Emma discovered fabric the way some children discover music: suddenly, completely, and with an intensity that made it clear this was not a passing interest.It started with a remnant bin.Chloe kept a large basket in the corner of her home studio where she put fabric off-cuts too small for professional use but too interesting to throw away. Scraps of Italian wool, ends of organic cotton in unusual colours, pieces of experimental weave that hadn't made it into a collection. She had always kept a bin like this, going back to her earliest days designing, the habit of someone who found it difficult to waste good material.Emma, at six, discovered the basket on a rainy Saturday afternoon when she had exhausted every other option in the house and wandered into the studio with the particular aimless energy of a bored child. Chloe heard nothing for twenty minutes, which was long enough to be suspicious, and went to investigate.Emma was sitting on the floor surrounded by fabric scraps, arrang
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