The town called Caracas, officially Santiago de León de Caracas, hugged the sea like a thin woman clinging to a lover's chest — market stalls, children running with kites, bougainvillea spilling color from whitewashed balconies, and the constant, indifferent roar of the ocean. People sat at tables with rum and sunscreen, laughing at things that meant nothing beyond that afternoon. Fishermen mended nets with hands blackened by tar and salt. A concrete promenade curved along the bay, slick with the high tide and the oil of passing launches. Under the sun, the town's beauty lay like a postcard — bright, staged, familiar. It was precisely the kind of place that made certain kinds of ugliness easier to mask.Sean Murphy moved through it with the practiced dissonance of a man used to wearing two faces. He had the skin of someone who lived in the tropics, a light tan earned on terraces and waterfalls in Costa Rica, but his manner was northern: blunt, colloquial, laced with a dryness that cou
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