Sleep, when it finally came, was not a sanctuary. It was a theatre, and the play was a horror of memory and premonition.Sabatine dreamed in fragments, the spliced, chaotic logic of profound exhaustion. He was back in the desert, the one from his military past, but the sand was the colour of London concrete dust. The heat was the oppressive, greasy warmth of the burning tower. He was running, not towards an objective, but away from a voice—Roland Cross’s polished, poisonous baritone, which melted into the cold, precise tone of Eleanor Rogers-Voss.“He is a liability, Anton. A flaw in the architecture.”He turned a corner in a non-existent cityscape and saw Anton. Not the CEO, not the lover in the dark, but the boy from the garage, his face pale with a betrayal so deep it had hollowed him out. He was standing at the edge of a vast, black pit that had opened in the middle of the Rogers Industries lobby.“Sabe?” Anton’s voice was small, lost.Sabatine tried to run to him, but his legs we
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