บททั้งหมดของ THE MAFIA'S FATAL ATTRACTION BOOK 2: A PRINCESS'S CHALLENGES: บทที่ 31 - บทที่ 40

 MikeDay has risen, relentless, drawing rectangles of harsh light across the rumpled sheets. The peace of dawn was only an illusion, a fragile dream that reality has dispelled.Tara sleeps. Her breathing is too regular, her stillness too perfect. I watch her, lying on my back, hands behind my head. The scent of her skin, of our union, still permeates the air. It is an intoxicating, accusatory smell.My arm, where she nestled, is cold.Every fiber of my being is tense, torn. The vulnerability of the night has left me naked, not only physically, but morally. I let the wall fall. I let chaos, tenderness, hope enter. And now, fear returns, ten times stronger, a taste of rust in my mouth.What have I done?I rose without a sound, dressing in silent haste, as if I could don my armor along with my clothes. Each glance toward her sleeping body is a burn. A temptation and a horrible reminder of my own weakness.In my study, the l

 TaraHis hand is cold beneath mine. The contact is so light, so precarious, that I hold my breath for fear of breaking it. I see the muscles of his jaw clench, the veins pulsing at his temples. He is both so close and so far, this man who has just laid down the burden of his demons between us.Seconds tick by, heavy and silent. Then, he withdraws his hand.The gesture is not brutal. It is slow, as if exhausted. He rises and moves to the window, turning his back to the room, to me. His back is a straight, rigid line, a rampart rebuilding itself stone by stone before my eyes."You should go."His voice is neutral, metallic. The one he uses for business meetings. The one that leaves no room for argument.My heart misses a beat. After that harrowing confession, after that fragile contact, that is all he has to say? A polite dismissal?I stand up, my knees trembling. Fatigue catches up with me, mixed with a searing feeling of

 TaraThe Bentley glides through the Chicago night, as black and gleaming as a weapon. Beside me, Mike is a block of silence carved into a dark three-piece suit. The air between us is as thick as the bulletproof glass separating us from the city."Don't forget," he begins without looking at me. "The Kowalskis. Very traditional. Very… procedural. Avoid talking about religion, politics, or reminding them that their grandfather was a bootlegger.""Noted: discuss the weather and admire the décor," I retort, adjusting my ring."Perfect. And if one of the Moretti sons offers you a drink, say no. He systematically drugs women he finds too pretty.""A compliment, Mike? I'm blushing."He finally turns his head, his gray gaze sweeping over my dress, an emerald-green sheath that is both armor and provocation."An observation. You are Michael Donaghue's wife. You are a target. Be aware of it."The convoy stops be

 TaraThe visit to the Morettis was a formality. A political necessity to calm minds after the "scene" on the terrace. Mike had decided it, and I had agreed, curious to see Alessandro again on his home turf.The Moretti residence is a baroque palace in the heart of Little Italy, overwhelming and theatrical. The air is saturated with the smell of aged leather, strong coffee, and a scent of bitter orange. Old Moretti, Vittorio, receives us in his study, a den lined with leather-bound books and antique weapons. Mike and he talk business, low voices and measured tones. I am there, a silent ornament, a polite smile.But I feel his gaze. Before I even see him.Alessandro is leaning against the frame of a hidden door, almost concealed in the shadows. He is not smiling. He is watching. Like a feline who has spotted prey and is taking his time, savoring the wait. His gaze is a physical weight on my skin, a scanner recording every detail, from the way

 TaraMike's weight on me is an anchor, holding me to earth after the vertigo. His breath, still gasping, settles into my rhythm. Sweat makes my skin stick to his, a salty mix of anger and surrender. He does not move, his face still buried in the hollow of my neck, as if seeking refuge.Then, slowly, he withdraws.The cold of the air replaces the warmth of his body, a shiver running through me. He rises from the bed, a pale, muscled specter in the half-light. His back, where my nails traced their path, is streaked with red lines. Proof. A mark. He does not look at me, picking up his shirt from the floor before moving to the window. He parts the heavy curtain, letting the cold moonlight flood the room, outlining the taut muscles of his back.The silence is no longer charged with anger, but with something heavier, more complex. The ashes of our conflagration settle, revealing the battlefield.I sit up on the bed, pulling the sheet over m