the thing I hate about October; when it wants to rain it rains rhinos and elephants, maybe even a little bit of monkey, the entire menagerie in fact. I tumble out of the sheets—they smell like spice and use and unwashness—to plug my phone to the adapter on the wall socket. It was where I had left it before I fell asleep—drowned by the cream waves of my tousled bed sheets.  Tobi doesn't strip down, even though he is half drenched. He is still in that his brown and black 50-over-50 woven sweatshirt with orange stripes at its shoulder, that makes him resemble a homeless person. His hair is in a disarray, in small tight curls like locks. It adds more realism to the homeless-