Amelia's POVWe were back at the estate by ten.Victor had driven fast and said nothing, which was the appropriate response to both the situation and the quality of silence in the car. Alexander had been on calls for most of the journey, the low controlled voice that meant he was managing something serious without performing the management.I had looked out the window at the dark road and thought about sketchbooks.Forty three of them over six weeks.Every morning before five. The dated pages, the proportion studies, the colour work, the iterations of each piece from first rough thought to resolved construction. The specific evidence that the collection had been built over time, by one person, in one room, before sunrise.Gone.The show pieces were safe. The legal case was unaffected. I had told Jade both of those things and I had meant them.But the sketchbooks were the record of the making.The documented proof that this work had a process, a history, a human being behind it who had
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