Days bled into a single, varnished eternity. Elara moved through the studio as a ghost in a shell, the cracked, glossy finish on her skin a constant, whispering reminder. Lucien was a whirlwind of new activity. The massive canvas stood ignored. Instead, he worked with lengths of aged, ornate wood, with pots of molten adhesive, and with tools that gleamed with a cruel, metallic purpose. He called it "the framing stage." "Every masterpiece requires a boundary," he explained one morning, his voice echoing as he sanded a length of carved mahogany. "A limit that defines it, elevates it, separates it from the common world. Your frame will not be of wood, my dear. It will be of you." A cold deeper than any gesso settled in her bones. He began with postures. Not the expressive poses of a model, but rigid, architectural positions that strained her muscles and locked her joints. He would have her kneel for hours, back straight, arms held out to her sides like a crucifix, her varnished skin
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